Top 1200 Text Me Quotes & Sayings - Page 2

I flip open my phone to text Jessica: Me: Guess who's pregnant? Jess: u? Me: Get real. Jess: ur mom? Me: yep Jess: Mazel tov!? Me: Don't congratulate me, plz Jess: Could b worse Me: How? Jess: Could be u? Me: I'm a virgin. Jess: Nobody's perfect.

I get real brave when I text people. When I text people, I am so brave because it's words, but you can't say stuff.

I always have a problem playing text-heavy games. I'm a slow reader. I don't speak English well. As a kid in China, trying to play these games, I just wanted the text to go away.

Ultimately you're trying to reach across and find some other person, some other human warmth. But it is, especially in written poetry, it is inscribed in a text and the text can't do that work by itself and you as a poet can only do your best.

People still text me to say that there is something about me in the paper, and what really annoys me is that if it's nasty, I then have to go and have a look, even though actually I don't want to know.

I'm not naive. Sometimes interpretation is more of an art than a science. There are those who would label interpretation absolutely anything a judge might do or, two, the text of a statute or the Constitution. But it seems to me there comes a point where a judge is using his own creativity and purpose and crosses the line between interpreting a text written by somebody else and in a sense creating something new.

Quotes are a way of acting out not just a text, and not just thinking, but the making of a text. The construction of thinking.

People are drawn to preaching that is passionate and offered with conviction. Passion comes when the preacher has spent significant time with the text, and when God has spoken through the text in a way that addresses the preacher's life first.

The Text is plural. Which is not simply to say that it has several meanings, but that it accomplishes the very plural of meaning: an irreducible (and not merely an acceptable) plural. The Text is not a co-existence of meanings but a passage, an overcrossing; thus it answers not to an interpretation, even a liberal one, but to an explosion, a dissemination.

I definitely check my phone for texts a lot - like, 'Did anyone text me? Is anyone thinking about me? Does anyone love me?'

By bridging the literacy barrier through the use of 3D interactive models we overcome the inherent limitations of text. At the same time, language differences become much less important as text is replaced by interactive, 3D images.

Everything stated or expressed by man is a note in the margin of a completely erased text. From what's in the note we can extract the gist of what must have been in the text, but there's always a doubt, and the possible meanings are many.

Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.

We now know that human transformation does not happen through didacticism or through excessive certitude, but through the playful entertainment of another scripting of reality that may subvert the old given text and its interpretation and lead to the embrace of an alternative text and its redescription of reality.

A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.

People respond faster to you on a text than an e-mail. Why is that? Why will they ignore an e-mail, but get back to a text?

I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.

I do think that once you remove the limitations of the page, once you turn text transitive, meaning it can be clicked away from, the forward movement of text can be interrupted. But I don't think this is just a function of technology. It's also a function of cultural preference.

Like when you pick up a book and you don't realize what type of text it is - it could be an essay, a novel, a biography - and at one point you realize you don't know where, as a reader, you want to be. Where are you going with this text? What is the goal? How are you supposed to interpret what you're reading? And people's responses vary - some dislike it, and are put off by the confusion, the lack of comprehension.

Many liberals believe in God; many conservatives do. What matters is not whether people believe in God but what text, if any, they believe to be divine. Those who believe that He has spoken through a given text will generally think differently from those who believe that no text is divine. Such people will usually get their values from other texts, or more likely from their conscience and heart.

Certain supplementary restrictions imposed on the text compel us to perceive it as poetry. As soon as one assigns a given text to the category of poetry, the number of meaningful elements in it acquires the capacity to grow and the system of their combinations also becomes more complex.

Winnie the Pooh seems to me to be a fundamental text on national security.

When I preaches, I has just one text to preach from, an' I always preaches from this one. My text is, 'When I found Jesus.'

The President had every reason to believe that the text presented to him was sound... These 16 words should never have been included in the text written for the president.

There's nothing wrong with sending a quick note if you're busy or just want to flirt, but it's hard to have any real interaction over text. In the buffet of communication, text messaging should be a side dish, not the entree.

Whereas the work is understood to be traceable to a source (through a process of derivation or "filiation"), the Text is without a source - the "author" a mere "guest" at the reading of the Text.

That is to say, the inspiration, the interpretive richness of the text is what Elie [Wiesel] does publicly, and his interest in history is his private reserve; he knows that he is not an expert in dissecting the text the way Frank [Moore Cross] does.

It's certainly important to include text beside documentary photographs. Furthermore, it's important to include text in a way that's useful and accessible.

I sense that what you two [Elie Wiesel and Frank Moore Cross] share is that you each have a public relationship to the Biblical text and a somewhat private relationship to the Biblical text.

My brother is brutally honest with me - he always has been - and he's the first one I text after games. He has a nice chat with me and tells me how I did. He's one I've always looked up to, and I'll always respect him for that.

Safe sex is great sex, better wear a latex, cause you don't want that late text, that 'I think I'm late' text.

Mum, Vitali just sent me a text, would you pass me a new pair of panties.

People don't like to read text on computer screens (and reading a lot of text on iPod screens gets very tiring very soon, just about as soon as running out of battery power).

Girls who used to tell me I ain't cool enough now text me pics saying you can tear this up!

Originalism is sort of subspecies of textualism. Textualism means you are governed by the text. That's the only thing that is relevant to your decision, not whether the outcome is desirable, not whether legislative history says this or that. But the text of the statute.

A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas.

When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.

[Didier] Drogba sent me a text message after I won the African Player of the Year award. It made me very happy.

Artificial intelligence is one of 50 things that Watson does. There is also machine learning, text-to-speech, speech-to-text, and different analytical engines - they're like little Lego bricks. You can put intelligence in any product or any process you have.

In our daily lives as programmers, we process text strings a lot. So I tried to work hard on text processing, namely the string class and regular expressions. Regular expressions are built into the language and are very tuned up for use.

If I give a book as a gift, it is invariably a children's book with beautiful artwork and a simple text. I adore the feel of them, the care taken in the artwork, and the high visual stimulation that sets off the simple but often powerful message the text conveys.

So we start with an oversignifying reader. Those texts that appear to reward this reader for this additional investment - text that we find exceptionally suggestive, apposite, or musical - are usually adjudged to be 'poetic'. ... The work of the poet is to contribute a text that will firstly invite such a reading; and secondly reward such a reading.

When text messaging first came out, you could only text within your network, whatever operator you had. It seems silly now, but once those walls came down, all sorts of applications and services were built on top of that. It ended up being good for everybody.

The first forty years of our life give the text, the next thirty furnish the commentary upon it, which enables us rightly to understand the true meaning and connection of the text with its moral and its beauties.

I never spent less than two years on the text of one of my picture books, even though each of them is approximately 380 words long. Only when the text is finished ... do I begin the pictures.

It is important to learn to understand in a historical text, a text from the past, the living Word of God, that is, to enter into prayer and thus read Sacred Scripture as a conversation with God.

As soon as I score, my mother texts me, so when I go in the dressing room, her text is there waiting for me to read!

I was shooting a scene in my new film, No Strings Attached, in which I say to Natalie Portman, “If you miss me. you can’t text, you can’t email, you can’t post it on my Facebook wall. If you really miss me, you come and see me.

One of the beauties about being an actor is that nothing really has to make sense. You just do it and live it and hope it comes out and try to find the truth in what's in the text in your own way and hopefully you can find truth in the text and everything else just comes.

The power of a text when it is read is different from the power it has when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.

Most cinema is not about images but text. Why on earth have we based cinema on text? Why can't we break that umbilical cord? Why do we have to pollute cinema?

Any fifth language that you use should be equally used as just another bit of theater language, so that if you have a strong text, then the light should be as strongly part of that text as, for example, the sound it should be or whatever it is that you see.

I think justice Scalia is really the gold standard of what a justice should be. Somebody, regardless of how he feels on an issue, is going to look at the text of the Constitution, look at the text of the law, and make his judgment.

All we can say is that, as the result of a process which went on from the fourth century to about the eighth, a standard type of text was produced, which is found in the vast majority of the manuscripts that have come down to us. At least ninety-six per cent of the extant manuscripts of the Greek New Testament are later than the eighth century; and of those only a handful preserve traces of the other types of text which were in existence before the adoption of the standard text, and out of which it was created.

Email knocks me off my game. It's just for the morning commute and end of the day. Some might think I'm slow to respond, but those who need to reach me know to send me a text during those hours.

Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.

I don't want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won't deal with it. If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.

to read is to surrender oneself to an endless displacement of curiosity and desire from one sentence to another, from one action to another, from one level of a text to another. The text unveils itself before us, but never allows itself to be possessed; and instead of trying to possess it we should take pleasure in its teasing

Some people, who are deeply involved in an organized, traditional religion, find it very difficult to accept that their way isn't the only way. And that their sacred text isn't the only text and it must be taken literally.

If you're thinking bout me, text 143 that means I Love You