Top 1200 Television Shows Quotes & Sayings - Page 18

The leisure time of children must be constructively directed to wholesome, positive pursuits. Too much time viewing television can be destructive...It is estimated that growing children today watch television over twenty-five hours per week.

I helped set The Gong Show. I've done so many game shows. I've helped create game shows.

I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.

When television is good, nothing - not the theater, not the magazines or newspapers - nothing is better. But when television is bad, nothing is worse. I invite each of you to sit down in front of your television set when your station goes on the air and stay there for a day without a book, without a magazine, without a newspaper, without a profit and loss sheet or a rating book to distract you. Keep your eyes glued to that set until the station signs off. I can assure you that what you will observe is a vast wasteland.

Even the greatest player of all times loses sets or is down in a match. It just shows that, you know, a win is never guaranteed. It shows all of us that we have to work for every point, fight for every point no matter what.

You've got to pay the bills, and you want to get your foot in. The great shows usually aren't going to look for somebody completely untested, so you have to kind of get your feet wet doing other shows.

I wrote my own first book about the defense of television as an art form in 1992. It was harder to make the argument then. Now it seems absolutely a given. You can argue about when the Platinum Age Of Television begins, but I don't think that anybody can argue that it's not here.

TV showrunners have become known entities to people who watch television in the way that movie directors have been known to filmgoers for a long time. When I started out as a writer and producer in television, I never had the slightest expectation that fame would be part of the job.

Television was not cool among the young people of my era, the last years of the '90s and the early '00s. It was not just old people who'd castigate you for watching anything but public television. We young people scoffed at each other about it.

There are a limited number of promoters out there who care about creating music. You rarely meet a promoter who's like, "I want to be responsible for the best shows, I want to make sure that these are the best shows these audiences have ever seen."

The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.

All television is children's television.

Television is a completely different industry now. It's just extraordinary. It's so wonderful, because there's more interesting product. It attracts the best writers and directors. And one thing that's really interesting about it is that it used to be, if you were on a big network show, like it or not, you were a household face and name. And believe it or not, not all actors like that. That's not their goal. They just like being actors. And there are so many actors that are on hit shows that I have never seen, I've never heard.

Film and television, one is generally faster. Television generally moves faster in terms of directing, schedules and getting things done. Film, you're on a pretty tight schedule, so the process is the dame.

Somebody said on television, somebody said last night on television: Nobody has gotten rich betting against Donald Trump. That's in my lifetime. That's not just for this election cycle. I went in, and people said: "He's not gonna run." I've gone through this with you.

When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.

You used to have to make a choice. Is it a serialized television show, or is it a stand-alone or procedural? We were wildly influenced by The X-Files. Even when we created Fringe, it was the same thing. It's the gold standard of all gold standards, in genre television, and it was so wonderful because you felt so much for those characters.

There are a lot of singers who cannot sing to save their lives. We have to accept it, but thank God there is such a thing as live shows. It's only when people are faced with live shows that the world gets to know how good or how bad they are.

On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week because you get to see all these different personalities and see what you like dealing with better, as an actor. But, Jodie was amazing.

For me, the wins and losses in pro wrestling never mattered. The thing that matters is the time on television to tell that story. If you have a two-segment match on television, whether you win or lose, both people's brands win with a great match.

I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.

There's so much good television now, and there's a lot of things on television that would have been a movie or maybe wouldn't have been made at all if it wasn't for cable and streaming. It's a really exciting part of the future and I really want to be a part of it.

When I was a kid, I had ambitions for being a television announcer, which was before television took off, you know, in the late '40s. And just through necessity, going out looking for work, I was starting to sing, and dance, and act, and I never expected to do that, nor to have any success at it at least.

Watching television requires no skills and develops no skills. That is why there is no such thing as remedial television-watching.

When I was a kid, I had ambitions for being a television announcer, which was before television took off, you know, in the late 40s. And just through necessity, going out looking for work, I was starting to sing, and dance, and act, and I never expected to do that, nor to have any success at it at least.

Solitude shows us what should be; society shows us what we are.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

The story of Rod Stewart, the story of Carlos Santana is so inspiring to young musicians because it shows in this trendy business how long a career can last. It shows how you can soar back, regardless of age.

The worst thing about television is that everybody you see on television is doing something better than what you're doing. You never see anybody on TV just sliding off the front of the sofa, with potato chip crumbs all over their shirt.

I had never really planned that I will host reality shows. I just took up some offers that came my way. But reality shows are a good platform to showcase talent. They help one become a household name in a matter of few days.

I would love to see more swings in areas that we haven't explored. I can't necessarily tell you what that is - I think you know it when you see it - but I think we've had a lot of the same-themed shows in broadcast, but those shows are still performing.

I've gone from a kid who was sneaking out of my childhood house and lying to my parents to do shows in a community theatre in Reading, PA, to now having two shows on Broadway opening within two months of each other. That's sort of crazy, that trajectory.

When I was nine, I found a copy of 'Doctor Who: the Making of a Television Series' in the school library. It had a picture of Peter Davison on the front, and it was a formative book for me. It explained all the different departments like the script, cameras, and sets and explained how a television show is put together.

I loved playing (Aaron Echols on 'Veronica Mars.') I was really sad when I got my head blown off, but...that seems to happen to me. I seem to be murdered on all of these shows. But, okay, as long as the checks don't bounce, I'm all right with that. Besides, when Aaron Echols was killed, as I recall, he'd just had sex with a beautiful young girl, he was smoking a Cuban cigar and drinking a rare, 18-year-old brandy, and watching himself on television. If you gotta go, I think that's probably the way to go.

I've always loved playing live shows. I love traveling, seeing the country. I've made a lot of lifelong friends on the road at shows. It's so neat to see that so many of our fans have become friends. There are these nice little groups of "X People" everywhere.

I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.

I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.

I've always liked adventure television. Pre-'Survivor,' I did a series on cable called 'Eco-Challenge,' an adventure race with experts mainly, and here we have 'Expedition Impossible.' I like the outdoors and I like doing something fresh for television you haven't seen before.

Cold Case Files and similar shows do bang up business, which points to a certain thirst for details in the viewership, but it seems like all the news chat shows continue to force the myth that Americans can’t stand detail and have no interest in an idea that can’t fit on a bumper sticker.

When he came to television, there was no way I wasn't going to watch. Of course, he delivered everything that you would expect David Lynch to deliver, and more, and he was doing it in primetime network television. Even as a 14-year old, I wanted someone in the room with me that I could look over and say, 'Can you believe we're watching this?'

Reality television has borrowed so much from the world of politics, whether it's alliances or voting or the kind of strategizing that's done. Anything like that came from politics well before it came from reality television.

We were on the island of Hawaii. I think I was there three months. It was fantastic. It is not much different than films. It depends on the television show but much of television today is as good or better than most films.

I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.

I believe that reality shows are extremely important for the talented. Contestants get a platform where they can prove their talent. If they are good at what they do, their life is made. Personally, reality shows have helped me get fame and money.

Television thrives on unreason, and unreason thrives on television. It strikes at the emotions rather than the intellect.

I think that there's some brainwashing going on with this idea that we don't have time to cook anymore. We have made cooking seem much more complicated than it is, and part of that comes from watching cooking shows on television-we've turned cooking into a spectator sport. ...My wife and I both work, and we can get a very nice dinner on the table in a half hour. It would not take any less time for us to drive to a fast-food outlet and order, sit down, and bus our table.

You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.

The first time I watched television I felt exactly as if something important had taken an elevator ride up to my head and gotten off and turned on the light in my mind. I knew that I was going to do something in television. It was in my cards. I remember feeling the warm relief of knowing where my future was.

I think a lot of people are getting bored of audition-based shows, along the lines of 'Strictly Come Dancing' or 'The X-Factor'. I know I am. But 'Dragons' Den' will have a longer shelf-life than all of them because it's fundamentally real in a way that other shows aren't.

I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.

'Cold Case Files' and similar shows do bang up business, which points to a certain thirst for details in the viewership, but it seems like all the news chat shows continue to force the myth that Americans can't stand detail and have no interest in an idea that can't fit on a bumper sticker.

My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?

I got the Fire Stick as a gift at the Amazon Emmys after-party in 2015, and because I haven't lived in a house with cable television since I lived with my parents as a child, I've just streamed everything. I can afford cable. I have a television. But I only stream things.

Earlier, we had shows like 'Hasratein' and 'Shanti,' which had great storylines and mature content. Now, with a hundred shows running five to seven days a week, the TV industry has become very torturous and taxing for the actors.

Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule

Reality shows are a lot of fun, especially dance reality shows.

Film and television are just different. Film is cool because its a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so its constantly a mystery as to what youre going to be doing.

Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule.

TV has taken a crazy turn, especially in the industry of food, where everything is either a competition show or a sort of reality show. We've lost the kind of shows that are, like, 'Here's how you do this,' like the old Julia Child shows.

There's a lot of great stuff on television and that's very appealing to actors who want to work, who do good quality and high quality work. But you're always concerned that the time demands on television will interrupt or interfere with your film work.