Top 1200 Telling Your Story Quotes & Sayings - Page 18

Explore popular Telling Your Story quotes.
Last updated on November 18, 2024.
Certain stories need the resources of a studio. If you're telling a story about a giant robot war in outer space, you're going to need the money and the resources most of the time to do it justice.
But most critically, sweet, never try to change the narrative structure of someone else's story, though you will certainly be tempted to, as you watch those poor souls in school, in life, heading unwittingly down dangerous tangents, fatal digressions from which they will unlikely be able to emerge. Resist the temptation. Spend your energies on your story. Reworking it. Making it better.
I think the films Insomnia and Memento share all sorts of thematic concerns, such as the relationship between motivation and action, and the difficulty of reconciling your view of the story with the supposed objective view of that story.
Science is a set of rules to keep us from telling lies to each other. All scientists really have is a reputation for telling the truth. — © Isaac Asimov
Science is a set of rules to keep us from telling lies to each other. All scientists really have is a reputation for telling the truth.
Style is not an end in itself, it is only a means to an end - the means of telling a story.
A Christian telling an atheist they're going to hell is as scary as a child telling an adult they're not getting any presents from Santa.
I certainly grew up seeing more movies and television than I read books, but when it came time to do the thing itself you don't have to hire a lot of people to sit down and write a book, so that was the story-telling medium that was available to me.
There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something. ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important.
I hope telling the story of how I went from being a single mom to serving in the Texas State Senate to running for governor will remind others that with the right leadership in government, where you start has nothing to do with how far you go.
I like that "once upon a time" quality, where the telling of a tale has an elevated sense of story. There's a whimsical quality to it. Sometimes in fairy tales more things seem possible, even though often they're real world based.
I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.
I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.
I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.
The podcast 'A History of Jazz' began telling its story in February - 100 years after the recording of 'Livery Stable Blues' by the Original Dixieland Jazz Band, the start of jazz as a legitimate branch of music.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is telling me the story as he's sitting in that witness chair, and they're putting the final touches of makeup on. And he goes, "Hold on a second," to stop his story so he can do the take. And he does this incredible take. They go, "Cut." And then immediately John goes, "Anyways, so Alec, he's playing the chess." And I'm just going, "Holy crap." You get whiplash from those kinds of quick turns!
But one thing you need to do in the game, is to adapt and adjust your game to what you have been asked to do and also to what your body is telling you to do. — © Thierry Henry
But one thing you need to do in the game, is to adapt and adjust your game to what you have been asked to do and also to what your body is telling you to do.
I like that 'once upon a time' quality, where the telling of a tale has an elevated sense of story. There's a whimsical quality to it. Sometimes in fairy tales more things seem possible, even though often they're real world based.
Telling people at a dinner party you drive a Nissan Almera is like telling them you've got the Ebola virus and you're about to sneeze.
I feel like visual art, the culinary arts, the theatrical arts - the medium changes, the tools that you use to tell whatever the story changes, but you're still all telling stories.
I tried to avoid making plays or films that weren't telling a story that I felt was important. And what I discovered in the process is, it makes you more empathic because you have to enter someone else's reality and you learn to see through many other people's eyes.
I have a worm's eye view and a bird's eye view simultaneously and it's immensely helpful to understand what is happening on the shop floor when you are harnessing many talents and telling an intimate story on a large scale.
We all know the guy who sits at the end of the local bar telling the story of how he threw the winning touchdown pass in High School. I don't want to be that guy. Racing gives us all the chance to be athletes again.
Falsehood is a critical element in fiction. Part of the thrill of being told a story is the chance of being hoodwinked. . .The telling of lies is a sort of sleight of hand that displays our deepest feelings about life.
A message I've been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can't do it as cinema. Otherwise, you better go do it for television, which is more daring now.
Even in the band I was in when I was a kid, I'd be telling everyone what to do. I'd be leaning over the drums, telling them to tune their guitars, micromanaging.
I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
In 2010, my kids came home telling these ridiculous stories about me they heard from school. I realized my kids didn't know my story, and they were hearing it from the goofballs at school.
I'm not a go-in-for-the-kill kind of interviewer. It's a great thing to me, that kind of interviewer, but I'm not it. It doesn't play to my strengths at all. I like to interview people who are interested in telling their story and tell it as truthfully as they can.
It was a lie but he believed in telling lies to people. Truth telling and medicine just didn't go together except in dire emergencies, if then.
A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.
There are 30,000 days in your life. When I was 24, I realized I’m almost 9,000 days down. There are no warm-ups, no practice rounds, no reset buttons. Your biggest risk isn’t failing, it’s getting too comfortable. Every day we’re writing a few more words of a story. I wanted my story to be an adventure and that’s made all the difference. Instead of trying to make your life perfect, give yourself the freedom to make it an adventure, and go ever upward.
What I want to tell people is, you have to believe your gut. You have to find answers from what your gut is telling you. I always work with intuition.
Take the story of Cain and Abel. Why were we given that story? Scientifically, you may have an explanation for it, but I'm not approaching it from the scientific point of view. I'm saying: Why do we need that? It's a sordid story, a depressing story, a dark story. Why should I believe that I'm a descendant of either Cain or Abel? Thank God there is a third son! [Genesis 4:25]
Decades of research have shown that most happy families communicate effectively. But talking doesn't mean simply 'talking through problems,' as important as that is. Talking also means telling a positive story about yourselves.
There's nobody telling Oprah what to do. There's no one telling David Letterman what he can and can't do. You've got to have 100 percent support from everybody who's behind the show, across the board.
I think why people relate to 'Star Wars' is George Lucas is so brilliant at telling these stories that we relate to, but in such a fantastic environment with fantastic characters and things you want to believe in this story.
Many more people saw me on TV than will ever get to see me on stage, but I do love being in the same room as the people I'm telling the story to.
How well you tell your story determines how well your customers tell your story. — © Simon Mainwaring
How well you tell your story determines how well your customers tell your story.
I watch a lot of British television so people like Olivia Coleman, Sheridan Smith and Jodie Comer continue to inspire me with their versatility and story telling in British television.
I think that 'Heroes' really is about family. I mean, sure, it's this surreal story, and it's about people with powers, but the story behind that story is a story of family.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
There is more power in telling little than in telling all.
Life isn’t happening to you; life is responding to you. Life is your call! Every area of your life is your call. You are the creator of your life. You are the writer of your life story. You are the director of your life movie. You decide what your life will be – by what you give out.
Thank God Roxane Coss had not fallen in love with one of the Russians. She doubted they could make it up the stairs without stopping for a cigarette and telling at least one loud story that no one could understand.
It took a lot to understand that the interest in both writing a story and reading it is not in the objective dangers someone takes. You don't have to fight snakes or wake up in a strange apartment to have a story; it's about what goes on inside your mind and soul.
At a certain point, I realized that I could draw anything, and there was nothing I should avoid - I could make it work. That's opened me up to being able to be much more comfortable telling any kind of story.
The conscious mind can only pay attention to about four things at once. If you've got these nagging voices in your head telling you to remember to pick up the laundry and call so-and-so, they're competing in your brain for neural resources with the stuff you're actually trying to do, like getting your work done.
He invented this idea of telling the life story of a great writer through becoming his characters and becoming him. It was such a pleasure and I thought we must find another writer.
You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.
What is said by the person holding a megaphone inciting a crowd, or what is said by someone who incites a rumour? And what is the difference between that person and me, sitting in my room imagining something, telling a story?
Man, after all my grandma put into me learning the piano, that was a hard day, telling her I was telling jokes for a living. — © Jamie Foxx
Man, after all my grandma put into me learning the piano, that was a hard day, telling her I was telling jokes for a living.
I think in telling a good story there has to be ups and downs with any character, and you can't just have everything go swimmingly and you can't just have characters who are supposed to be in a romantic relationship just getting into an argument every episode.
I think the best thing to try to do is allow your daughter or your son to know that they can come to you for anything. If you can break down that wall so they don't feel embarrassed by telling you things, that's half the battle.
With all the justifications I have had in place, telling the truth under certain circumstances was in my universe no different than telling a lie or withholding.
Your story isn't powerful enough if all it does is lead the horse to water; it has to inspire the horse to drink, too. On social media, the only story that can achieve that goal is one told with native content.
'Star Wars' was everything for me. As a little kid, you get to see the movies only once or twice, but playing with the toys in your backyard, that's where you're first telling stories in your head.
When somebody comes to your front door, and they're screaming obscenities at you and telling you to come outside, and you've had your life threatened several times, you take it pretty seriously. It's the reason I have a Rottweiler.
It's the old story. You might be able to fool your coaches, or your teammates, or your opponents. But, you can never fool yourself in anything. I believe that the more critical you are of your own performance- the higher standards you have-the better you become at what you do.
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