Top 1200 Television Show Quotes & Sayings - Page 18

Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.

I've always been a super-fan of television storytelling. It took me a while to figure that out in a career capacity, but certainly in a life capacity, I've been an avid viewer of television for decades.

The way he discovered Paula White was watching Christian television and Mr. Trump has always been a huge fan. He'd always watch Christian television. He loves Southern Gospel.

You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.

This is not about the aesthetics: there is a rule in a society: "Whoever you deal with, makes you become them", therefore watching the efforts of para-athletes can bring the temporary mobility disorder. If we want humanity to develop, the television should show us people who are healthy, beautiful, strong, honest and wise - not perverts, murderers, weaklings, losers, idiots or invalids.

When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.

[With depression] you get a real sense of shame, because your friends go, 'Oh come on, show me the lump, show me the x-rays,' and of course you've got nothing to show.

Television is an excellent training ground for a director. If you work consistently in television, as I did, you have to come in on time and on budget. What you are allowed in feature films are, fortunately, more time and a larger budget.

When I was younger, I definitely had more of a dream, as they say on 'American Idol,' that I would have my own show. I always thought that that was something that would happen, that eventually I would just get my own show because anyone who wants their own show should get their own show.

Good television people have a sense of what television people relate to.

'MyMusic' is a great showcase of what we can do as creators on a modest budget when we're given the opportunity to put together a television-sized project, and hopefully, whether it's 'MyMusic' making that transition to television or having something sprout off from it, it's an exciting time to be a creator.

I think it always makes for great television when two characters actually take time to realize that they want to be with each other. You have to leave it to the writers to know what makes great television.

Children from the age of five to ten should watch more television. Television depicts adults as rotten SOB's given to fistfights, gunplay, and other mayhem. Kids who believe this about grownups aren't likely to argue about bedtime.

That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.

Radio was, in a way, a very philosophical medium. You could make an argument on the radio, and people listened to it. Television is already harder because people's attention span becomes shorter with television. Cut to a commercial and all that.

Hosting a show, even a talk show or a game show, there's so much business you have to conduct. There's so much guiding you have to do.

I did 'Red Riding,' which is TV in the U.K. It became a feature project in North America, but we're in a great era of TV. We all know that, and we hear it all the time, but for filmmakers, it's just a godsend to have your television writing and work to do on television, and the means to do it properly.

Democracy means free television, not good television, but free.

Donald Trump threatened to file a defamation suit against me for running a TV ad that consisted only entirely of his own words on national television. Now, that's really a remarkable theory, that it is defamation to show people what he said on national TV. I think the voters are smarter than that.

A lot of television stuff is mean-spirited, and I think that's how political advertising got so mean-spirited, to where people are throwing things at the television set every time we have an election.

I never tire of the heroes that I knew growing up. The fun is not that much different from doing a television show: You're stuck with a certain set of rules, and then, rather than trying to break them, it's just trying to peel away and see what's underneath them. That to me is really fun.

Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.

I never have my CNN off, it's on the whole day. I don't want to be out of range of television. I'm constantly bombarded by information - Somalia one second, Haiti the next - I need that constant pounding. I couldn't write without television. I need to have the world in my room.

People think I appear on television to promote my image. That's not fair. I hate filming. I turned down 'Strictly Come Dancing.' But television is a wonderful opportunity to promote scientific ideas. 'Super Doctors' is a very thoughtful piece.

We're enlarging in every single area of the ministry at In Touch. We're on radio and television. We're in over 110 million homes in America plus radio on satellites. We just acquired the NAMB FamilyNet television network, and with that expanding possibilities of the gospel.

'Glee' is produced with three people and written by three people. In my mind, I don't believe there's any other show on television that was written by three people. The fact is there are shows that have 14, 15, or 16 people writing them.

Steve hadn't been to acting school. He had no preconceived notions. His background was exactly what you see on television; he's done that all his life. We thought we'd do one show. What happened was, it did really well, so we did a part two. And from then on, we found that Steve's natural behavior in the wild happens to be fascinating!

Every TV show is a crapshoot, really. But every once in a while, a show gets anointed as 'the show.'

Television is a lot more fast-paced, where with films, you really have the ability to get to know your characters. When I was doing guest star roles, I was only one, like, one episode of a thirty minute to an hour show, so you don't really have time to get to know my characters.

When you're done with a job, even if you do stay in contact with certain people, it's never quite the same. It's a unique experience when you're working on a film or a television show together. You're together for 16 hours every day, sometimes six days a week. You're just never going to have that proximity again. So you miss people.

I will do a big-budget film. I will do an indie film. I will do a short film. I will do a digital platform show, television, and even theatre. I don't have any restrictions in terms of platform as long as the content is something that I find interesting.

Because of the power of television, I was visible to everybody all over the world. But there are many things in the theater that are more fulfilling and that I look forward to doing more. But really, I love it all: theater, film, television.

Comic books are just a way to show a story. Then there are the movies, and television and exhibits like this that take the stories and make them seem so realistic. In the comic book, you're just reading a story - hopefully a good, exciting story that whets your appetite for all of this stuff to come.

'Freaks and Geeks' was my favorite show when it was on, by a wide measure. And that's the show I wanted to do. I noodled with the idea of doing a show about teenagers that told small stories, small moments of personal growth.

I fell in love with stories watching a British television puppet show called 'Thunderbirds' when it first came out on TV, about 1965, so I would have been 4 or 5 years old. I went out into the garden at my mom and dad's house, and I used to play with my little dinky toys, little cars and trucks and things.

The fact 'Twin Peaks' had a life at all took most of us in the cast by surprise. We thought it would be too unusual for network television. The original intention was that it would be a two-hour movie. If the network didn't want to pick it up as a series, it could just show that. But ABC took a chance.

I enjoy construction and the process of building things, so maybe I'd be a developer of some kind - residential and commercial. Because I produce a lot of television now, I enjoy building things from the ground up, whether it's a physical structure or a show, and seeing them and realizing them.

I like working in both movies and television. Television is faster, not very much rehearsal and a lot of material is shot in a day. Big budget movies are luxurious in terms of the schedule. Independent films often shoot fast as well.

In France, it is television that pays for films to be made and I received all of my funding from TV: two television channels, government funding and distributor contribution (Wild Bunch). My films are low-budget, and not expensive [to make].

I think it's brought the world a lot closer together, and will continue to do that. There are downsides to everything; there are unintended consequences to everything. The most corrosive piece of technology that I've ever seen is called television - but then, again, television, at its best, is magnificent.

Nowadays children look at everyone in the magazines and they want to be a basketball star or on a television show, but there is only so many people who can do those things and not that you shouldn't aim or dream for these things, but there are so many other fantastic jobs. So it's good to talk about how to get there and how difficult it is to get there.

It would be wonderful to become what Oprah has become: she is in such a class of her own, as an entrepreneur, as a performer and an icon. The idea of building a series of programmes and choosing people that I think have talent to do them would be a very interesting idea. I would love to show that television can have soul, depth and range.

Star Trek, I thought, was a very inconsistent show, which at times sparkled with true ingenuity and pure science fiction approaches, and other times was more carnival-like, and very much more the creature of television than the creature of a legitimate literary form.

If watching television doesn't hasten death, it surely manages to make death very inviting; for television so shamelessly sentimentalizes and romanticizes death that it makes the living feel they have missed something - just by staying alive.

It's funny, 90 percent of what I've done has been television, and I never really wanted to do it that much. I was really interested in film and theater. What's ironic is that when I started doing television, I did a bunch of amazing shows all in a row, starting with The Corner.

Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.

A lot of comics fly by the seat of their pants, and they pride themselves on being witty, quick, and off-the-cuff. That's not my show. I wrote a show, and I want to do the show I wrote. I'm not interested in what the audience has to say.

I come from theater, so I'm used to the hierarchy of an actor is just on the ladder, and above that is a director, and above that is a producer, and above that is a writer. But on a television show or film, the whole call sheet thing and being No. 1 on a call sheet, people look to you and almost expect you to exercise this power for good or bad.

There's a lot of politics in television and a lot of in-fighting and all that sort of stuff, but in the end, we are purveyors of entertainment. Viewers are not really bogged down in who's doing what and who hates who and who's doing best in the ratings. They watch television to be entertained.

I don't watch television! At least not when I'm traveling. For some reason, I have always found it depressing to watch television in hotel rooms. I try to use that time, as well as time on planes, to write.

Television has changed. There's obviously the generic shows, but on HBO and AMC, there are some really great series, so I'm not closed off to television. If there's an amazing role with amazing people and a great story, I'd definitely be open to it.

In 'Chernobyl,' which was created and written by Craig Mazin and directed by Johan Renck, the material culture of the Soviet Union is reproduced with an accuracy that has never before been seen in Western television or film - or, for that matter, in Russian television or film.

In a moment, or type of pressure, you just go out, and I play like I always do. Because it's a big moment, I'm not going to shy away and not show my talents. I'll show what I can do and show it every game.

The absolute key difference between television and radio is the ability of radio to communicate. With television you can watch the screen and your mind can be anywhere. On radio it requires a certain amount of discipline from the listener to follow what's being said.

We tried to do a show once every three weeks to a month. We'd always do a new show. It was not successful. It did not become the Matt & Ben show, but it taught me what I like to do as an actor and what I like to do comedically.

One week before my 17th birthday, I had a blind date with June Rose, a television actress on network soap operas, a model, and a regular on the popular Dick Clark's Saturday night 'American Bandstand' show from New York. We were married five years later, one week after my graduation from Columbia.

Television is where the best work for women is right now. I would love to do more movies, but the reality is women have many more opportunities on television to play a greater variety of characters.

The bias against the show is purely elitist. We're all like the people on the show - the difference is that some of us speak better, or were born richer. There's nothing that happens on my show that rich people don't experience.

I think because the show ["Grant MacLaren"] is essentially a hopeful show. The show says that as bleak as the future is, the one thing that mankind developed was the ability to send their consciousness back and where a lot of the institutions of modern life have fallen apart.

One of the things that's, I think, hard in television is that there's a certain sameness to a lot of television because you're working in a very constricted box, and the box is defined by the amount of money you have to spend and the amount of time you have to get ready.