Top 1200 Telling It Like It Is Quotes & Sayings - Page 16

The whole process of telling my story to my ghostwriter was so intense, after all, because he would ask me questions that no journalist would ask me. Things like, 'How did it smell at your grandmother's house?'

That's the way I feel, at least: like there's a real me and a reflection of me, and I have no way of telling which is which.

I have a little secret thing I do - maybe not secret because I'm telling all of you. But when when reporters are getting really loud, or they're starting to ask crazy questions, I just slow down my pace, and I talk very quietly, and I treat them like I'm an orderly sometimes in an insane asylum.

I'm quite a good reader of people; I like to meet people, and I can tell if they're lying or not, and I've certainly had interviews with people in this radio show I've done that swear they've seen things or have had bizarre experiences with creatures, and so I think they're telling the truth.

The documentaries were something that I could do for a small amount of money, and then I felt like as long as I found the truth in the stories I was telling as a doc, I could teach myself filmmaking through doc filmmaking.

You go from nobody looking at you to people taking second looks. I remember really loving it - and then feeling so guilty for loving it. Like, 'That's gross, Kristen.' Also, telling myself it could go away at any moment, and I'd be so sad.

My direction as a person working in film has been to never get comfortable with anything I was doing. At the time that I decided to do action films, people were telling me, "Well, you can't do it. You're not that type. It's not going to work." And so obviously that made me think, "Well, that's not comfortable. Maybe I should try it. What can I do with it?" So I did that, and I'm glad I did it. I'll probably do it again, and I did other kinds of things that seemed like challenges for me, because I like being on the high wire.

Now that I finally have the time for it, this web surfing stuff turns out to be as interesting and fun and addictive as you've all been telling me. Zipping from link to link, chasing an idea across the noosphere, sucking up information like a killer whale - way cool.

My dad encouraged me to quit my job and pursue the life that I am about to have. He got excited with me. He was the first one to tell me that I could do it. I am 30 years old, and I still find great power in my own dad telling me it's possible. I still find great power in my own dad telling me I can do it.

Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest.

. . .and every native has a story of winter – stories that usually begin, You call this a storm? And grow in the telling like battle tales shared by graying war veterans. It’s a peculiar character flaw to those of us from cold climates that we feel superior to those who have the sense to live elsewhere.

The best thing about Las Vegas is that no one pretends to be responsible for your behavior like they do in the rest of the country. There's no meddling self-righteous liberals or right-wing Christian demagogues telling you that you can't do something fun with your own time and money. If you can afford it, it's yours.

I think cinema should provoke thoughts, sure, but using it as I soapbox I think is the wrong place. I never want to be part of something like that, where there's an agenda there that's not about telling a story, where its someone getting on a soapbox and preaching their own beliefs onto somebody.

One of the traditional methods of imposing statism or socialism has been by way of medicine....If you don't do this, one of these days you and I are going to spend our sunset years telling our children and our children's children what it was like in American when men were free.

It is better to be divided by truth than to be united in error. It is better to speak the truth that hurts and then heals, than falsehood that comforts and then kills. It is better to be hated for telling the truth than to be loved for telling a lie. It is better to stand alone with the truth, than to be wrong with a multitude. It is better to ultimately succeed with the truth than to temporarily succeed with a lie. There is only one Gospel.

Don't accept less than what it is that you know that you want. Don't allow someone to be a jerk. Don't allow someone to disrespect you. Listen to the bigger voice in your head telling you that you deserve the best, whatever that is whatever that is you decide you like for yourself. It may differ from what I like or what is ideal for me. But the bottom line is to never accept less than what you know you deserve.

Little lies that make people feel better are not bad, like thanking someone for a meal they made even if you hated it, or telling a sick person they look better when they don't, or someone with a hideous new hat that it's lovely. But to yourself you must tell the truth

When I come to schools like Norton Primary Academy and meet children who have their lives and careers before them, I hope in some small way that I can inspire them to do better by sharing my own story with them and telling them never to give up on their dreams.

I have very little interest in endlessly telling people about my artistic process. It sounds like throwing yourself against a wall and crying. It's not interesting to most people. It's interesting to yourself. But it's your problem, not anyone else's.

It felt like I was a bucket full of holes. Things kept going in but just as quickly, they'd drain out. So I had people telling me I was this and that and then I'd feel pressure to perform up to their standards, jumping through hoops so I could live up to their expectations.

I am saying the same to Muslims in the global South, telling them: "Just ignore what is done." However, in the Southern countries they are not living in a comfortable society like you and me. They deal with unemployment, corruption, and surviving. For the majority of them, their religion is helping them survive.

[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.

Shamefulness is always a huge part of my characterizations. I like protagonists that reveal, either through "honesty" in their various thought processes or via their actions, perhaps telling us things they're not so keen on disclosing through their interactions with the outside world. Probably both during the duration of a novel.

A big issue for Muslims is when Christian evangelizing - telling people about the faith - becomes proselytizing, actively trying to convert. Some Muslims say Christian evangelizing seems like colonialism.

Investors don't like uncertainty. The market is telling us that they need certainty, they need to see where the economy is heading. If the government is committed to continue the Open Door policy, they will need to come up with concrete policies and execution steps to increase confidence.

Nobody calls me a racist when I do redneck jokes. Jeff Foxworthy can do as many 'You might be a redneck jokes' as he wants, but I'm telling you as soon as a guy like that does a black joke or something - 'How dare you!' I totally think it's unfair.

You men make up these rules, and now you get mad because I'm telling you what a real woman wants. She wants you to treat her like a lady if you want her to sit up there and put on all the lingerie!

Dead or not, you must be bored with women telling you how you look like the hottest, most exotic wet dream they’ve ever had. No wonder the thought of you, grapes, and some scented massage oils crossed my mind – and if you drop that towel again, I’m going to need a cold shower.

At 25, my idea of success may have been more vain, like, "I'll be good the day that there's $20 million in my account and I have this particular house and the wife and 2.5 kids." But at 40 - and I know it's kind of silly telling you guys this - but as long as my Metacritic rating stays above 80, that's all I care about.

You know what it would just be amazing to be remembered, you know like a mum telling a daughter ‘the boyband of my time, One Direction, they just had fun and they’re just normal guys but terrible, terrible dancers.’

I hate feeling late. Someone else has the courtesy and respect to show up on time, and when I'm late, it's like telling them, "I don't respect you." Worst feeling in the world. It makes you really reflect on your priorities.

There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.

I think of myself as a character actress, and Karen's just one of the characters I've gotten to play, but I feel like Karen takes on so much more weight because the show was on for eight seasons, and it was such a popular show. But you have to move on to telling another story in a different world.

I'm still learning about music. The best way to learn is to listen to the audience. When you listen to the audience, they will tell you what they like. I wish these big corporations, instead of telling the audience what they should have, would listen.

A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling or teaching or ordering. Rather he seeks to establish a relationship of meaning, of feeling, of observing. We are lonesome animals. We spend all life trying to be less lonesome.

I always felt it is not good if you feel like you would know how to do something. I've made mistakes of telling people: I know how to do this. And it should feel dangerous. That is the only way to stay alert, to keep the adrenaline running.

I've been around a long time, and it seemed for the longest time like I was the young guy. Now, all of a sudden, I've got fans with beards telling me, "I used to watch you when I was a kid." So, I don't know what happened to all those years, but the little bit I do remember? It was definitely a fun ride.

It was humbling to play Mark Ashton. He was a political activist and a humanist, and there is incredible conviction in his vision. But when you're telling a political story, humour is crucial; otherwise, it can be in danger of becoming a bit preachy, and the audience can feel like they've got an agenda coming full steam at them.

A man with a beard was always a little suspect anyway. You couldn't say you wore a beard because you liked a beard. People didn't like you for telling the truth. You had to say you had a scar so you couldn't shave.

Pretty That's what I am, I guess. I mean, people have been telling me that's what I am since I was two. Maybe younger. Pretty as a picture. (Who wants to be a cliché?) Pretty as an angel. (Can you see them?) Pretty as a butterfly. (But isn't that really just a glam bug?) Cliché, invisible, or insectlike, I grew up knowing I was pretty and believing everything good about me had to do with how I looked. The mirror was my best friend. Until it started telling me I wasn't really pretty enough.

I think I was six when I discovered the song "White Wedding" by Billy Idol, and that was the first time I thought I had discovered something on my own. It's the first song I remember hearing and liking without anyone telling me to like it.

I am very honest with them - with an understanding that I'm doing them a disservice if I'm not telling them what I see. At the same time trying to remember that they're people and they're children and you know they are going to have off days and that's something that I feel like I've had to work on as I've gone down the coaching route.

When you're more mature, you do start telling the truth, in odd situations. "I'm sorry, I've broken a glass here. Is that expensive? I'll pay for it. I'm sorry." And you do that so that people in the room might go, "What a strong personality that person has. I like to have sex with people with strong personalities."

Looking at acting, in the movies or the theater, and the way I like to look at it, it's just an extension of childhood play... Kids play and imagine in a very intense fashion and they don't need any director telling them, 'You really have to believe in it.' They believe in it completely.

To be completely honest, I just like whatever tells a good story. Put me in whatever setting, scenario, genre. If you're telling a good story, it's great and it's fun to get caught up in.

I always get stopped by security and immigration, telling me, 'Tell me who the terrorist is, or we won't stamp your passport!' The last time that somebody did that to me - at LAX, actually - I was like, 'Hey, don't ever ask a brown girl that in an American airport!'

People have said on blogs - which is kind of where I decide where to describe my style, from other people telling me - so I don't know, people say it's like, "electro-pop with glam and old rock influences." Or it's "indie pop" or whatever that means.

I really want my acting to be definitive a lot of times, but I must feel like in any given moment there is a lot of things going on with Rose. I kept telling Denzel [Washington] throughout filming [Fences] that the house is her joy and her tomb.

For me, real, truthful moments come from a place that I don't know. If somebody was telling me, "You're going to lift your face like this, you're going to do this..." No! I don't want to know. Just let me live it.

It's a totally different spiel when I talk at Morehouse. But when I'm talking at MIT? At the University of Cincinnati? I'm telling white people, in order to stop systemic racism, you must first befriend, become a colleague of, get to know intimately, put yourself culturally in the framework of someone who doesn't look like you.

I've been telling people, if we want to keep the Republican party in Texas, the Republican party in Texas needs to start looking like Texas. And I think that this is - that goes for the rest of the country as well.

I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.

There are really two things that drive New Year's resolution success. Number one is telling somebody about your goal. Chances are, they'll either join you in pursuing it or at least support you. Number two is to be concrete and specific. You don't want a goal like "becoming a better person," because there's no objective way to judge that. It's got to be something like "I'm going to call my mother once a week." Or "I'm going to cut my body mass index to 25." It can't be fudgeable.

I believe veganism can be beneficial for the individual and the world, and of course the animal, but belief is like laying in the dark with someone and telling them you love them and hearing nothing back. So I've never had the confidence to get on a soapbox and tell someone else what to do.

My first TV experience, it was so bad. I just didn't feel a creative atmosphere. I felt like we were just pawns to deliver lines. Everyone was telling me that's just television. I said, 'OK, I'm going to stay far away from television!

I was like, 'What is this?' Until I found out it was stress related. That's how I internalized it. I don't do that anymore. My favorite saying in the world is, 'The privilege of a lifetime is being who you are.' I am telling you, I have spent so much of my life not feeling comfortable in my skin. I am just so not there anymore.

There was a week where I was depressed with the rain, and people were telling me to get a light box. But I live on the 14th floor of an apartment complex, and I see the Broadway Bridge and Mount Hood, and it keeps me such company. And like true Oregonians, I don't carry an umbrella anymore.

You turn on the news, there're no facts anymore. 'Here's what's happening today,' and then you cut to thirty minutes of people in little boxes, little windows, telling you their opinions on it. It seems like all the news is going on in the ticker-tape on the bottom of the news. It's all opinion, it's all editorial.

Sociopaths are not usually physically violent. A typical sociopath never kills anybody and doesn't look like Charles Manson - they look like you and me and everybody else. You're not looking for someone who's recognizably evil or scary-looking, but rather someone who looks normal. Another lynchpin is dishonesty. Lying for the sake of lying. Lying just to see whether you can trick people. And sometimes telling larger lies to get larger effects.

One of the challenges is to create an equally positive, satisfying sense of femininity and feminine identity in a different way so that there are things you're saying yes to and satisfying that urge that your daughter has to be assert her girlness. The surface level of the culture, and really several inches into it, makes that very hard to do. I hate to put another thing on parents' plates. But the culture is very intentional in what it's telling your daughter and what it's telling you about the message of femininity. And if you're not intentional and conscious back, you lose.