Top 232 Telugu Quotes & Sayings - Page 4

I am trying my best to strike a balance. How many hours a day can I work? I work for 12-15 hours a day; it gets very strenuous. I balance between Telugu, Tamil, and Hindi.

I've learnt that there's absolutely no difference in Telugu and Hindi industries. Everything is almost identical. The only difference is that Hindi films have a wider release.

Commercial Bengali movies are all crass imitation of Telugu and Tamil movies. There are only a handful of directors like Rituparno Ghosh, Aparna Sen and Gautam Ghose who make quality films.

The fact that I have done films down South didn't boost or hamper my chances here. In fact, I was still shooting for both my Telugu films when I met Ashu sir for 'Mohenjo Daro.' During the audition, he gave me five scenes with lengthy dialogues. Once I cleared them, he gave me a song to dance to. So, my Bollywood entry was no cakewalk.

A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'

Of course, I will continue acting. I just need to dispel the Telugu and Tamil cinema's insecurities about married actresses. I don't know about others. But I am not going anywhere after marriage.

After I met Ajay Bhuyan, we thought of making the English TV show 'Prison Break' as a Telugu film. Ajay put it all down, but somehow, we felt it would not work. Then 'Dhada' emerged.

A lot of people tell me, 'You are from North; how do you manage to get along in the South?' I don't know what to say to them. I've always felt at home here, and by learning to speak Telugu, my connection with the place has gotten that much stronger.

When I first started out in Telugu cinema, I signed anything and everything that came my way. I was 18, was immature, and it felt like a good idea that 'Oh, they are paying me a good amount of money.' I was young, naive; I had zero ambition, and honestly, it wasn't my calling.

I'd love for Samantha to continue acting after our marriage. She has worked hard to achieve her stardom. Unlike me, she had no family empire to back her career in Telugu cinema.

I have been to Tirupathi more than I have ever been to my grandpa's place. Every Telugu is a Tirupathi guy!

I must tell you that Telugu film industry is one of the most comfortable places I found a woman can be. They do make a lot of mass films, but from my experience as an actor, I can tell you that people are very nice and welcoming. In fact, it's slightly more difficult in other places.

Icons like Nagarjuna sir and Jagapati Babu sir have been so encouraging and shared such great energy, welcoming me into the Telugu film industry. It is motivating.

In the South, there is a celebrated Telugu film director name Raghavendra Rao, who is known for shooting women's mid-riff in a certain manner. They are done in a very aesthetic manner and doesn't look vulgar. Now, it is up to the audience how they are going to watch it. As long as the girl is comfortable acting in it, I see nothing wrong.

In Telugu filmdom, audiences like to see their hero dance, fight and play a larger-than-life character. It's precisely why most of our commercial films do extremely well and get remade too.

Trivikram garu is my inspiration to learn Telugu. When I made my debut I didn't understand a single word, even when people around me would be talking. Trivikram garu used to translate for me.

Every day I receive a lot of messages on Facebook from people of A.P. and Telangana, mostly about songs from my Telugu movies. From the messages, I get a lot of ideas about the music they like.

Shamna is a 'hot star' for Malayalis, but for my Telugu and Tamil audience, Poorna is a girl next-door. That is because I have mostly played village belle or de-glam characters in these industries. Whatever people's perception about me is I'm happy.

I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.

I couldn't be happier starting 2019 with this film 'Haathi Mere Saathi.' It's the first time that I am doing a trilingual film which I'm excited about. It will be my Tamil and Telugu debut.

I so wish my dad was alive to see me do a Hindi film after acting in six Telugu movies. I sometimes imagine him giving me feedback on my work. But I derive strength from knowing he is watching over me.

I consider Rashi Khanna and Regina Cassandra as my best friends. They say there are three Rs in the Telugu industry: Rakul, Rashi, and Regina. All three of us debuted in the same year, and while we all compete for the same roles, we are still the closest, and we confide in each other.

Bunty is a piglet that comes up with a lot of funny antics. Dancing is among its strengths and I'm glad people are liking the music video where it grooves to popular Telugu songs. I have made the character very likeable.

'Amma Nanna O Tamila Ammayi' has a very nice subject which I think could be remade into a Hindi film. It was my first film in Telugu for which I got Filmfare Award for the best actress.

I have worked really hard to reach where I am - I worked hard on my Hindi and diction because I am a Parsi and Hindi is not my strong point, and I've also learnt Tamil and Telugu because I want to get my lines right. I want to be known as a performer.

Even when I meet people, they start talking to me in Telugu, even though I'm a Kannadiga. But my character in Hello Guru Prema Kosame' will change that image of mine. You'll see me as an urban city girl in glamorous clothes.

I spent half my life in a boarding school where we were shown only the sporadic wholesome classic like 'The Sound Of Music.' So, I am not familiar with most of the works of the acting greats in Bollywood, Hollywood, or Tamil-Telugu cinema.

I never planned to become a dancer, but I became one. The same thing happened with acting and direction. I remember I was doing the choreography of a film, and the producer came and offered me to direct the film. It was in Telugu, and that is how it started.

Balancing my career between two industries has never been an issue. I started with a Telugu film and have a soft corner for the south industry, though I've grown up speaking Hindi. I don't think language can be a barrier when it comes to acting. And, since I come from a theatre background, I'm used to memorizing my lines.

I wish all our Telugu artistes get more opportunities in our films. Though talent has no boundaries, we should see that our artistes don't fade away.

Soon after 'Paruthiveeran' I was flooded with scripts that were almost the same as the award-winning film. I had offers from Malyalam, Telugu and Kannada filmmakers. But I had to be firm and in fact I realized that now I had to be more careful with my choice of films because I have raised the audience expectations.

Having done movies in Malayalam, Telugu, Tamil, and Hindi, I have been accepted both in North and down South. I don't believe in divisions. I like to believe that I am working in the Indian film industry.

I like Telugu movies, then comes Bollywood and then English movies. In Tollywood, I like Mahesh Babu and Prabhas. But no, I don't watch all their movies. I first find out if the movie is nice. If it's a flop, I don't watch it.

I was shooting for a Telugu film at the Taj Mahal in Agra, and there were all these women and children pointing and screaming, 'Rowdy Rathore.' But I am not really 'Rowdy Rathore.' I am the guy who did the original version of 'Rowdy Rathore' six years ago.

There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.

I have done 33 films in one year, for which I hold a Guinness Book World record. Plus I've done songs for all languages from Hindi to Malayalam, Punjabi to Telugu, and Kannada to Oriya.

It's been a long and wonderful journey for me but feels like it was just the other day when I started my career in films. I am very grateful to this wonderful Telugu cinema industry and the audience for all the love and unflinching support without which it would not have been possible.

I fail to understand why the #MeToo campaign in India didn't gain momentum when Malayalam actor Dileep was arrested after an actress was abducted and assaulted or when Telugu actress Sri Reddy was banned for talking about sexual harassment. These instances were more deserving of the #MeToo movement than anything else.

I never thought I would debut in a Telugu film; it was my destiny to take up a film that, incidentally, was about destiny.

One day, I went to meet a film producer and entered the wrong flat. It was a casting agency, and they suggested that I audition for a four-hero Telugu film. I was confirmed a month later. Interestingly, it's not easy down South for a newcomer to bag positive roles, but I was adamant.

I did some glamorous roles and even wore a bikini in the Telugu film 'Drona,' but the audience was aghast. Some said, 'Please don't ever wear a bikini again!'

Having portrayed a lot of villainous characters in Telugu cinema, voicing Scar was a different and memorable experience for me, and I was glad to be part of such a grand big-ticket entertainer. Disney films are a perfect package for the entire family and I hope to lend my trademark style to 'The Lion King' as well!

Somehow I feel South Indian actors are not that well known in the Hindi belt. Tamil and Telugu actors have an upper hand. But Kannada and Kerala are totally sidelined by Hindi filmgoers.

In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.

Telangana has been neglected and subjected to untold injustice for the last 50 years by successive ruling parties. But the maximum injustice was done to this region during the nine-year rule of Telugu Desam Party under N Chandrababu Naidu.

When I am in Mumbai, I am called a director. In Chennai, I am called a hero. In the Telugu States, I am called a dance master.

I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.

Four of my films have been remade in Tamil and Telugu. Although I haven't seen any of these remakes, I do feel happy that I've been a part of good films. It's nice to know that some scripts still leave behind a mark after their theatrical run this way, so I have to admit, it is quite flattering.

Listening to the director always interact with me in Telugu, I got a hang of the language on the sets of 'Uppena'. Given that I had no acting training beforehand, it took time for me to deliver long lines.

My mother is a Chitrapur Saraswat from Mangalore and half-Telugu, and my father is a Bohri Muslim. My mother's father, J Rameshwar Rao, was the Raja of Wanaparthy, a principality of Hyderabad. He was influenced by the socialist movement and became the first Raja to give up his title.

Our idea to remake the Malayalam 'Premam' was not to make a better film than the original film or correct the mistakes they made or perform better than that hero. The soul of the Malayalam movie was taken and changed a bit to match with the Telugu sensibilities so that our audience can enjoy the movie.

I really respect Telugu cinema and the fact that people out here have a totally different style of working and are at par with Bollywood. Sometimes, they beat Bollywood with the kind of films they make.