Top 1200 Telling Quotes & Sayings - Page 3

I had people telling me I was too big then telling me I was too thin - sometimes the same people. I learned that you couldn't win, so you can't change yourself to fit someone else's view of you.

When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.

Good history is good story-telling. And good story-telling demands empathy; it requires understanding different actors, differing motivations, competing goals.

Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

What's more condescending and corny than someone telling you how much more money they have than you and telling you basically, 'I don't care about poor people,' which is a large part of what you hear of corporate hip-hop on the radio.

Time will tell. Time is always telling. Time never stops telling.

I have been thinking that I would make a proposition to my Republican friends... that if they will stop telling lies about the Democrats, we will stop telling the truth about them.

You are the driver of your mind, so take charge and keep it busy with your instructions by telling it where you want it to go. Your mind only takes off on its own if you are not telling it what to do.

I went up on stage, and said, "Why did the chicken cross the road? To check out the chicks." I was a genius at 10. Try telling that at 21, and you look hacky and stupid. That was the only joke I've ever told. Everything since has been character voices, doing impressions or just telling stories.

Let’s be honest. Who here thinks your professors can say what they really believe? It scares me to death, and should scare you too, that the superstition of political correctness rules the halls of reason. What does all of this mean? It means that telling us what to think has evolved into telling us what to say, so telling us what to do can’t be far behind. Before you claim to be a champion of free thought, tell me: Why did political correctness originate on America’s campuses? And why do you continue to tolerate it? Why do you, who’re supposed to debate ideas, surrender to their suppression?

Women telling men to step out of roles so they can step into them isn't going to endear people to feminism. Neither is telling women they are betraying feminism by enjoying the pleasures of being a traditional housewife.

Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.

When you start getting into your politics it's like you have to be vulnerable and you have to be sort of sensitive. Because if it's always like straight aggression all the time, there becomes no empathy for the stance that you're taking. You're not telling people to think, you're telling them what to think. And also you have to be honest with yourself on that, too.

So many people are going to always remember what you do and how you make them feel instead of you telling them this and telling them that. That's why I like to go out and show the work ethic and how I am as a teammate. That's how you become great.

Pain is the body's way of telling the brain it's in trouble. Similarly, confusion is the brain's way of telling the body, 'All right, buddy, drop that book.

A little voice keeps telling me an Aston Martin really isn't me, but a louder voice is telling me that, as an England international playing for Liverpool, the old rules no longer apply.

There is a difference between vulnerability and telling people everything about yourself. Vulnerability is a feeling. Telling everyone about yourself is just facts and details.

So you can say, 'Get Big Government out of here, and don't tell me what to eat,' but when kids are going to school, and they're being fed junk, we're pretty much telling them what to eat, and we're telling them junk is OK.

feel Tobias brushing my hair back before the first simulation. I hear him telling me to be brave. I hear my mother telling me to be brave(...) I am brave.

It's about players making choices as they play, and then dealing with the consequences of those choices. It's about you telling your story, not me telling mine. It's about you.

The left side of my brain is telling me I want to sleep with every woman in the world and the other side of my brain is telling me I met this great girl and if I let that go I'm going to regret it.

There are some tales not for telling, whether because they are too long, too precious, too laughable, too painful, too easy to need telling or too hard to explain. After all, after years and travels my secrets are all I have left to chew on in the night.

He was telling the students about the hypnotic technique of using quotes in a conversation. An idea is more palatable ... if it comes from someone else. The unconscious thinks in terms of content and structure. If you introduce a pattern with the words, 'My friend was telling me,' the critical part of her mind shuts off.

a white person who claims to have no impediment of vision in this country is not, I think, telling the whole truth. And when it comes to race relations, not telling the whole truth about the fog one inhabits slows down the work of groping forward.

Even if you need, and want, a second opinion, it can be dangerous to have people telling you what they think you ought to add, or cut, before you've even finished telling your story. One loses heart; one loses energy and interest. Or at least I do.

You get to crack the code of the play. You get to really pick at it and see, 'What is the story that we're telling?' 'What are the clues in the text that I can find that will help inform what story we're telling?' It's almost like a detective mystery.

Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote.

Well, let’s start with the maxim that the best writing is understated, meaning it’s not full of flourishes and semaphores and tap dancing and vocabulary dumps that get in the way of the story you are telling. Once you accept that, what are you left with? You are left with the story you are telling. The story you are telling is only as good as the information in it: things you elicit, or things you observe, that make a narrative come alive; things that support your point not just through assertion, but through example; quotes that don’t just convey information, but also personality.

There's a classic medical aphorism: 'Listen to the patient; they're telling you the diagnosis.' Actually, a lot of patients are just telling you a lot of rubbish, and you have to stop them and ask the pertinent questions. But, yes, in both drama and medicine, isolated facts can accumulate to create the narrative.

Why the connection with musicians? I think it's because in the end we're doing very similar things - we're telling stories, we're using poetic, lyrical language, and we're distilling stories down into their simplest form. We're both telling a story in two languages - word and music for them; and word and image for me.

Recently, my personal advisors have been telling me to go to America. Actually, people have been walking up to me in the street and telling me to sod off, but that's the same thing, isn't it?

Mars is telling us something. I'm not sure what it is because It's speaking martian. But it's telling us something

I wish we could all have a telling room, a place where we go to tell our stories and listen to the stories of others; in our culture, the telling room might be around the dinner table or in the car on a long trip.

'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

Pain is nature's way of telling you to slow down. Death is nature's way of telling you to stop.

If it's a story I'm telling, then I have control over the ending... But if it's a story, even in my head, I must be telling it to someone. You don't tell a story only to yourself. There's always someone else. Even when there is no one.

An artist shouldn't be judged by how many people like his art but by how pure and good it is - but I think that when you're telling jokes, which is more what I'm doing, if people aren't laughing, you're telling bad jokes.

I have some speakers up here, thank God, because last night I didn't have them and I was telling jokes and I had no idea which joke I was telling. So I told jokes twice. I even told that one twice.

I'm driven by telling stories, I love telling stories.

Often, loyalty means telling people things they don't want to hear. It's not being sycophantic, it's not telling them how wonderful they are every day. It's being willing to tell them the days they're not wonderful.

Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear.

I spent my time drinking and staring at a television in the airport bar. More death and destruction. Crime. Pollution. All the news stories were telling me to be frightened. All the commercials were telling me to buy things I didn´t need. The message was that people could only be passive victims or consumers.

By telling you anything at all I'm at least believing in you, believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are. So I will go on. So I will myself to go on.

If you're not plugged into something like Athletes in Action or Campus Crusade, it's difficult to keep your eyes focused on Jesus Christ because the world is telling you differently, and your sin-nature is telling you differently.

Almost any problem, whether it's telling a family story, or telling a network-quality story, or answering a network note, becomes essentially instantly solvable, because you have a bunch of brains sitting in a room.

Telling the truth and making someone cry is better than telling a lie and making someone smile.

There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.

Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.

I'm not telling you it is going to be easy - I'm telling you it's going to be worth it.

Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long.

I feel like I've kinda danced around telling the truest story I can for many years of my life. I've been a little distracted by trying to be shocking or edgy or cool or whatever, and by letting go of that and telling the truest story I can - even if it's about aliens and talking raccoons - it works.

You don't win elections by telling people what you're against. We're very good at listing things we don't much like about what the Tories are doing. But you win elections by telling them what you're for, what you're going to change, what's going to be better.

I've produced things myself, I was like telling the producers how to do the show. They really didn't appreciate that, they just wanted a dumb rocker on the show and they got some guy telling them how to do their job. So being too smart can get in the way.

The mere telling of how a need was met is often like telling of a need, which is asking crookedly instead of straight out. But this much I will say--with every fresh need has come a fresh supply.

In the beginning I used to say, 'I'm healthy, my cholesterol's fine, I don't have high blood pressure, I don't have diabetes.' By telling people that you see a doctor, and telling people that you're healthy, it's perpetuating the abuse against bigger bodies and the mindset that we owe it to people to be healthy.

Stop telling it like it is and start telling it like you WANT it to be!

I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.

Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.

I'm telling as an actual source to the press,I'm telling you as a source that, to the best of my knowledge, and based on conversations that the RNC has had with the FBI, I know of no instance that [George Stephanopoulos] describing involving the RNC or the RNC's data.

I like to interpret 'Call me a River', as if I'm saying, 'Now you're telling me you love me after all that, and I'm telling you to shove off.' That's my interpretation. But I would never 'say' that because somebody else might interpret the song in another way.