Top 1200 Tarzan Movie Quotes & Sayings - Page 7

I'm a movie nut. I go to the movies probably twice a week, and if I'm not doing anything at night, I'm usually watching a movie or two.

I can make a movie for $5M, which used to be a routinely low, independent movie, but there's no such thing as that any more.

When you're relegated to go from movie to movie, so much of what you're doing is out of your control beyond creating the product.

There are rules in movies. I did a movie playing a bad cop who was a heroin addict but they wouldn't let me smoke in a movie.

In our age of Twitter and smartphones, there is no controlled release of a movie preview. The enigma of movie stars is lost.

I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.

I did my first movie,a movie called Whiffs, which very few people ever saw.

Any time anyone fires bullets in an action movie that don't hit the target it immediately undermines the movie.

I was originally casted to be in the Superman movie but I read the script and realized that it was mysteriously similar to my screenplay for Zach Braff the Movie.

I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.

People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.

One challenge in this industry is that you adopt a certain look for a movie, and then people don't get to see the movie for a year!

In a zombie apocalypse movie, nobody's ever seen a zombie movie. Or in an alien invasion movie, nobody has ever seen an alien invasion movie, like 'Independence Day.'

When I am sitting in a movie theater with my girlfriends or boyfriend, I think how cool would it be to watch a movie with me in it.

The truth is, every movie is a message movie. It's just that most movies have messages that are in lock step with the status quo.

We know it's being referred to as the robot boxing movie [Real Steel], but truth is, 70% of the movie is the relationships.

Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?

I don't want to see a 'Sopranos' movie. This is just me. I like to think the end is where it was on TV as opposed to becoming a movie.

Any movie I've done, my character has had a secret. Whether it's in the movie or not, it is usually never and it's usually not something I tell anybody. It is for me.

I always have to presume that each movie is my last movie because I never know if I'll get money again.

I love that experience of seeing a bad movie or a movie that you don't even know, and then experiencing it with your friend.

I don't think my name would necessarily draw people to come see the movie. It might hurt the movie, honestly.

I'm not sure that 'Iron Man' is a superhero movie. I think towards the end of the movie, Iron Man pretends to be a superhero - he's entertained by that notion. I think 'X-Men' is a sci-fi movie.

Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.

The golden age of Hollywood was the conceit of the movie and the style of the movie.

Usually, I only get to work a few weeks on a movie, or I often don't make it to the end of the movie because I'm disposed of.

You can tell when you watch a movie, usually, what the actors' experience was on the movie, because even the smallest of roles were interesting.

When I'm writing a movie, it's usually pretty close to what the movie is going to be, which is just a luxury of being a writer-director.

When you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.

I want to do a movie on sports - like a movie on a racer or a marathon runner - as I feel I'll fit that bill perfectly.

If you are not in the red playroom of pain and pleasure, … shooting the movie is much like doing any other movie.

Well, 'Terminator', it's just such an iconic movie in movie history. It's universal. I think it's part of the pop culture of the world.

When I read the first 'Sharknado' movie, I thought it was terrible. I told my wife that I couldn't do this movie, that it would be the end of my career.

I wanted to do a war movie, a western and an alien movie. In reality, there are a lot of ugly things happening in the world.

There's a vast difference between marketing a movie and the movie itself. You try to cast as wide and broad a net as possible.

I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.

'The Sopranos,' for instance, is arguably the best cable show of all time. They could have made a movie, but that show ended so perfectly, it would almost be a disadvantage to make a movie like that. Then again, if you made a 'Sopranos' movie, people would be lined around the block to go see it.

I always felt that if I made a movie, it would be one movie; I didn't see how they could make 26 swimming movies.

The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.

I'm a huge Woody Allen fan. Good movie, bad movie, it doesn't matter - I just like his movies.

I actually think every war movie is an antiwar movie in its own way - with the exception of some of the propaganda movies.

When you make a movie, a dramatization based on the real experience of a living subject, you can't airbrush that away into to a perfect movie arc.

I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.

The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.

It's a mistake to just go make a movie where the whole thing is talking down to the kids like, "Ok, we gotta bring the IQ of this movie down because it's a kids movie" You don't have to do that, kids can laugh and parents can laugh at different parts and that's fun, and you see that with all of the great kids movies.

For me, there is nothing more valuable than how people feel in a movie theater about a movie.

We were such movie nerds - I hate to say this, but yeah, we would just listen to movie soundtracks growing up.

Movie criticism is very subjective and everyone has the right to voice their opinion. You go to a movie and decide whether you like it or not.

I've always had the luck or blessing that someone would say, 'I liked what you did in that movie. I'd like you to be in my movie.'

If you find yourself considering a project that seems like a layup, then you're diluted, or that movie's probably not the right movie for you to be making.

The movie, 'Remember the Titans,' is my favorite movie, staring Denzel Washington. I love the way in this movie the game of football brings those boys together, it unites those boys on that football field. It unites a whole town, black, white, old, young, rich and poor.

Life is like a movie to me. Everybody has their own movie that's playing out every day, and you're writing it.

As a reader and as a viewer, usually when I watch a movie, I'm caught up enough in the movie that I'm not breaking it down to the details anyway.

I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.

When I choose a movie, I'll ask myself: 'Is this a movie I want to see?'

If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.

I am so impressed with people who can really make a big movie, a good movie. The amount of work that goes into it is incredible.

The 'Star Wars' movie is coming out. Disney has kept the details of the movie under wraps because they're not Sony.

If I could spend the rest of my life inside one movie it would be The Godfather, because it's the greatest movie ever made.