Top 1200 Television Shows Quotes & Sayings - Page 20

There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.

I don't think I have any guilt or embarrassment about any of the TV shows I watch. Maybe the fact that the shows I can watch over and over again are cartoons like 'Bob's Burgers' and 'American Dad' and 'Rick & Morty.'

Web searching and cellphone use both flourish in the wee hours. Before the dawn of the web, I would stay up watching television. But there is something soporific about television: I would often nod off. Not so when I'm online. As technologies expand, these problems may only worsen.

I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.

Very early on, when I started doing these plays and live shows, I would travel from city to city, and there were a million shows out there... so I wanted to step out among it, and I started putting my name above the title.

Like the sorcerer of old, the television set casts its magic spell, freezing speech and action and turning the living into silent statues so long as the enchantment lasts. The primary danger of the television screen lies not so much in the behavior it produces as the behavior it prevents — the talks, the games, the family festivities and arguments.

As I was growing up, I did a lot of talent shows. I won fifteen Sunday nights straight in a series of talent shows in Macon. I showed up the sixteenth night, and they wouldn't let me go on any more. Whatever success I had was through the help of the good Lord.

I do think this is where television is going, and I think that it's awesome to be a part of a show like this because we are these pioneers into this new medium. And it's working. When you look at the success of House of Cards and Arrested Development, which I love, this is how people are watching television now. It's pretty cool to be a part of this whole thing.

I don't think I'm in love with television. I think I'm in love with stand-up, and I'm in love with radio. And then, television is my employer.

Television is also a great tool for women. As you know, the best female roles are often on television, so it's a very exciting time. I've really embraced it. The pace is great, but also not so great sometimes. You feel like you have to make sure to pay attention, at all times, to not let anything slip through.

Alan Funt was the first hidden-camera magician. It was the playful nature of the way he worked that really inspired me. A lot of prank shows and hidden-camera shows can be a little mean-spirited. Funt was never like that.

I think that people might watch reality television or what they see played out on media outlets and get ideas. We might be more anesthetized to divorce or bad behavior now because of what we see on television or on postings on TMZ. So it definitely could be filtering in to how we conduct ourselves.

When television came roaring in after the war (World War II) they did a little school survey asking children which they preferred and why - television or radio. And there was this 7-year-old boy who said he preferred radio "because the pictures were better.

Growing up, when I was at live shows, I was always hoping someone would come out on stage and say, 'The guitarist is sick and couldn't make it... does anybody know how to play all the songs?' That was always my little dream. It was a massively inspiring thing to be in a space with live shows.

Whenever any black man in america shows signs of an uncompromising attitude, against the injustices that he experiences daily, and shows no tendency whatsoever to compromise with it, then the American press [characterizes him] as a radical, as an extremist someone who's irresponsible, or as a rabble rouser or someone who doesn't rationalize in dealing with the problem.

I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.

I don''t like this reality television, I have to be honest;I think real people should not be on television; It''s for special people like us, people who have trained and studied to appear to be real

I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.

I believe television is going to be the test of the modern world, and that in this new opportunity to see beyond the range of our vision, we shall discover a new and unbearable disturbance of the modern peace, or a saving radiance in the sky. We shall stand or fall by television - of that I am quite sure.

I feel like I am a lot of who I am because I watched these shows that said it was okay to be a total weirdo. Shows like 'Pete and Pete,' 'Hey, Dude,' 'Salute Your Shorts' - that's what I grew up with.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.

It's not even that finding laundry pleasurable or delightful should be our goal rather than finding television delightful. It's that both laundry and television can be delightful.

[It] is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. […] The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining. (87)

In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.

I hope you are reading to your children, out loud. That's much better than watching television, much better. They won't get very much out of television except some bad thoughts.

New platforms are emerging: Netflix, Amazon, Hulu and Xbox. And film actors are gravitating towards television, because there are basically better roles there. Television is making the kind of epics and genres that the movie studios used to make, and often doing it better with more complex narratives and corresponding budgets.

In television, the cuts are so quick: bang-bang-bang-bang-bang! I want to shoot two people and sit there for eight minutes and watch them. I've got a lot to learn about television and about the best ways to tell stories directorially in that medium.

I had started doing small community theater shows in my hometown of Cleveland. I did a lot of shows there before I met this director who told me, 'Listen, I really think you could be on Broadway.' And I was like, 'No, that's crazy.' I didn't believe it... I was 9, maybe 8 years old at the time, and I was like, 'No. No way.'

I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.

The one thing I would say is, I do think women are evaluated differently than men. How we look, what is our age? Do you see a ton of 55-year-old women in sports television? No. But there are men in their 60s and 70s across many networks who are still in sports television.

I am from a really small town where theater wasn't super-cool, I would say. Maybe undervalued? So, I would drive into St. Louis, where it was cool. I would go to these all-boy schools where they needed girls in their shows, and I would do my shows there.

You can watch Chanel fashion shows and watch the news. Fortunately you don't have to choose. I always vote, I go to rallies, but I also go to fashion shows.

I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.

I think people love shows that are relationship-oriented. I think they love family shows.

The standard that '24' is held to is higher than at other shows. A weaker episode of '24' would be an amazing episode for a lot of other shows.

I missed the television train at some point. I don't know what happened, but now I've created a complex about it. I'm missing out on what everybody's watching, and now I can't even begin to think about starting to watch a television show because it's been so long. I don't even have a Netflix account.

We just haven't found Bigfoot because the world is big. And the woods are deep. The more TV shows that we can get where people go out looking for Bigfoot, the better our chances are. So let's get more of those shows going.

The program is only the excuse to get you to watch the advertising. Without the ads there would be no programs. Advertising is the true content of television and if it does not remain so, then advertisers will cease to support the medium, and television will cease to exist as the popular entertainment it presently is.

I grew up in the age of variety shows. 'Flip Wilson,' 'Carol Burnett,' 'Donny and Marie,' and 'Sonny and Cher' - I never missed an episode. These shows had it all: singing, dancing, and sketch comedy. One minute, they're ice-skating with pyrotechnics, the next they're doing a scene on a gigantic set. I just couldn't get enough.

I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.

There's a new success model, and us and some of our peers are now starting to prove that TV and very traditional content also works on the Internet, specifically on YouTube, and it can rival television audiences and television production value. 'MyMusic' is proof of that, having a successful run and now coming back for a second season.

I was on Broadway for three years with Spiderman and that amount of time spent on a show - it's a grind being on Broadway. The people that do that are probably the hardest working people. I shouldn't say that, because there's a lot of hard work that goes on in film and television, as well. That consistency of the grind of eight shows a week - I feel ready to go back to it now after having a bit of a break. I like to have the chance to jump between different art forms, whether it be theatre, film, TV, music. It's really wonderful to have opportunities in different arenas.

I think that what 'Oz' did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It's the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.

The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.

Travel spins us round in two ways at once: It shows us the sights and values and issues that we might ordinarily ignore; but it also, and more deeply, shows us all the parts of ourselves that might otherwise grow rusty.

Obese kids watch no more television than kids who aren't obese. All the thin kids watch massive amounts of television, too. There is no statistical correlation between obesity and media use, period.

Yeah, I like working in television, a lot. I really enjoyed my time on 'Lost.' I like developing that hint of family with people. I mean, if you're on a happy set. If you're on a set where there's some sour apples, then I don't like working in television.

In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.

21 years ago when I started cooking, to be a cook meant that you were going to stay in the basement. Being a chef, you would never be on a book tour. You could never dream that 20 years later on you would be on a book tour. It wasn't a part of your dreams because it was just totally unrealistic. When did cooks - restaurant cooks, not cooks that have 15,000 television shows - when did cooks become part of pop culture the way they are?

Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.

I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.

There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.

In drama school, they do these big shows and period dramas, and I felt that none of those shows were representing me as a person, and I knew I wouldn't be cast in any of those when I left school. I decided to write my own one-woman show, and that was called 'Chewing Gum Dreams.'

They [Republicans] assume that military action always shows strength, while avoiding military action always shows weakness. That's just crazy.

The network shows have this very commercial voice that you have to adhere to, and the cable shows, it's kind of like winning the lottery. The independent film world is a world you can actually get to. You can get the under-a-million-dollar film by finding a good cast and financing.

I don't get to watch a lot of TV, mainly because I'm busy working. And I pretty much try not to watch very much television at all, even American television, until I'm done with a season, because things start to creep into my head otherwise.

At 10, I was intrigued by surgery, I wanted to be a surgeon for a long time. I love doctor shows and surgery shows. Blood is not an issue for me. I even took pictures once of me getting my blood taken.

When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.

Before Disney, I did other shows so I was aware of the business. They're all the same in that they're a professional environment. The only difference between a Disney show and other network shows are in the age of the actors you're working with and the age of the intended audience.

Random people, celebrities of note come to your shows over the years, and I've had some really strange ones. Like the guy from Kiss. Gene Simmons has literally been in the audience at my shows, like, four times. I don't know if he knows me; he's just a big fan of comedy.