Top 1200 Television Show Quotes & Sayings - Page 19

Film and television are just different. Film is cool because it's a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so it's constantly a mystery as to what you're going to be doing.

If I can drive down the road in my car and listen to XM satellite, and when a song gets beamed into my car, it can tell me who wrote the song and what the damn lyrics are, why, when you broadcast a digital signal of a film, can't it speak to your television to set up a list of settings to show the film in the way that it was meant to be shown?

For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing.

I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.

The desire to keep television out of our son's life was one of the few parenting priorities my husband and I agreed on from the beginning. We debated the pros and cons of co-sleeping, of pacifiers, of chemical-free crib mattresses and baby sign language. The television question, on the other hand, was a no-brainer.

If you want to use television to teach somebody, you must first teach them how to use television.

It is no accident that television has been dominated by a handful of corporate powers. Neither is it accidental that television has been used to re-create human beings into a new form that matches the artificial, commercial environment. A conspiracy of technological and economic factors made this inevitable and continue to.

Being on a show like 'Fear the Walking Dead,' I started to learn more about camera work, learn more about the way the crew operates, and had more of a stronger opinion on how I think a television director can operate in the healthiest way.

I'm a huge fan of good, procedural-type shows on television... there are a lot of roles for women. But there aren't a lot of great network television roles for girls that will let you start a character in one place and finish up with her in a totally different one.

My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state.

Some day we're gonna have interactive television where you can pick the shot that you want. You can watch defense, or you can watch the end-zone shot, or you can watch an isolated shot of Terance Mathis or whoever you want to. Because right now, the only thing that you watch is what the producer or director decides to show you.

There's a show on Comedy Central that I love called 'Nathan for You,' which is kind of a reality show, almost a prank show, where this guy Nathan Fielder goes around helping struggling businesses. He's so hilarious and so awkward.

I wanted 'The South Bank Show' to reflect my own life and that of the team around me; to stretch the accepted boundaries and challenge the accepted hierarchies of the arts; to include pop music as well as classical music, television drama as well as theatre drama, and high-definition performers in comedy.

I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.

After I went on 'Drag Race,' I was allowed to do so many things. I was allowed to do theater, commercial work, television work, modeling, fashion design, and it was great. But the thing with reality television fame is that it's got a pretty quick expiration date.

The way we score is complicated. The rules are strict. The goal on the court is to show nothing, and then when you show something you are a bad person. Getting angry is not allowed. The show that you see on TV is not exciting, like the NFL or NBA, because you are seeing robots.

I'm happy doing stand-up, but I'll probably do a television show eventually. If not, I'll delve into this Internet world and decide best how to harness it. What I like best about it is the independent movie style and the ability to just be completely reckless within that world. I like that a lot. I just have to acquaint myself with technology.

It makes sense that it's so different from film and television, because it's so in-depth. As actors, when we're in film or television, we can have transcendent moments and we get to work with really creative and incredible people, but it's such a small percentage of your time that's about your process.

Watching television requires no skills and develops no skills. That is why there is no such thing as remedial television-watching.

There is a trend in the whole [U.S.] culture toward making things shorter. People have been watching too much television, and they have a television mentality. I think people really are wary of sitting in a theatre too long. They're not used to it.

Kristina, my wife, and I thought about this one day when the kids were, of course, watching television. And we took a big blanket and put it in the backyard and said, 'Let's go out on our back and look at the sky and call it sky television.' We saw all kinds of things.

When I was a kid, I had ambitions for being a television announcer, which was before television took off, you know, in the late 40s. And just through necessity, going out looking for work, I was starting to sing, and dance, and act, and I never expected to do that, nor to have any success at it at least.

The tough decisions that a president has to make in the Oval Office are in no way related to the capability of a person to do well on television. On the other hand, the capability of a person to project favorably on television enhances that person's odds of being elected so he can serve in the Oval Office. So you can't ignore the talents, one, to be very effective on television, and on the other hand, to be very effective as an operating president.

In my early thirties I was working in television as a researcher. I was really stuck for a period of five years. I got to TV when I was thirty. I hated being a music writer, and kept wondering why I couldn't be doing the exciting things that my friends were doing in television.

This is, in fact, the biggest show that Marvel television has ever taken on, in the animation world. We had a real challenge that was posed to us, and that was this little, tiny art-house movie that came out last year, that I don't know if you saw, called Marvel's The Avengers, written and directed by our friend Joss Whedon, and it really set the template.

I always used to say when I was on television that I prefer to be on stage and when on stage I prefer to do television. Typical human condition.

Perhaps there's a lot of quality television that's not right for the individual who needs questions answered in each episode, and perhaps reality television may be a better option. With the integrity of HBO and their drive to tell stories, it takes time to arrive at any sort of answers.

One of the joys of this show [Dirk Gently's Holistic Detective Agency] is that each of those characters could be starring in their own show. It's only as the show goes on that you realize how they interconnect. They're all moving towards one another inexorably, to meet at a certain point.

When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.

Television thrives on unreason, and unreason thrives on television. It strikes at the emotions rather than the intellect.

Show me anger and I will show you 'Hurt'. Show me hurt and I will show you 'Love'. Peel the layers if you care!

My first few years as TV critic, I would go to parties and people (usually older Posties or ex-Posties who seemed to pride themselves on not watching very much television) would take me by the arm and insist that I watch this show they'd recently starting watching on DVD, about drug dealers in Baltimore.

My first TV experience, it was so bad. I just didn't feel a creative atmosphere. I felt like we were just pawns to deliver lines. Everyone was telling me that's just television. I said, 'OK, I'm going to stay far away from television!

Seinfeld [show] had been so huge for me. It was one of those things where I discovered Seinfeld really early and was making sure everyone I knew was watching it. I would tape it on VHS and show it to people that hadn't seen the show yet.

There was never a book, a magazine, a movie, a television show that spoke to my experience as a bicultural teen. I could find a million articles on finding the perfect prom dress or getting the guy of your dreams, but how about 'Ten Sure Fire Steps to Being the Perfect Korean Daughter and Not Be a Freak at Your High School?'

A very common thing these days is people show up and they ask us in the band to sign with a Sharpie right on their skin and they go get it tattooed the next day. Then they'll show up at another show and they'll have their tattoo.

I really like baking, and I really like playing video games. I saw a few geeky baking blogs but I never saw a show on television or on the Internet like that. So I thought, 'Why not be the first to try it out?' And it went really well.

The thing is, that great actors are everywhere. They're everywhere. They're doing good parts on television. They're doing television commercials. They're doing local theater. There are so few opportunities.

We're not trying to make a reality show at all. The show gets described sometimes as a reality show, sometimes as a prank show. I think it's neither. It's just about us, and it's just about us having a platform to be funny and do comedy, really.

Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.

I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".

When I was a kid, I had ambitions for being a television announcer, which was before television took off, you know, in the late '40s. And just through necessity, going out looking for work, I was starting to sing, and dance, and act, and I never expected to do that, nor to have any success at it at least.

I felt pretty good growing up. I didn't feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole Charlie Chan-Fu Manchu thing.

It's the digital era. What makes it exciting is that it's both the Golden Age of television and the Wild West of television. Something is happening now that's unprecedented, and we know that we're a part of it. What could be more exciting or better than that? You can't lose because you're on the pony and you're staking the claim.

Ratings to me are a little like the Chinese Government. I don't fully understand what makes a rating go. I don't know what makes the American television audience respond to one person and not t another. There very seldom are great differences between many television personalities.

I hate performing on live television. It's so scary, because, if you screw up, you don't really get any retakes. So when I do television shows now, having been on 'Idol' really helps me mentally to just kind of take it all in. So I learned a lot from it.

Katey Sagal, you are an incredible actress. You worked on ‘Married with Children,’ the show that changed comedy, ‘Sons of Anarchy,’ the show that took comedy to a whole new level and ‘8 Simple Rules,’ the show that killed John Ritter.

One of the things I love about doing television is that I don't feel like I'm just purely a writer. I like all of the opportunities television affords to kind of build a brand that can work across platforms, so I'm not just solely at my computer in my pajamas all day.

I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.

One of the things that I learned in television, and one of the beauties of television, is that, if you have a strong writing staff, they rely on you just as much as you rely on them. They look to me or the other actors to help inspire them to take the character in interesting directions.

Yeah, I had a talk show canceled. Okay, let's go back to the list of people who had talk shows canceled. Johnny Carson had his first talk show canceled. Jon Stewart. Letterman. Conan O'Brien, if you look at 'The Tonight Show' as a show that got canceled.

The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.

When I sit down, I find that it's much easier for me to want to consume a movie than to dip back into 20 or 40 or 60 hours of a television series. I think a great movie is really amazing. But, television does give you a larger canvas.

I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

The mark of a really great satire is its ability to seem prophetic, and I think that the television culture that film predicted really came true in the age of reality television and is a testament to how great it really is.

One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.

I was a huge David Letterman fan, even going back to when he was on NBC. My parents would only let me watch a half hour of television a day, so I would record Letterman the night before and then watch it when I came home from school. That's what made me want to do a T.V. show.

I happened to fall into a job that wound up being a seminal piece of television history, which was a show I did on HBO called 'The Wire.' That experience really set the bar for me and opened a lot of doors. It also gave me a lot of street cred in terms of my phone ringing and job offers.

The thing to keep in mind is that's how I started long before MTV and Twitter and Facebook. I studied at broadcasting school so I could learn how to shoot and edit videos, and tried to create my own television show so we could see through these wacky visions we had of funny bits we wanted to shoot.

Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.