Top 625 Technically Quotes & Sayings - Page 11

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Last updated on December 22, 2024.
According to one account of the New York City schools during the 1950s: The teacher could not technically hit the child, but the old crones found ways of skirting the rules. The push-probe-pull method was popular, in which the teacher would not hit you, but would poke you with her gnarled, witch-like fingers and grab your face like a taffy pull until you screamed. ... The pull-and-choke was also a favorite. It was executed by pulling the compulsory necktie up like a noose, until the errant boy's face turned the school colors.
It is time to acknowledge the extraordinary sacrifice of all of our veterans. While many Massachusetts soldiers served our nation in a period technically dubbed 'peacetime,' they restored American pride in the wake of Vietnam and helped bring a successful end to the Cold War. The service of these men and women was not without cost. There are countless stories of soldiers who served with great distinction only to be denied veteran status after returning home. Every man and woman who volunteered to serve this country should be treated with the same degree of respect, gratitude and dignity.
[Hazel] hissed in frustration. 'I hate eidolons. I thought Piper made them promise to stay away.' 'Oh...' Frank said, like he'd just had his own daily happy thought. 'Piper made them promise to stay off the ship and not possess any of us. But if they followed us, and used other bodies to attack us, then they're not technically breaking their vow...' 'Great,' Leo muttered. 'Eidolons who are also lawyers. Now I really want to kill them.
First I took a crap on the hooker's chest, then I told her I'd pay her a thousand dollars to eat it. She was addicted to crack, so of course she did it. It was so gross, though, it made her throw up, so I said I'd pay her another thousand to lick all that up, too. She started to, but for some reason she started crying as she was doing it, saying, 'I went to college! I have a degree!' Oh man, it was hilarious. I don't know if it was technically sex because I just beat off on her face, but definitely one of my most intense orgasms.
On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.
There are women who live in U.S. with maybe one abortion clinic. The right wing is trying to make it impossible for women to get abortions, even if they are technically legal. This is done in a literal way? - ?you can't get to a clinic, you can't afford it, you have to tell your parents? - ? and by making it something that young people feel they can't talk about, can't ask for help with, can't do anything about but try to either induce abortions on their own, alone and unsafely, or have children they don't want and can't care for. It's just an assault on all sides.
For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
If you have a lot of short-term debt, it means that all of that money can be demanded in a very short period of time. Technically, short-term debt means money that's coming due within a year. Typically, it means money that's coming due within 30 to 90 days.
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
People are making a lot of music and higher and higher quality. I can't say the same thing for how people are listening to music. People are hearing music through terrible speakers, little computer speakers, there's a lot to get back to in terms of hi-fi and people listening to better quality, technically better quality music.
The problem was that Panama technically belonged to Colombia, which refused to sign a treaty leasing it to the United States. So Roosevelt sent a gunboat filled with marines down to Panama, just on the off chance that a revolution might suddenly break out, and darned if one didn't, two days later. Not only that, but the leaders of the new nation of Panama-talk about lucky breaks!-were absolutely thrilled to have the United States build a canal there. 'Really, it's our pleasure,' they told the marines, adding, 'Don't shoot.'
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
I may not be funny. I may not be a singer. I may not be a damn seamstress. I may have diabetes. I may have really bad vision. I may have one leg. I may not know how to read. I may not know who the vice president is. I may technically be an alien of the state. I may have a Zune. I may not know Excel. I may be two 9-year-olds in a trench coat. I may not have full control of my bowels. I may drive a '94 Honda Civic. I may not “get” cameras. I may dye my hair with Hydrogen Peroxide. I may be afraid of trees. I may be on fire right now. But I'm a fierce queen.
To this day I am not convinced of having brought together with me in Germany the technically best players that could have been. But I was firmly convinced I called the ones that could create a team, and they could play with one another to the best of their possibility. In this day and age you win if you become a team. It doesn't necessarily mean that you've got to have the best football players in the country. It's possible that the best, all together, don't become a team. It's like a mosaic, you have to put all the pieces together.
Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?
I'm close to being a vegan, but I'm not one, technically. I don't eat eggs, or nearly any dairy - no cheese or milk. I do eat honey, and a piece of milk chocolate here and there. It's never really been that hard for me. I've never had any desire to eat meat. In fact, when I was a kid I would have a really difficult time eating meat at all. It had to be the perfect bite, with no fat or gristle or bone or anything like that. I don't judge people who eat meat - that's not for me to say - but the whole thing just sort of bums me out.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
Technically, on the spectrum of very bad things, they did nothing truly wicked. But of course, that spectrum has no measure for the greatest of all carnal sins, the kind that occurs before skin touches skin, before wondering turns to yearning, yearning to having, having to holding for dear life, when two people cling to each other so desperately that even when they lie, inches apart, neither is fully satisfied until the light between them turns to darkness.
The selection of MediLab came after an extensive evaluation process. The laboratory in Zambia presented many challenges such as rapidly expanding services and capacity, the need to coordinate laboratory services for 16 and soon to be 24 clinics in the Lusaka district alone, the need to automate recording and dissemination of results and the need for a robust, expandable, user friendly and technically supported LIMS system. The technology and international experience of MediSolution made MediLab an obvious choice.
Will we go explore? Absolutely. That's what humans have been doing since we left the caves in Ethiopia. Why? Because this is part of our nature. We're curious. We want to push the envelope. That will never stop. We will see people on Mars, hopefully in our lifetime. My hope is that the endeavour is so large, so complex, so technically challenging, so demanding and so uplifting, that it will be done with a consortium of nations. I hope the people who do set foot on Mars will do so for all mankind, and not just one nation in particular.
You can't take yourself too seriously. Like, yeah, I'm doin' all that, but still I don't feel like I've done anything, really. I feel blessed 'cause I'm doin' all these things, but I'm not satisfied. I still have that feeling like, "Who am I? Who am I to have an ego? Who am I to change up and act like some Hollywood character?" Technically, in the grand scheme of things, I haven't done anything.
Most people believe that inequality is rising - and indeed it has been rising for a while in a number of rich countries. And there is lots of talk and realization of this. It's harder to understand that at the same time, you can actually have global inequality going down. Technically speaking, national inequality can increase in every single country and yet global inequality can go down. And why it is going down is because very large, populous, and relatively poor countries like India and China are growing quite fast.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.
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