Top 222 Tempo Quotes & Sayings - Page 3

I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter.

I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.

I'm a really new artist here. I would say that my style is an artist who can dance and sing. That's why my album is really upbeat. Maybe we will try slowly to do ballads or middle tempo songs.

Pace is just how fast we can get the ball from one end to the other. It's not necessarily how fast we can shoot. It's just a tempo thing.

Obviously, if you are playing against a guy who is known for an up-tempo offense, you'll probably tailor your practice a little bit to say, 'Hey, let's get a couple of fast-paced plays back to back to back to try to simulate that.'

It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was.

He dreamed of amassing musicians from all over the world in Woodstock and they would sit in a field in a circle and play and play. It didn't matter what key or tempo or what melody, they would keep on playing through their discordance until they found a common language.

You've got to go down the road you naturally go down, and for me it was pop, folk country, just feel-good music. I suppose most of my songs are very up-tempo.

I like mixing things up, doing some silly stuff, along with serious stuff, up tempo, and some quiet things ... it keeps me interested.

I do always like to sing Lana Del Rey, just because I know all her songs. But people at karaoke always want something up-tempo. Sometimes the energy level will change from 'party' to 'emotional,' which I think is great but some people don't.

There's no similarity between football and ballet, so this ain't ballet music being played on the field. I'm pumping something that's going to put me in a frame of mind to go to war, and something that's very high tempo and high beat.

The French have no such expression as 'killing time.' In their more philosophical vocabulary the term is 'passing time,' which means savoring all moments of it each to his individual enjoyment. While we battle with time, they relax with tempo.

The direct effect on our mind is achieved by the words, the text, the thought, which arouse consideration. Our will is directly affected by the super-objective, by other objectives, by a through line of action. Our feelings are directly worked upon by tempo-rhythm.

A poem has a certain - a different time. For instance, a poem is a very private experience, and it doesn't have a driving tempo. In other words, you know, you can go back and forward; you can comeback; you can linger. You know, it's a completely different time reference.

Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.

One time, when I was in my teens, jamming in a Kansas City club, I was doing all right until I tried doing double tempo on 'Body and Soul.' Everybody fell out laughing. I went home and cried and didn't want to play again for three months.

My da used to sing 'Take Her Up to Monto' to me when we were walking down the street - he still does, actually - because it's got a walking tempo, and I still sing it to myself when I'm walking along.

I know the world doesn't need maybe another of [a particular type of song] - the same thing again - but you can't help yourself. And some people like it, but you kind of know in your heart that it's a lesser version of what you've done before. But maybe it has a good tempo, or it feels fresh, but it's still not.

I think I learned more about writing scores for Broadway by making mix tapes in the '90s than I did in college. You're learning about rise and fall and energy and tempo shifts. You're showing off your taste and your references. You're trying to be witty by - through placement of music you didn't write.

I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.

New Yorkers have their own way of speaking, their own tempo, and Texans are a lot like that. As much as you think Texas is one thing and New York is another, they're very much the same.

Mentally, my key is just focusing on the little things I need to do in a race, whether that's tempo, turn entry, start speed, things like that. I'm not thinking about that much before or during a race. I just trust in my ability and all the hard work I put in and let the race come to me.

'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.

The art of not playing in tempo--one has to learn it. And the art of not playing what is written on the printed paper.

I was known as a ballad singer who sang melodramatic heavily produced ballads. I'm not known as a mid-tempo singer who does fun songs. I'm not going to do a song like 'Dancing on the Ceiling.'

We were always taught to swing slow with good tempo. But you have to have some acceleration throughout the swing. I think that's where a lot of women go wrong. They should try to whack it a few times and see what happens.

I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.

To know how to structure the joke perfectly so that the narrative information is given in the right tempo, in just the right dose - it sometimes takes quite a lot of work. It seems easy when you hear the joke.

Whenever I think of God I can only conceive of Him as a Being infinitely great and infinitely good. This last quality of the divine nature inspires me with such confidence and joy that I could have written even a miserere in tempo allegro.

I try to look for tempo in my run-up to make sure my knees are lifting up instead of going long. That brings an energy to my run-up, try and make myself feel as tall as I can.

Someone who only wants to play sold-out shows will find a tempo that works at the shows and then focus on making that kind of music, but maybe they'll miss out on other things because of it.

Coffee has ... expand[ed] humanity's working-day from twelve to a potential twenty-four hours. The tempo, the complexity, the tension of modern life, call for something that can perform the miracle of stimulating brain activity, without evil, habit-forming after-effects.

Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.

I think, after 'Let Her Go,' I wanted to show people that I don't just write really sad love songs about my ex-girlfriend: that there's another side to Passenger as well that's a bit more up-tempo and more inclined to social commentary.

It is always there, of course, when you come back from the green world. You have been living by sunrise and sunset, by wind and rain, surrounded by the ebb and flow of lives that respond only to such simple, rhythmic elements. But now the tone and tempo of the days switch. Instead of harmony, jangle.

I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. The conductor would just rip into me, and it lasted for years.

Cut out the eye from a photograph of one who has been loved but is seen no more. Attach the eye to the pendulum of a metronome and regulate the weight to suit the tempo desired. Keep going to the limit of endurance. With a hammer well-aimed, try to destroy the whole at a single blow.

At best Americans give but a limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.

A lot of artists go in the studio and say, 'OK, whaddaya want me to do? Is it gonna be a hit? I'll do it. Is it gonna get played on the radio? I'll do it.' So they start makin' these songs, and they fall in the same tempo, same category, same this, same that, and it'll just all sound the same.

I like to go in the corner, in the quiet, 'cause I got to hear my thoughts. If I hear the beat for, like, five seconds, I basically got the tempo, and I don't need to hear it no more. I just focus and write.

Obviously, not playing a game before playoffs is something that happened, but especially going into the playoffs, you try to feel yourself out, where you're at, and then get right into game tempo and jump right in and play where you were before the injury.

Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.

Once more, I am watching the most powerful men in the kingdom bring their power to bear on a woman who has done nothing worse than live to the beat of her own heart, see with her own eyes; but this is not their tempo nor their vision and they cannot tolerate any other.

I got bored with the old way - it came too easy. I worked until I could play and chord changes at any tempo in any key, and then said 'What else is there?' Now I'm finding out.

You know One Direction do a lot of up tempo songs, but when they did that Ed Sheeran song 'Little Things,' that was probably their biggest song off their last album, so it shows you that a ballad never goes out of fashion.

Every action project you take, whether it be a movie or TV series, is always different and a lot of people don't really know how big a difference it is. It's a different style of fighting, a different tempo and all of that.

Sometimes I'll have a whole song done without having a beat - I'll just rap on an instrumental tempo and recreate a whole new song just around the lyrics.

I always thought if I had a band it would have the energy and feel of early Police, since that's where my roots are, and then the harmonies of the Eagles, and the technique of King Crimson or something like that. Fast, up-tempo, beat-the-hell-out-of-the-drums, because that's my style. Energy, but sophistication, rhythmically and melodically.

We feel that the 2-2-1 press is a very effective means of controlling tempo and providing us with opportunities to capitalize on the mistakes of our opponents. At the same time we feel it is a very safe press because we work very hard at the necessary rotations.

I'm volatile, up-tempo, quick to react and passionate. People often think all that high-energy stuff is just for the stage, but that's me. I like to express myself. When I was younger I would listen to the Jam in my bedroom and jump around in excitement to the music.

Any time I'm trying to find that groove on a big tempo song, I go back and listen to some Aerosmith records. 'Love in an Elevator,' 'Rag Doll,' all that stuff was really great music. It's something that I still dig and go back and listen to.

It was Vivaldi's Mandolin Concerto, Francesca Abraham realized as the radio alarm went off. Lively, unrelentingly upbeat, it was the perfect tempo in which to start the day. Covering her head with a pillow, she reached out blindly and urgently, desperate to shut the damn thing off.

Some musicians play with their heart, you know what I mean? I don't know what to tell a person that can't - if you can't tell a person what you're talkin' about when they're rushin' or droppin' the tempo, you get somebody else.

Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.

Because my lower body is quiet, I need a full shoulder turn to generate power and speed. Keep your tempo smooth, and with the quiet lower body, you don't have to worry about losing your balance.

In every country, you play a different style of football. Sometimes if it's really tactical, like it is in Spain, it seems like it slows down the tempo, but it's not really the case.

The Left Opposition declared that the new tempo of industrialization were above our forces, and that the liquidation of the kulaks as a class in the course of three years was a fantastic task, if one wishes to say so, we find ourselves this time "less radical" than the Stalinists.

I like "God Give Me the Strength" very much. It's not really a blues and to call it a ballad is absurd. I don't know, its mid-tempo. Mark (St. John) actually wrote it and I think its very telling of our lives in the 60s. Its just a good song, ya know.

I don't even know if hip-hop is music anymore. It's definitely rhythm. It's definitely tempo. It's definitely beats per minute. But it's product. And television is product placement for the most part. It's not passion.

Throughout the movies' golden age, the Western enriched Hollywood financially and artistically. But in the 1970s, the genre lost its audience appeal to fantasy films of the 'Star Wars' stripe, which told more or less the same story - elemental animosities leading to an armed showdown - but at a faster tempo, and in outer space.