Top 39 Tchaikovsky Quotes & Sayings

The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together - with a thin paste of flour and water... I don't think there has been such an inspired melodist on this earth since Tchaikovsky... but if you want to speak of a composer, that's another matter.

Tchaikovsky’s Violin Concerto gives us for the first time the hideous notion that there can be music that stinks to the ear.

A friend gave me a CD of the 'Pathetique' Symphony as a Christmas present. I went home, and I put on the CD expecting to listen to Tchaikovsky. But it started 'ta ta ta taaa.' It was too long for me. I didn't understand it at first, but then I fell in love, in love, in love.

Bach, Mozart, Beethoven, Tchaikovsky were not classical musicians while they were alive and active, they were the rock stars of their day.

The radio station was playing Tchaikovsky's Swan Lake, a sure sign that things were much worse than they appeared.

The trick with 'Nutcracker' was figure out how much, and where, we could the Tchaikovsky - using as much as we possibly could and still support the storytelling.

[Peter] Tchaikovsky's "1812 Overture" was my first go-to song in terms of getting into the zone and getting ready and then I quickly gravitated to rock and roll music in the mid-'60s with the Grateful Dead, Bob Dylan, Neil Young, The Beatles, Crosby, Stills & Nash, The Rolling Stones, Carlos Santana. So many of them are still around and still going strong. I go out to see them all the time.

Deep down, classical Romantic music is what I love: Brahms, Tchaikovsky, the Romantics.

I studied with Felix Blumenfeld, who had studied piano with Anton Rubinstein and composition with Tchaikovsky. Felix, my professor, was the right hand of Anton Rubinstein. Blumenfeld knew his playing by heart, from every angle.

On the corner of 57th and 7th Avenue sits the most famous concert hall in the world. No less a figure than when Tchaikovsky led the first performances in 1891. Virtually every major artist has performed there. There is simply no place like it. The first time I stepped foot in Carnegie Hall was in 1964.

I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with 'Thus Spoke Zarathustra.' He gets a bad rap; he's very misunderstood. He's a maker of individuals, and he was a teacher of teachers.

For me, listening to Beethoven and Tchaikovsky in particular, there's an emotional aspect - very different kinds of emotional aspects from those two composers, nonetheless, very strong emotional aspects from both of those composers.

The heart of the classical repertory is the Tchaikovsky-Petipa 'Sleeping Beauty,' and no ballet is harder to get right.

The only winner in the War of 1812 was Tchaikovsky.

In Berlin... it's important to present a concert that will change their ears... so if you present a Tchaikovsky symphony, you get almost no audience.

Bach, Mozart, Beethoven and Tchaikovsky were not classical musicians while they were alive and active, they were the rock stars of their day.

We're all Vanilla Ice. Look at Girl Talk and Danger Mouse. Look at William Burroughs, whose cut-up books antedate hip hop sampling by decades. Shakespeare remixed passages of Holinshed's 'Chronicles' in 'Henry VI.' Tchaikovsky's '1812 Overture' embeds the French national anthem.

I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with Thus Spoke Zarathustra. He gets a bad rap; hes very misunderstood. Hes a maker of individuals, and he was a teacher of teachers.

Those who were still able to write beautiful melodies were kitsch composers like Tchaikovsky. Tchaikovsky approaches true art not in his numerous beautiful melodies, but when a melodic line is thwarted.

Roll over Beethoven, tell Tchaikovsky the news.

If they can learn to say Tchaikovsky and Michelangelo and Dostoyevsky, they can learn to say Uzoamaka.

I listed to Tchaikovsky. He is both kitsch and profound. I love that lack of "Good taste."

We do a lot of light classical programming with that, too... obviously... a lot of Tchaikovsky music, Grieg, things like that which have become less classical with classical concerts.

I enjoy the kind of characters that allow you to write the dark stuff. I love Rachmaninoff and Tchaikovsky, and when I'm writing for Dracula or Jekyll & Hyde, I get a chance to use that vocabulary.

I usually listen to the same thing over and over again: Tchaikovsky's Violin Concerto in D Major. And Leonard Cohen.

I love anything by Tchaikovsky. He was the real pop star of his day.

He believed that life, true life, was something that was stored in music. True life was kept safe in the lines of Tchaikovsky's Eugene Onegin while you went out in the world and met the obligations required of you. Certainly he knew (though did not completely understand) that opera wasn't for everyone, but for everyone he hoped there was something. The records he cherished, the rare opportunities to see a live performance, those were the marks by which he gauged his ability to love.

So who's perfect? ... Washington had false teeth. Franklin was nearsighted. Mussolini had syphilis. Unpleasant things have been said about Walt Whitman and Oscar Wilde. Tchaikovsky had his problems, too. And Lincoln was constipated.

Until I was around 12 or 13, I only listened to classical music, mostly Tchaikovsky. But around that age, I started listening to Iron Maiden, and that's when I purchased my first guitar, a pearl-white Westone.

My whole trick is to keep the tune well out in front. If I play Tchaikovsky, I play his melodies and skip his spiritual struggle.

I'm in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.

Now I love hoops. I'm a diehard UCLA fan, have been since my freshman year. But basketball is the '1812 Overture.' Pomp and circumstance, fireworks and cannons, lots and lots of fun, and in the end, still Tchaikovsky.

I remember him reading 'Sleeping Beauty,' and he would play the score by Tchaikovsky as he read it. We'd also read 'Winnie the Pooh,' and, you know, those probably that he most often read me were 'Beatrix Potter' books, 'The Tale of Jemima Puddle-Duck' and 'The Tale of Mrs. Tiggy-Winkle.' I still have at least 15 of them.

My tastes went all over the place, from Strauss to Mahler. I was never a big Wagner or Tchaikovsky fan. Benjamin Britten, Tallis, all the early English Medieval music, Prokofiev, some Russian composers, mostly the people that were the colorists, the French.

When I was young, Tchaikovsky was ruined for me by conductors who made it slick and treacly. Hearing Valery Gergiev conduct Tchaikovsky has been a revelation - he brings out all its raw passion. And Gergiev with the super-virtuoso LSO - well, it's just the perfect combination.

Tchaikovsky was one of the great melody writers of all time.

For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.

They say that Pyotr Ilyich Tchaikovsky was a homosexual. Truth be told, we don't love him because of that, but he was a great musician, and we all love his music. So what? I assure you that I work with these people. I sometimes award them with state prizes or decorations for their achievements in various fields. We have absolutely normal relations, and I don't see anything out of the ordinary here.

Russian culture is multifaceted and diverse. So if you want to understand, to feel Russia, then of course you need to read books, Tolstoy and Chekhov and Gogol and others. Listen to music. Tchaikovsky. Watch our classical ballet. But the most important thing is that you need to talk with people.