Top 1200 Text Message Quotes & Sayings - Page 3

Explore popular Text Message quotes.
Last updated on December 22, 2024.
Hillary Clinton's message is old and tired. Her message is that things can't change. My message is that things have to change.
I'm in a house where if the washing machine shuts off, it sings a song. If iPad gets a message, it sings a song. I'm living in a real postmodern time - every single thing sings to you to tell you it's started, it's stopped, you've got a message, you didn't get a message.
The BBC is very much in thrall to all this techno cross-fertilisation, in much the same way that print journalists are now encouraged to blog. To the point where there is an emerging breed of sub-editors who take perfectly well-written and punctuated original copy and rewrite it so that it resembles a text message written by a 14-year-old under the influence of Bacardi Breezers.
Quotes are a way of acting out not just a text, and not just thinking, but the making of a text. The construction of thinking. — © Masha Tupitsyn
Quotes are a way of acting out not just a text, and not just thinking, but the making of a text. The construction of thinking.
Originalism is sort of subspecies of textualism. Textualism means you are governed by the text. That's the only thing that is relevant to your decision, not whether the outcome is desirable, not whether legislative history says this or that. But the text of the statute.
Many liberals believe in God; many conservatives do. What matters is not whether people believe in God but what text, if any, they believe to be divine. Those who believe that He has spoken through a given text will generally think differently from those who believe that no text is divine. Such people will usually get their values from other texts, or more likely from their conscience and heart.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
Phone calls are much more personal than texting and then when you get a girl on the phone, it's like you ask a question and you get a response back. For a text message, they can read it and get back to it whenever they want to. So that makes a difference, almost like a power play in a way.
Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.
Any fifth language that you use should be equally used as just another bit of theater language, so that if you have a strong text, then the light should be as strongly part of that text as, for example, the sound it should be or whatever it is that you see.
When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.
I say to myself, if the text was good enough for my father and grandfather, it must be good enough for me. I admit, that is a rather personal way of approaching the text - or a prayer.
I once asked Myung Mi Kim where gender is located in her work, and she said simply, "it's everywhere," resisting the notion that gender needs to be overly inscribed into the text with some kind of message. Hers is the kind of work that has most influenced how I make poetry - the idea that we don't need to enclose or nail down gender or race, for that matter.
I prefer to make movies which not only have a message for 'then' but a message for 'now.'
I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.
I get real brave when I text people. When I text people, I am so brave because it's words, but you can't say stuff. — © Leslie Jones
I get real brave when I text people. When I text people, I am so brave because it's words, but you can't say stuff.
One thing about my dinner parties - they're never planned. I go to the grocery store, and I buy whatever is on sale. I get a lot of it, and I just send out a mass text: 'I just bought food. Dinner's at 8. Text me if you're coming.'
I knew if I ate anything of hers again, it would lkely tell me the same message: help me, I am not happy, help me -- like a message in a bottle sent in each meal to the eater, and I got it. I got the message.
Tim Kaine has a message of fiscal responsibility and generosity of spirit. That kind of message can sell anywhere.
People respond faster to you on a text than an e-mail. Why is that? Why will they ignore an e-mail, but get back to a text?
That is to say, the inspiration, the interpretive richness of the text is what Elie [Wiesel] does publicly, and his interest in history is his private reserve; he knows that he is not an expert in dissecting the text the way Frank [Moore Cross] does.
One of the beauties about being an actor is that nothing really has to make sense. You just do it and live it and hope it comes out and try to find the truth in what's in the text in your own way and hopefully you can find truth in the text and everything else just comes.
I sense that what you two [Elie Wiesel and Frank Moore Cross] share is that you each have a public relationship to the Biblical text and a somewhat private relationship to the Biblical text.
When we were kids we always used to say, ‘Okay, whoever dies first, get a message through.’ When John died, I thought, ‘Well, maybe we’ll get a message,’ because I know he knew the deal. I haven’t had a message from John.
We had a few tragic accidents in our state, as they've had in every state, from train crashes on down. And really, no text is worth dying for; that is our message to young people. And this is such a new phenomenon when you look at the number of texts and how they've increased exponentially in just the last few years.
Imagine, if you will, you're sitting at my desk in Hawaii. You have access to the entire world, as far as you can see it. Last several days, content of internet communications. Every email that's sent. Every website that's visited by every individual. Every text message that somebody sends on their phone. Every phone call they make.
Take your message of equality of achievement, take your message of economic dependency, take your message of enslaving the entrepreneurial will and spirit of the American people somewhere else.
Some people, who are deeply involved in an organized, traditional religion, find it very difficult to accept that their way isn't the only way. And that their sacred text isn't the only text and it must be taken literally.
Every status update you read on Facebook, every tweet or text message you get from a friend, is competing for resources in your brain with important things like whether to put your savings in stocks or bonds, where you left your passport, or how best to reconcile with a close friend you just had an argument with.
The message is always going to get through. Me being able to speak is a message in itself.
Nights were hard during my staying at the TV show because while my Playmate friends got to go out and party, I would have to be home by 9 p.m. I'd get a text message from a girl that read, 'Having so much fun in Vegas. Wish you were here! Partying with all these football players,' and that was devastating. I felt so trapped and angry when I was missing out on something good.
All we can say is that, as the result of a process which went on from the fourth century to about the eighth, a standard type of text was produced, which is found in the vast majority of the manuscripts that have come down to us. At least ninety-six per cent of the extant manuscripts of the Greek New Testament are later than the eighth century; and of those only a handful preserve traces of the other types of text which were in existence before the adoption of the standard text, and out of which it was created.
In our daily lives as programmers, we process text strings a lot. So I tried to work hard on text processing, namely the string class and regular expressions. Regular expressions are built into the language and are very tuned up for use.
Ultimately you're trying to reach across and find some other person, some other human warmth. But it is, especially in written poetry, it is inscribed in a text and the text can't do that work by itself and you as a poet can only do your best.
I'm for everybody. You may not agree with me, but to me it's not my job to try to straighten everybody out. The Gospel is called the good news. My message is a message of hope, that's God's [message] for you. You can live a good life no matter what's happened to you.
Each child comes to us with a message from God and it is our job to help them deliver that message.
My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.
By bridging the literacy barrier through the use of 3D interactive models we overcome the inherent limitations of text. At the same time, language differences become much less important as text is replaced by interactive, 3D images.
I do think that once you remove the limitations of the page, once you turn text transitive, meaning it can be clicked away from, the forward movement of text can be interrupted. But I don't think this is just a function of technology. It's also a function of cultural preference.
As you all know by now, Barack Obama sent out a cell phone text message at 3 a.m. on Saturday morning to tell everyone he picked Joe Biden as his vice president. How do you think this makes Hillary Clinton feel, huh? Finally, she gets a telephone call at 3 a.m., it's to tell her they picked Joe Biden.
I prefer to make movies which not only have a message for "then" but a message for "now." — © Nate Parker
I prefer to make movies which not only have a message for "then" but a message for "now."
Do I have a message? Yes, I do. Here's my message: as scary as the world is – and it is – it is merely a ride ...
Christianity is not a message which has to be believed, but an experience of faith that becomes a message.
The power of a text when it is read is different from the power it has when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.
For me, I want to change the way people see the world. That's why I do what I do...with every email, text message, and every phone call that I get with people saying "Man what you've done God has used it to change me" that's when I see success.
Suffering makes a people greater, and we have suffered much. We had a message to give the world, but we were overwhelmed, and the message was cut off in the middle. In time there will be millions of us - becoming stronger and stronger - and we will complete the message.
I think justice Scalia is really the gold standard of what a justice should be. Somebody, regardless of how he feels on an issue, is going to look at the text of the Constitution, look at the text of the law, and make his judgment.
When a fan buys a ticket, we learn an enormous amount about them: What bands they like, where they live, how much they are willing to spend. Someday, a fan will be sitting in a bar and his cellphone will text message 'Sonic Youth are playing tonight. Do you want to go?' He'll buy his ticket over the phone and walk to the concert.
The Text is plural. Which is not simply to say that it has several meanings, but that it accomplishes the very plural of meaning: an irreducible (and not merely an acceptable) plural. The Text is not a co-existence of meanings but a passage, an overcrossing; thus it answers not to an interpretation, even a liberal one, but to an explosion, a dissemination.
It's certainly important to include text beside documentary photographs. Furthermore, it's important to include text in a way that's useful and accessible.
Ultimately a life message shouts more clearly and loudly than a brand message. Your image may communicate an outward brand, but your life shouts the real inner message.
I still have a lot to learn about what the love of Christ is like - that it's not just knowledge... but it's allowing the truth to change you - allowing Christ's message of grace and hope and love through the cross, that that message is the message that changes the way we look at everything in our lives.
Certain supplementary restrictions imposed on the text compel us to perceive it as poetry. As soon as one assigns a given text to the category of poetry, the number of meaningful elements in it acquires the capacity to grow and the system of their combinations also becomes more complex.
Most of the time when there's a communication problem, it's because the message being received is not the message you want. It's not that they don't know what they need to do, how we need to act as a team, whatever. If you don't like the message, then you go say there's a communication problem.
When the message out there is so horrible that, to be gay, you can get killed for it... we need to change the message!! — © Ellen DeGeneres
When the message out there is so horrible that, to be gay, you can get killed for it... we need to change the message!!
I met India Arie, who is one of my favorite artists of all time. It was really sweet; I was broken up with a month before, and she stayed up texting me all night and was helping me through it. Her text message looks like a song of hers. She's sort of become my fairy godmother.
Safe sex is great sex, better wear a latex, cause you don't want that late text, that 'I think I'm late' text.
Bold has been my message to the people of the west, bolder is my message to you, my beloved countryman.
Early in my career, a critic said that I needed to "explain" the irony in my work, suggesting that I needed to add text next to the images to help people understand what I was trying to say. At first I was dismayed that I wasn't making work with a clear enough message. That's when I realized that that was the exact opposite of what I wanted to do - that I wasn't responsible for a misinterpretation of my work, that there should be some ambiguity to it. They either got it, or they didn't.
People don't like to read text on computer screens (and reading a lot of text on iPod screens gets very tiring very soon, just about as soon as running out of battery power).
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