Top 1200 Telling Stories Quotes & Sayings - Page 9

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Last updated on December 23, 2024.
Playing with different genres and perspectives and ways of telling stories is one of the perks of being a novelist, but at the same time, I want precision. And in order to be precise about stuff, you have to get personal. Symbolism is very boring.
There are tons of stories out there. I read a lot of scripts on a weekly basis. I'm looking for stories to tell and stories that I hope will be interesting to an audience.
I've been acting since second grade, telling stories, making my parents laugh here and there, so I'm hoping my "thing" is acting. But I also make a really good bread pudding.
I get my ideas for books from my own kids and sometimes from other children. Often when I am telling stories I will say: I am going to make up a new story. — © Robert Munsch
I get my ideas for books from my own kids and sometimes from other children. Often when I am telling stories I will say: I am going to make up a new story.
I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.
I try to do stories that make a difference -- stories that affect the way people think, stories that people need to hear -- and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
I've been acting since second grade, telling stories, making my parents laugh here and there, so I'm hoping my 'thing' is acting. But I also make a really good bread pudding.
I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
This is how deeply rooted stories are, folks. We crave them before we can walk, and we start telling them before we can talk.
When I was young, I saw some of my heroes doing it on the telly. We're talking about Spike Milligan, Peter Sellers, Arthur Lowe, Ian McKellan, Kenneth Williams. These were all guys telling stories to me.
I think 'Pose' is really a groundbreaking television show because we're telling stories about family and love through people that society has always believed were incapable of having that or being a part of that.
I love telling 'first' stories - first loves, first college experience, first kiss, all of those kinds of things.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
Most of the stories I write are women's stories - but the darker, unseen stories. — © Frankie Shaw
Most of the stories I write are women's stories - but the darker, unseen stories.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
I read as many scripts as I can and just find stuff that I think is interesting, find stories that I think are worth telling.
Be it acting, writing, directing or producing, I love cinema. I love the art of telling stories and I'm happy doing one of the above or all of the above.
As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
I'm the ultimate studier of comedy. I grew up in a very funny household. My dad is the king of one-liners; my brothers are great at telling stories, and my mom is funny without knowing it.
I began observing, making paintings of my surroundings, taking a vow of silence, listening, composing music, writing, and making time for formal education. Then I started telling stories.
I love drama. My passion is drama. It always has been. I love telling those sorts of stories.
I'm receiving 300 to 500 letters every week from people telling me that God used my stories to save their marriage or to introduce them to Christ or to heal a relationship that had been broken.
I love opera, I love writing for the voice, I love telling stories with music.
The same basic tools we've used for thousands of years to connect with people, to draw them in and to hold their attention will always work, even if we're telling our stories 140 characters at a time.
I had been writing since I was pretty small, and I've always been telling these stories about doors and finding other worlds within our own.
We need to tell better stories of men and women who master a trade. We have to stop telling kids to blindly follow their passion and show them the opportunities that exist. That was the big, overarching message of 'Dirty Jobs.'
In some ways, I don’t feel as if I had a choice. Looking back at my childhood, even before I could read and write, I was making up stories. I love reading and I love telling stories, and the times in my life when I’ve tried to ignore that part of me, I’ve gone a little crazy. Characters start tugging on my sleeves, words start haunting me, and I feel generally unsatisfied. Really, being a writer sounds more like a mental illness than a professional choice.
For me, as a documentary filmmaker, I'm interested in telling stories of real people whose experiences tell us something about ourselves or our history, or who we are and our potential.
Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
God gave music the power to carry his light into the darkness. That’s a mighty privilege. It means intentionally telling stories and writing songs that bear truth that outlasts the songs themselves. If I did this in hopes of thunderous applause and piles of cash, I would have quit years ago. But there are moments on the stage when I sense something magical, a connection with the band and the audience, when our stories intersect and suddenly we’re wading in an ancient river. Suddenly the song is secondary to the greater story being told through each of us.
That's what we do in the WWE: we tell stories; we're characters. We go into the ring, and my character is telling a story in the ring against another character.
I have heard all kinds of stories about telling employers about MS and I really don't know what the answer is. I am a private person, but I have found support by talking to fellow MSrs in the community.
The idea of women having a complete hold on their lives is still alien in a lot of places. So, it is important that we keep telling such stories where women are shown both physically and mentally powerful.
'Star Wars' was everything for me. As a little kid, you get to see the movies only once or twice, but playing with the toys in your backyard, that's where you're first telling stories in your head.
If there are people who don't have access to creating their own TV shows or telling the stories they want to tell, then absolutely, everyone has to make space for them. That's not just to do with gender or sexuality. It's to do with race, religion and everything else.
I love comedy, I love drama, and I love telling good stories.
There is a big difference between storytelling and being alive. Those are the two things that I prefer in life - telling stories and being alive. — © Jaco Van Dormael
There is a big difference between storytelling and being alive. Those are the two things that I prefer in life - telling stories and being alive.
I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another.
I knew little, but at least I knew that: no one could speak for someone else. That although we might want to tell other people's stories, we always end up telling our own.
I like telling stories with a sense of humor. But humor can also distance you from the subject you're writing about. I'm interested in using humor as a portal to something a bit more serious.
Maybe everyone lives forever. Or maybe, like in the animated movie 'Coco,' only those whose stories get told by the living definitely do. It takes a story worth telling.
I try to do stories that make a difference - stories that affect the way people think, stories that people need to hear - and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.
I love stories. I loved stories when I was a kid. My mom read stories to me all the time.
The recent controversy over the portrayal of Ken Taylor and his embassy staff in the movie 'Argo' brought home to me the great responsibility we writers have when telling stories that involve real people.
I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
All the excuses that people in power used to make for not telling diverse stories or including diverse people, they've proven to be false.
I'm living in Los Angeles, I'm in films and I'm on television, and I'm working with actors and telling stories. I'm living the fantasy. My worst day is a great day.
I think it's true that, as is often observed, the writer is always an outsider. A writer is someone who is telling stories about what's going on, which is something you can't do if you're totally caught up in the moment.
To make movies you just have to want it enough. You have to have the passion for telling stories. You have to get by the love-of-movies aspect. You can't just be a movie fan.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
Writing is powerful. Whether it's a little girl hiding from the Nazis in an attic, or Amnesty International writing letters on behalf of political prisoners, the power of telling stories is usually what causes change.
Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
I've never seen a great military, political, or corporate leader who was not a great storyteller. Telling stories is a core competency in business, although it's one that we don't pay enough attention to.
If you want to be a director, work with writers and find different ways of telling stories with film, then do a course. This way you can consolidate what you've learnt and use the course to go further.
My dad worked for a theatre company that was two minutes away from my primary school, so I'd just walk there after school and watch the rehearsals. I think that's probably when I fell in love with acting and telling stories.
Telling a lie is called wrong. Telling the truth is called right. Except when telling the truth is called bad manners and telling a lie is called polite. — © Judith Viorst
Telling a lie is called wrong. Telling the truth is called right. Except when telling the truth is called bad manners and telling a lie is called polite.
To me, horror is when I see somebody lying. I mean a person I know. A friend. And he's telling me something that I accept. And then suddenly, as he or she is telling it, there's something that gives them away. They're not telling me the truth.
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