Top 1200 Television Shows Quotes & Sayings - Page 17

The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.

Most 'reality' shows aren't reality at all. They're game shows with no prize. Like 'Rock of Love.' His aren't genuine feelings. Then again, Bob Barker didn't really care whether or not you won the toaster. Sorry to shatter everyone's dreams.

It's the digital era. What makes it exciting is that it's both the Golden Age of television and the Wild West of television. Something is happening now that's unprecedented, and we know that we're a part of it. What could be more exciting or better than that? You can't lose because you're on the pony and you're staking the claim.

One of the things that I learned in television, and one of the beauties of television, is that, if you have a strong writing staff, they rely on you just as much as you rely on them. They look to me or the other actors to help inspire them to take the character in interesting directions.

Touring used to be hard. Early on in my career when I was more in grind mode, I was doing two or three shows a day. It was tough because you start feeling like you have no life. That being said, I do enjoy actually doing the shows.

I basically modeled my way through college, doing local runway shows in L.A. that don't pay a lot and a couple of shows in N.Y. and S.F., and I probably made the same as the average 19-year-old waiter; I just worked less and was around beautiful girls, so it was nice.

I definitely prefer intimate crowds. I mean, those are always the best shows, like, a small venue. Packed to the gills. Hot, sweaty. Those are always the fun shows.

In my early thirties I was working in television as a researcher. I was really stuck for a period of five years. I got to TV when I was thirty. I hated being a music writer, and kept wondering why I couldn't be doing the exciting things that my friends were doing in television.

You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.

I really didn't want to leave the show, but I got a chance to do a movie, which meant I would have had to miss two shows, and at the time Lorne had a policy where you can't miss shows, so I left.

The desire to keep television out of our son's life was one of the few parenting priorities my husband and I agreed on from the beginning. We debated the pros and cons of co-sleeping, of pacifiers, of chemical-free crib mattresses and baby sign language. The television question, on the other hand, was a no-brainer.

I always used to say when I was on television that I prefer to be on stage and when on stage I prefer to do television. Typical human condition.

Perhaps there's a lot of quality television that's not right for the individual who needs questions answered in each episode, and perhaps reality television may be a better option. With the integrity of HBO and their drive to tell stories, it takes time to arrive at any sort of answers.

One of the things I love about doing television is that I don't feel like I'm just purely a writer. I like all of the opportunities television affords to kind of build a brand that can work across platforms, so I'm not just solely at my computer in my pajamas all day.

I fell into presenting after doing about a decade of parody shows of presenter-based shows, and a lot of it was me parodying a presenter, so when I started doing 'Have I Got News For You', I carried on that persona.

That was mandatory in the contract with Aaron Spelling, that if you were contracted to do one of his shows, you had to do any other shows that were his.

When I sit down, I find that it's much easier for me to want to consume a movie than to dip back into 20 or 40 or 60 hours of a television series. I think a great movie is really amazing. But, television does give you a larger canvas.

The thing is, that great actors are everywhere. They're everywhere. They're doing good parts on television. They're doing television commercials. They're doing local theater. There are so few opportunities.

On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week, because you get to see all these different personalities and see what you like dealing with better, as an actor.

The tough decisions that a president has to make in the Oval Office are in no way related to the capability of a person to do well on television. On the other hand, the capability of a person to project favorably on television enhances that person's odds of being elected so he can serve in the Oval Office. So you can't ignore the talents, one, to be very effective on television, and on the other hand, to be very effective as an operating president.

'The Simpsons' basically - and 'Futurama' - are really smart shows. They're kind of disguised as these goofy animated sitcoms, but the references within the shows, if you're paying attention, are pretty smart and pretty sophisticated.

The mark of a really great satire is its ability to seem prophetic, and I think that the television culture that film predicted really came true in the age of reality television and is a testament to how great it really is.

If you want to use television to teach somebody, you must first teach them how to use television.

The childhood shows the man As morning shows the day. Be famous then By wisdom; as thy empire must extend, So let extend thy mind o'er all the world.

My shows aren't about trying to save some place, because I don't feel that's the right venue for it. That's my politics right there: Don't bring politics to my shows.

Most people get their politics, obviously, from TV shows about senators or movies about them or... all the day-to-day press and the talk shows.

I do shows, stage shows all the time, and I'm so afraid that people are going to recognize themselves, and they never do. They never do. They're always like, 'Oh, that woman was ridiculous,' and yeah, they're talking about themselves.

No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less.

In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.

I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.

I enjoy reality TV shows. Watching them, and appearing in them. There's a spontaniety involved in the unscripted shows that I like to be involved with.

The first ones I played were in New York at Joe's Pub; I played four shows, but I did something like 30 interviews and a couple radio shows in the mornings and completely blew out my voice. It kind of sucked.

It is no accident that television has been dominated by a handful of corporate powers. Neither is it accidental that television has been used to re-create human beings into a new form that matches the artificial, commercial environment. A conspiracy of technological and economic factors made this inevitable and continue to.

There is a trend in the whole [U.S.] culture toward making things shorter. People have been watching too much television, and they have a television mentality. I think people really are wary of sitting in a theatre too long. They're not used to it.

The image of how power shows itself to the public is important... CNN was an inspiration to do the project in color because power confirms itself through television... I thought it would be interesting to copy the same language. large color pictures are framed in heavy wooden frames with golden plates and hung slightly higher than normal. So viewers get a sore neck watching these events, this is also the case when looking at paintings of saints in cathedrals.

As a viewer, I love to watch reality shows, and being a part of the industry, I feel it helps a lot. There are a lot of talented artists in small towns and villages of India, and these shows are a huge platform to showcase their talent and bring them to the forefront.

I think doing shows with other R&B artists like myself brings the attention to the crowd. You can't just do those one artist shows anymore. I don't like just me being on the show.

I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

I will love the light for it shows me the way, yet I will endure the darkness because it shows me the stars.

I'm still finding my feet in many ways as a performer. I'm not an extrovert, and certainly the attention isn't what drew me to it, and I find that quite jarring at times. I used to stress a lot about shows and get palpitations before shows, but eventually you learn to love it, and it is a thrill.

Theater is completely different from film or television. It has a beginning and a middle and an end and it's different every night. And it's far preferable to any other except in the sense of not getting paid, people who want to eat should do film and television.

I used to put flyers on cars in parking lots, anything to get people to come to my shows. I was always having to think outside the box, and even to this day, I still try and come up with creative ways to market my shows.

You watch these reality shows and say, 'Oh, I would do that, except for eating all the gross stuff.' These reality shows are like everyone's little guilty pleasure. To have an opportunity to be on one, why not? Anybody who says, 'No, I don't want to be on one' is kind of lying in the back of their heads.

I'll just say that there are times when TV shows, like 'The Honeymooners' or 'I Love Lucy' or something, where they're totally in their stride, and this thing happens, where you can tell they got everything they wanted. And it starts to look a little relaxed. No criticism to the shows whatsoever; these people are geniuses.

The only shows that Americans watch in big numbers are shows about lawyers, doctors, or cops... People don't tune in to watch scientists unless they are forensic scientists.

The show girls do, like, 12 shows a day. I only did one or two shows a day, and I was like, 'I need to go to sleep.'

When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.

Film and television are just different. Film is cool because it's a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so it's constantly a mystery as to what you're going to be doing.

My first TV experience, it was so bad. I just didn't feel a creative atmosphere. I felt like we were just pawns to deliver lines. Everyone was telling me that's just television. I said, 'OK, I'm going to stay far away from television!

No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less

It makes sense that it's so different from film and television, because it's so in-depth. As actors, when we're in film or television, we can have transcendent moments and we get to work with really creative and incredible people, but it's such a small percentage of your time that's about your process.

Kristina, my wife, and I thought about this one day when the kids were, of course, watching television. And we took a big blanket and put it in the backyard and said, 'Let's go out on our back and look at the sky and call it sky television.' We saw all kinds of things.

The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.

When television began, it modeled itself after radio. Many early television programs were radio programs first. 'My Favorite Wife,' 'The Jack Benny Show,' 'Burns and Allen,' 'Alfred Hitchcock Presents.'

After I went on 'Drag Race,' I was allowed to do so many things. I was allowed to do theater, commercial work, television work, modeling, fashion design, and it was great. But the thing with reality television fame is that it's got a pretty quick expiration date.

I love doing shows. I love rocking shows. I love playing instruments. I love singing. If I can find a way to do that and feed my family, then I'm a happy man.

Ratings to me are a little like the Chinese Government. I don't fully understand what makes a rating go. I don't know what makes the American television audience respond to one person and not t another. There very seldom are great differences between many television personalities.

My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state.

The sports space is so full of opinion that you aren't hearing from the athletes just speaking for themselves. We are such a Twitter-oriented society with radio talk shows, TV talk shows and social media - what you are missing is the authentic, unfiltered aspect of who these people are.

Obviously, a lot of TV shows are based on chronological episode viewing, and the stories are contingent upon watching it in order. Syndicated shows, you don't have to watch in order. You're just watching characters that don't change that much.