Top 1035 Teenage Angst Quotes & Sayings - Page 15

I think teenage impatience is just plain human nature! I think every generation has to cope with different circumstances, different problems. But it's the world that's changed. Human nature hasn't.

It's getting harder as I get more known. Even though it's my break, I couldn't really go out and get drunk - because people expect you to be training and getting up early. But I'm not bothered about missing out on normal teenage things.

Like virtually all of the women I know, I spent my teenage years battling with my body and feeling I wasn't good enough. A lot of that negativity is because I was pursuing a career in modeling and was told countless times that my body was too big. My hips and thighs were too wide.

I have often wished in the past few years that my mom were here to help me as I raised my own teenage son. As a girl, with my own mom, I thought I knew it all; now I know better. Somewhere, I know my mom is smiling.

I didn't want to make teenage comedies, and I didn't want to make really trashy films. I wanted to make films that were a bit challenging.

Given the final futility of our struggle, is the fleeting jolt of meaning that art gives us valuable? Or is the only value in passing the time as comfortable as possible? What should a story seek to emulate, Augustus? A ringing alarm? A call to arms? A morphine drip? Of course, like all interrogation of the universe, this line of inquiry inevitably reduces us to asking what it means to be human and whether—to borrow a phrase from the angst-encumbered sixteeen-year-olds you no doubt revile—there is a point to it all.

I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.

I had some struggles later in my teenage years. I moved away from home and struggled a little bit being on my home and finding out who I was and trying to mix that with my faith and make it real. I learned a lot of lessons and made some mistakes along the way.

I was a huge horror fan, especially in my teenage years. Back then, there were a lot of Italian horror movies - some zombie, some just really strange movies that made no sense. I was really into shock and gore.

A new biography came out that says that in high school Obama was a huge pothead … Mitt Romney had to respond to this and said, ‘It is appalling that Obama spent his teenage years goofing around and smoking pot when he should have been pinning down gay kids and cutting their hair.

Twenty years ago, teenage boys in the United States drank twice as much milk as soda; now they drink twice as much soda as milk.

When I was in my teenage years, I went to sign up as a cadet entrant to the police force but was at the very last moment rejected, just as I was about to sign my name on the dotted line. I won't get into why that happened, but it was a moment where it could've been predetermined then that I was off to become a policeman.

What a horrible feeling that is, to know that if the disease [AIDS] had primarily affected PTA presidents, or priests, or white teenage girls, the epidemic would have been ended years earlier, and tens of thousands, if not hundreds of thousands of lives would have been saved.

'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed.

They had this movie called Juno about a teenage girl who gets pregnant and it's nominated for an Oscar. That's an unusual experience for me, 'cause when a black girl gets pregnant it ain't no Oscar. It's social work and a box of condoms is what that is.

I like trying jokes and seeing the response, and if I end up doing it in my act, it won't be 140 characters. Twitter is helpful that way to me. It's like a message in a bottle. But a lot of times I think I tweet the stuff I would like to say to teenage me.

Our teenage "druggies" are habituated to drugs rather than addicted. While beer and other alcoholic beverages are preferred drugs, kids have simply not used alcohol long enough to become addicted. The other drug of preference - marijuana - is not addictive.

I preferred that option, where my camera (and by proxy, me) could look them straight in the eye. The way they reacted to me was always interesting. Sometimes hard young men would reveal vulnerability and a softer side. In the case of teenage girls, I often got a fascinating glimpse of the woman inside.

You make that climb, take it step by step and hopefully the view is great. I try to be a friend for Miley. I know that's not everyone's parenting style. But I try to be a friend, a partner as a singer, actor, songwriter and let her be a teenage girl and do her thing.

From their teenage years on, children are considerably more capable of causing parents unhappiness than bringing them happiness. That is one reason parents who rely on their children for happiness make both their children and themselves miserable.

Saudi Arabian police arrested seven teenage boys for leering at women. In accordance with Saudi law, the boys will be whipped and the women will be stoned to death.

Everything Brecht wrote—plays, dialogues, and poetry—was his attempt to clarify the inner contradictions not only of the capitalism and fascism of his times, but also of the communism that was always disappointing his deepest hopes. In a book that makes Brecht’s struggle to reveal these hidden contradictions its central theme, Glahn issues, by implication, a call to arms to today’s artists—who are faced with a world that seems to defy attempts to treat the global crisis with an art that is rarely more than notes on ‘local’ angst.

Ashley Graham on the cover certainly better than nothing. It would have felt revolutionary to me as a teenage girl, for sure. But really, all they've done is include a very conventionally attractive woman who is two to three sizes bigger than the model they would usually use.

Every new thing upsets people. We all know someone that has a teenage kid who sits in the room and the television is on, their iPod is on, they have the computer on and at least three other electronic devices going while they're doing their homework. It drives the dad nuts, but he can't complain because the kid's a 4.1 (GPA) student.

On a personal level, I've seen a lot in my time as attorney general, but few things have affected me as greatly as my visit to Ferguson. I had the chance to meet with the family of Michael Brown. I spoke to them not just as attorney general but as a father of a teenage son myself.

People try to be more edgy, or write about that first explosive meeting between two people in a club, but not so much the long-term issues; I don't know how to write a song about teenage heartbreak anymore.

I grew up in predominantly black neighborhoods and went to predominantly black schools. And hip-hop is what I grew up listening to in my teenage years. Basically I'm just being myself.

Name me, if you can, a better feeling than the one you get when you've half a bottle of Chivas in the bag with a gram of coke up your nose and a teenage lovely pulling off her tube top in the next seat over while you're doing a hundred miles an hour in a suburban side street.

In a weird way, 'Veronica Mars' was my reaction to 'Freaks and Geeks' because 'Freaks and Geeks' was the show I wanted to write, the one I wanted to create, where there was no gimmick; you didn't have to have a teenage private eye. It was just these beautiful small stories about real kids.

Magnus had often thought of getting a pet, but he had never considered acquiring a sullen teenage vampire. Once Raphael was gone, he thought, he was getting a cat. And he would always throw his cat a birthday party.

My dad always had music playing around us and he was always a happy chirpy man with a beautiful voice. I was always singing around the house and I assumed that's what all families did. It wasn't until I went through that nasty teenage stage that I started to realise that wasn't the case.

I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.

I always give three pieces of advice to all the teenage girls when I do my talks: long country walks - it's important to get some fresh air in your lungs, and be in contact with your body; masturbation - it takes the edge off, it'll get you through; and the revolution - believing in changing the world.

I think more people are going to continue reading YA as well as reading other books because they have learned that they can find books there which they will truly love: a teenage protagonist is close enough to adult so readers of whichever age can sympathise and empathise with them.

I had just been sort of raised and formed in a general Christian context, and it seemed to my teenage self that I found the argument for Catholicism very compelling. To the extent that there was a personal driving force, it was more on the intellectual side of things than the mystical or deeply personal. When I converted, I thought it was true.

Ask any teenage girl to describe her perfect bedroom, and you'll get answers like 'a room with a private phone line, a place to hang out with friends, and for it to be way-cool and funky.' Ask parents the same question, and 'a locked door that opens on their 21st birthday' might top the list!

'Looking For Alaska' by John Green is a very great book. I feel like every teenage girl says John Green's 'Fault In Our Stars,' but 'Looking For Alaska' is better.

I'm very happy with my life and career, but I do find myself having serious attacks of nostalgia, and I don't quite know why. Even though I've got to travel the world and do amazing things, I still want to go back to my teenage years and change little aspects of it. It's strange, but it does continue to bug me.

The other day at a drive-through, I reminded the teenage girl serving me that she forgot my drinks. She looked at me, hissed, rolled her eyes, and then took her sweet time getting me the sodas.

I fantasize about going back to high school with the knowledge I have now. I would shine. I would have a good time, I would have a girlfriend. I think that's where a lot of my pain comes from. I think I never had any teenage years to go back to.

We're in a culture where everything is either consumption or production, so child care is either a very, very bad-paying form of work or a very expensive luxury that you purchase. There isn't a good place in our picture of the world for what caregiving is about. Even teenage babysitters have sort of disappeared from the scene.

I grew up watching the films of 'Carousel' and 'Oklahoma' and 'The Music Man' and 'My Fair Lady' - all the classic musicals of that golden era, The sort of more modern musical theater, or what was modern when I was at a ripe teenage age, I wasn't really listening to that stuff. I was really more raised on the classics.

The stark truth is that as long as the welfare state makes it possible for young women - or teenage girls - to have children without a husband and survive without a job, out-of-wedlock births will remain ruinously high, and the inner city will continue to be marked by crime, poverty, and despair.

Love is ease, love is comfort, love is support and respect. Love is not punishing or controlling. Love lets you grow and breathe. Love's passion is only good passion -- swirling-leaves-on-a-fall-day passion, a-sky-full-of-magnificent-stars passion -- not angst and anxiety. Love is not hurt and harm. Love is never unsafe. Love is sleeping like puzzle pieces. It's your own garden you protect; it's a field of wildflowers you move about in both freely and together.

I'm very interested in the way the Internet has changed teenage life. Obviously it's very different from when I grew up, when there weren't even answering machines, much less computers. I was telling my children this the other day, and the little one said, "Did you have electricity, Mom?" and I was like okay, enough, kid.

Just that, is one of those uncommon moments, those times when you don't wish for something else, for even one thing to be different; when you have no other needs or worries, where your insides are calm, and everything you were ever restless about, anything that had ever given you angst, is quieted to stillness. No steel ball in your chest, no breathless fear. No blue numbness of nearly passing out, no nagging doubts of the backstage mind. All of that, forgotten. It is just rightness, so rare.

Before 'Veronica Mars,' I was not, and probably am still not, much of a crime reader. My mom left out a copy of 'Helter Skelter' when I was 10, and I secretly read it, and then I spent all my teenage years afraid of hippies. I kept away from crime books for, like, ten years.

For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.

In the end, I feel that one has to have a bit of neurosis to go on being an artist. A balanced human seldom produces art. It's that imbalance which impels us. I often think that all I want to do now is to avoid suicide, accidental or otherwise. Other than that, I think living on the edge is what drives my work and me beyond a certain point. The artist lives with anxiety. When you finally reach a plateau of achievement, there comes a new anxiety - the hunger to push on still further. That angst is what makes you go forward.

I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.

'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.

I lived my teenage years in my 20s when I sort of left home and became Elton John success, then it became Elton John excess... Everything I couldn't do when I was younger I did 10 times over. I was having the time of my life. I was becoming the person that I wanted to be.

I get up, upload a video to YouTube, eat, sleep, and check all my social medias, eat again, sleep some more, watch 'Dancing With The Stars' and go to sleep for the night. Just your average teenage girl, give or take a decade.

You can't cheat kids. If you cheat them when they're children they'll make you pay when they're sixteen or seventeen by revolting against you or hating you or all those so-called teenage problems. I think that's finally when they're old enough to stand up to you and say, 'What a hypocrite you've been all this time. You've never given me what I really wanted, which is you.

I tried to take advantage of the fact that I was not used to making a movie. Movies are still so new to me so I had to use my fascination, and the fact that I'm almost a teenage filmmaker, to my advantage. And that's why I don't pretend to have made a good movie... but one that people are able to feel the love I have for this industry.

I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.

I don't want to just be a teenage star. I want to be known by parents, and I want them to go, 'Oh I love that song; he's really good for his age. My daughter loves him, but I love him, too.'

I always wanted to be a part of Nicolas Winding Refn world, but knew he would never make a movie that has a teenage girl as a lead. Obviously not. Then I heard he was and it was in the fashion world. What? Just combining what we think of [with Refn] - masculinity and violence - in his films with that world was so interesting to me.

You condition a vulnerable boy at puberty to become aroused by brutality. It's the violence, not the nudity. Frankly, I wouldn't mind if every teenage boy had a subscription to Playboy. They'd be looking at attractive naked female bodies while they masturbated, not eviscerated female bodies.

Girls would say: "I have a boyfriend for that." So in addition to putting their pleasure literally into someone else's hands - an inept teenage boy - these are the same girls who say they do not climax with a partner. It's the opposite with boys; they say because they can do that themselves, girls should perform oral sex.