Top 1200 Television Drama Quotes & Sayings - Page 10

I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.

I love making movies, I love the differentness of it, I love writing. But I've always liked television. I grew up on television.

I hate going to L.A. and dealing with the contempt people have for television and television actors. Its unbelievable the kind of attitude people take toward what is the most exciting medium weve got right now.

Television is a media of crisis, which means that television is a media of accidents.

When I was a kid, there was unhappiness in my family - was dealt with partly by escaping to television. And from a very early age, for whatever reason, I became scornful and resistant to and angry about that. And some other time in my life, I realized that there's a lot I loved in television.

I loved The Sarah Connor Chronicles that Josh did, and I loved that it was a family drama with a huge, different element. And this is also a family drama with a huge, very different element. I think he'll kill it. It will be great.

I have now become so infatuated with television. I think television has become elegant.

I think it's become fashionable for the snobbish egghead today to make fun of television. I've heard many people, boast, "I would never have a television set in my house," well, these people are fools.

You don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed. So a lot of that doesn't take place on television, at least the television I was doing at the time when I first started.

Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.

I've always thought that comedy was just another dramatic expression. I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama. There's a lot of bullshit drama that leaves you totally cold. And there's a lot of wasted comedy time too. But when you get something honest, it doesn't matter what label you give it.

The crazy thing about television is that you are rarely allowed to grow. You are molded into a character based on some of your strongest traits, and you are forced to stay that way for your entire television life.

The fact is that television, even before the movies, offered the chance to control our work and to get to do it again when we did something right. So television has always been better to writers than any other medium for a long time.

I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.

I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.

I probably watch less than one hour of television a week. And when I do watch television, it's usually a football game. Sometimes I'll watch a news broadcast for a few minutes. Otherwise, I don't have time.

I look at television as a giant commercial for promoting this mission that I'm on. It's the best way for me to show that girls can be anything they set their minds to. I don't do it for the fame, and I most certainly don't do it for the money. It's sad that a lot of people want to get into television specifically for that reason.

Television watching does reduce reading and often encroaches on homework. Much of it is admittedly the intellectual equivalent of junk food. But in some respects, such as its use of standard written English, television watching is acculturative.

I don't know exactly when I started watching television, but I know that Muppets and Smurfs hold privileged places in my memory. Without television, I surely could have mastered several classical languages or learned to play the violin, right?

People have said that I said I hate television. I never did say that. What I said was that I hated a lot of stuff that was on television. It's nothing about the medium itself.

And then I went into television; and then television moved from the East Coast to Hollywood.

I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.

As an actor what you're always looking for is a character that is going to grow and change especially on television. I feel incredibly lucky to be working on a television show where the writing is always geared towards us growing and changing.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

Fake is not a word I like to use because there's nothing fake about what I do. It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake. Fake would be if I was just about to take a body slam, and my stuntman did it. Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber. I'll tell the world that it's a show, but I hate the word fake. It's such an unfair term to us.

I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.

People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.

I was a poor kid. I grew up watching film and television but primarily television. And I graduated high school, and I knew I wanted to go to college because nobody in my family had. So I was like, 'I'll go and be a theater major.'

I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.

I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?

Reading not only enlarges and challenges the mind; it also engages and exercises the brain. Today's youth who sits mesmerized by a television screen is not going to be tomorrow's leader. Television watching is passive. Reading is active.

When I first started acting, I had all these ideals about the kinds of roles I wanted to play, but the reality is that when you do television - and I do a lot of television - you get cast for qualities that you have as a person. So I look for qualities that I like to portray.

You put this face on television, week in, week out, they'd stop me and they'd say, 'Hey, Roy, how are you doing?' They'd know who I was, what I was, what I looked like, and what I did - all from seeing and hearing it at the same time on television.

I built a very methodical television show around my business. I learned how to use television as a platform to advertise products. I created a platform showcasing the stuff that I build. It's taking the integration model to another level.

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

Drama if I sing, drama if I dont sing. What do you do?

I just walk how I walk. But I am also really inspired by the physical drama in silent films from the beginning of the 20th century - it's ice cold and unreachable, like the stare of a sniper! I guess this look is something new that I brought into the world of fashion: a dark and dramatic, 19th century Russian literature and drama inspired look.

When I left school at 16, I became an apprentice television and radio technician, and was paid £17 a week, which was decent money in 1976. But the job turned sour when I gave myself an electric shock while repairing a television set.

And as a character, what I found very inspiring about playing Dharma, especially at that time, is that the women on television were more neurotic than they were free. And I thought, this is a rare bird and this is unique on television and I think it's really refreshing.

Television has always been our No. 1 competition. But I know firsthand that you can create an experience you can't get on television. I also know that the social experience has an appeal.

Another possible source of guidance for teenagers is television, but television's message has always been that the need for truth, wisdom and world peace pales by comparison with the need for a toothpaste that offers whiter teeth *and* fresher breath.

In Halberstram's fun house, television elected John F. Kennedy in 1960 (presumably Richard J. Daley and his precinct captains were at home on election night watching the Cook County ballots being counted on television).

I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.

Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.

The 1990 'Goodwill Games' can be another indication that the television world is not divided between commercial and cable. If the viewer thinks highly of our efforts... they will have a higher opinion of cable television and TBS.

TV was my life, growing up. I ran home from school to watch television, and even did my homework with the TV on - my mom had a rule that as long as my grades didn't fall, I was allowed to. So it was my dream to work in television.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

I really like working in television and I like exploring a character over a longer period of time, and I like the consistency of television.

I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.

The great thing about adventure, when told correctly, is it is one of the few genres that everybody in the family can watch together. Our television has become so targeted, it's so specific that there's literally nothing else on television that grandparents are watching with their grandkids, and they're both entertained.

Television is dead. And television will not be reborn. It will not come back.

The closest I came to doing anything that I wanted to do was to try and check and see what industries were just starting out. There was plastics and television, and I figured television had to be more fun than plastics.

Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, "Oh, my God, this is television. It's very different."

I really enjoy doing films, but I also love television. I certainly would not be against doing some regular television work and being on a show that runs several years.

She's television generation. She learned life from Bugs Bunny. The only reality she knows comes to her through the television set.

I just feel incredibly lucky. I went to drama school and about 28 of us graduated. I graduated from drama school in 2000, and I would say about two of us are working and able to make a living out of it. It is a tough profession. To have the kind of success I have had is really amazing, and I am incredibly grateful.

When I first started getting into acting, I was doing improv in acting class, and I had done a serious monologue and everyone was cracking up laughing and I went to the drama teacher and said I don't want to be the class clown anymore, I want to do serious work, too, and they loved that, and so I started mixing in drama.

Television watching should more properly be called television staring; it engages eye and ear simultaneously in a relentless and persistent way and leaves no room for daydreaming. This is what makes watching such an inferior form of leisure