Top 1200 Text Message Quotes & Sayings

Explore popular Text Message quotes.
Last updated on December 21, 2024.
Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.
There is no need for neighborhood informants and paper dossiers if the government can see citizens' every Web site visit, e-mail and text message.
Hasn't everyone written a leave letter while at school? Or sent a text message? There is a writer in all of us. — © Suhasini Maniratnam
Hasn't everyone written a leave letter while at school? Or sent a text message? There is a writer in all of us.
Sometimes the lines in a song are lines you wish you could text-message somebody in real life.
Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.
If I give a book as a gift, it is invariably a children's book with beautiful artwork and a simple text. I adore the feel of them, the care taken in the artwork, and the high visual stimulation that sets off the simple but often powerful message the text conveys.
I've never sent an email in my life. My kids laugh. I often hand the phone to them and say, 'Can you text this message to somebody.' I don't even have a computer on my desk.
The person sending ironic text messages has no idea that their voice does not sound so great in text. There's no dry sense of humor in a text. It comes off as a little bit shitty.
A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception.
The 'World Wide Web', as people quaintly called the Internet in 1996, was more or less made up of text. There was no YouTube. There was no Facebook. There was, however, Usenet, a loose and difficult-to-navigate assortment of message boards.
[Didier] Drogba sent me a text message after I won the African Player of the Year award. It made me very happy.
The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
People's behavior will change with technology. I know very few young people who can't type out a text message on their phone with one thumb, for instance. — © Howard Rheingold
People's behavior will change with technology. I know very few young people who can't type out a text message on their phone with one thumb, for instance.
The Bible is not an antiquated text. The scriptures are the text that will lead us into the future.
There are no witches. The witch text remains; only the practice has changed. Hell fire is gone, but the text remains. Infant damnation is gone, but the text remains. More than two hundred death penalties are gone from the law books, but the texts that authorized them remain.
At some point I realized that the text was the painting and that everything else was extraneous. The painting became the act of writing a text on a canvas, but in all my work, text turns into abstraction.
We have a text before us, an ancient text, a living text, and we try to enter it, not only to decipher it, but to penetrate it, to become part of it, similar to the way every student becomes part of a teacher's texture. That's how I see our [with Frank Moore Cross] two differing approaches.
Colin [Farrell] I talked to several times on the phone, and I said, remember, we have only twenty-five days of doing the movie [Miss Julie], so you must know some of your text. I was a little un-feminist, I didn't want to say [bossy voice] "learn your text!" But when he came, he knew all his text.
The aim of the scholarly editor is not to produce the the easiest text for the reader, but to get as near as he can to the text of the author.
Compare sending someone a text message and getting a love letter delivered by carrier pigeon. No contest.
It only took one text message to change my life. That's when I discovered my loving husband had been unfaithful. His infidelities ended our marriage.
Sri Krishna's message is the message of anyone who comes from far away. His message is the same as Buddha, Lao Tsu, Bodhidharma, Milarepa, Padmasambhava.
How many of you text message? It's a great way of not communicating.
I’ll respond to your text message, baby.
No text message will ever replace the first kiss.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
The only direction I can give to an actor, a good actor who knows his skills, is, 'Here are those words. They're yours. Make them yours. Don't tell the text but be the text.' That means you have to be the emotion of the text.
I cried when my ex-girlfriend sent me a text message saying how much she liked my present to her.
When I came to the industry, one PR person told me, 'Send a text message to this actor. Go on a date with him.' And I said, 'But he is married!' Then this person said, 'Why didn't you send a message to this cricketer? It would have been good for your career, for your PR and public image.'
The Gospel is called the good news. My message is a message of hope, that's God's [message] for you.
Oceans of emotion can be transmitted through a text message, an emoji sequence, and a winking semicolon, but humans are hardwired to respond to visuals.
I don't care about sex anymore. It's a headache. It's hard to trust people. You talk to a girl, and then she screenshots a text message.
The funniest thing a man has ever said to me... I once recieved a text message that said, 'Fancy a cuddle-slash-wrestle?' It's just so awful Obviously I didn't reply.
I like to talk to people on the phone. I don't like to do critical stuff by text message.
Never preach a sermon without a text from the Bible, a text containing the theme which you can elaborate. The text is the best proof in support of your argument. A sermon without a text is an argument without a proof.
Music is a talent given to me by God. A medium and a platform and a way to spread a message of righteousness... a message of love, a message of unity.
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
People have entire relationships via text message now, but I am not partial to texting. I need context, nuance and the warmth and tone that can only come from a human voice. — © Danielle Steel
People have entire relationships via text message now, but I am not partial to texting. I need context, nuance and the warmth and tone that can only come from a human voice.
No one can know truth except the one who obeys truth. You think you know truth. People memorize the Scriptures by the yard, but that is not a guarantee of knowing the truth. Truth is not a text. Truth is in the text, but it takes the text plus the Holy Spirit to bring truth to a human soul.
With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.
As we read a text in our own language, the text itself becomes a barrier.
Text is linear; it is black and white; it doesn't zoom around the page in 3-D; it isn't intelligent by itself; in fact, in terms of immediate reaction it is quite boring. I can't imagine a single preliterate was ever wowed at the first sight of text, and yet text has been the basis of arguably the most fundamental intellectual transformation of the human species. It and its subforms, such as algebra, have made science education for all a plausible goal.
A poem is what the reader lives through under the guidance of the text and experiences as relevant to the text.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
People even split up by text message, they dump each other by text. Everything seems so disposable, so throwaway, but you have to engage with that if you're writing about the modern world. You've also got all these pop references that you feel obligated to make. They're just part of the bricolage of the whole thing, whether or not these are actually significant elements themselves.
Now we're e-mailing and tweeting and texting so much, a phone call comes as a fresh surprise. I get text messages on my cell phone all day long, and it warbles to alert me that someone has sent me a message on Facebook or a reply or direct message on Twitter, but it rarely ever rings.
I think whether you are a judge on my court or whether you are a judge on a court of appeals or any court, and lawyers too - and if you're interested in law yourself, you'll be in the same situation - you have a text that isn't clear. If the text is clear, you follow the text. If the text isn't clear, you have to work out what it means. And that requires context.
The inspiration is all in the script, in the text. So whatever it is, either it is a film or a book to be illustrated, anything. Everything you need to know is in the text. So the thing is trying to find right tone and voice, the right style, the right way of expressing the emotions in a story or in the location of the story, but it is all in the text.
There's no question that looking down to search the Web, send a text message, or log onto Facebook puts you in danger and puts people around you on the road in danger. — © Ted Deutch
There's no question that looking down to search the Web, send a text message, or log onto Facebook puts you in danger and puts people around you on the road in danger.
I sit up straight and do the first thing a person is supposed to do in an emergency, which is send a text message.
The idea of a poem as a message in a bottle means that it's sent out towards some future reader and the reader who opens that bottle becomes the addressee of the literary text.
We're human beings; we're not robots. And face-to-face contact is something totally different than typing a text message and then forgetting about it.
The text illustrates the pictures - it provides a connective tissue for me. I usually refine the text last, partly because pictures are harder to do, so it's easier to edit words - I use text as grout in between the tiles of the pictures.
Everything on mobile seems a lot quicker. You have direct access to each individual fan, and they can respond to you just as quickly as you sent a text message.
The idea of a poem as a message in a bottle means that it's sent out towards some future reader, and the reader who opens that bottle becomes the addressee of the literary text.
I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
The message of the United States is not nuclear power. The message of the United States is a spiritual message. It is the message of human ideals; it is the message of human dignity; it is the message of the freedom of ideas, speech, press, the right to assemble, to worship, and the message of freedom of movement of people.
Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.
Good web text has a lot in common with good print text. It's plain, concise, concrete and 'transparent': even on a personal site the text shouldn't draw attention to itself, only to its subject.
Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
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