Top 1200 Text Quotes & Sayings - Page 20

In 1850, August Salzmann photographed, near Jerusalem, the road to Beith-Lehem (as it was spelled at the time): nothing but stony ground, olive trees; but three tenses dizzy my consciousness: my present, the time of Jesus, and that of the photographer, all this under the instance of 'reality' - and no longer through the elaborations of the text, whether fictional or poetic, which itself is never credible down to the root.

Because the last time I saw my family was 2015. Sometimes I even forget what they look like, you know? It's so hard to communicate with them. Because Turkish police raided my house. They took electronics away, computers away. They wanted to see if I'm still in contact with my family or not. Any single text, they will all be in jail.

I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.

Writing something down and processing it, sitting with a text and a story, editing and rewriting new drafts - that entire process helps clarify something for myself. Depending on the person, the act of trying to tell your story helps you understand yourself better, helps you come to terms with something that happened.

Teenagers talk about the idea of having each other's 'full attention.' They grew up in a culture of distraction. They remember their parents were on cell phones when they were pushed on swings as toddlers. Now, their parents text at the dinner table and don't look up from their BlackBerry when they come for end-of-school day pickup.

For me, I want to change the way people see the world. That's why I do what I do...with every email, text message, and every phone call that I get with people saying "Man what you've done God has used it to change me" that's when I see success.

When do I say No? I say No when I feel that the intention of the play, or the spirit, or tone - or text! - is being knowingly changed. Fortunately, this has happened only once. Next time I would say No earlier, and definitively. Otherwise, ultimately, the only No you have is No, you can't open the play. And that No is very very hard to say.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

If you have to be reasoned into Christianity, some wise fellow can reason you out of it! If you come to Christ by a flash of the Holy Spirit so that by intuition you know that you are God's child, you know it by the text but you also know it by the inner light, the inner illumination of the Spirit, and no one can ever reason you out of it.

You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.

Every status update you read on Facebook, every tweet or text message you get from a friend, is competing for resources in your brain with important things like whether to put your savings in stocks or bonds, where you left your passport, or how best to reconcile with a close friend you just had an argument with.

Spurred by the unlimited texting plans offered by carriers like AT&T Mobility and Verizon Wireless, American teenagers sent and received an average of 2,272 text messages per month in the fourth quarter of 2008, according to the Nielsen Company - almost 80 messages a day, more than double the average of a year earlier.

Short attention span is the new avant-garde. Everyone complains that we can no longer intake huge chunks of text. I find that a reason to celebrate. It's something that has deep roots in modernism, stretching from the Futurists' use of typography to Pound's use of ideograms to concrete poetry. David Markson feels particularly relevant now. Twitter is the revenge of modernism.

LA isn’t a walking city, or a subway city, so if someone isn’t in my house or my car we’ll never be together, not even for a moment. And just to be absolutely sure of that, when I leave my car my iPhone escorts me, letting everyone else in the post office know that I’m not really with them, I’m with my own people, who are so hilarious that I can’t help smiling to myself as I text them back.

Every single aspect of a text requires very careful choices and rigorous evaluation. Style is employed - or deployed - for a reason. It's purposeful. Form and aesthetics are part of meaning-making. Ideally, a writer would have mastery over a wide variety of rhetorical gestures and tonalities, our lexicon and punctuation system, our grammar, and all the riches of a liberal and literary education.

Teaching literature is teaching how to read. How to notice things in a text that a speed-reading culture is trained to disregard, overcome, edit out, or explain away; how to read what the language is doing, not guess what the author was thinking; how to take evidence from a page, not seek a reality to substitute for it.

Nights were hard during my staying at the TV show because while my Playmate friends got to go out and party, I would have to be home by 9 p.m. I'd get a text message from a girl that read, 'Having so much fun in Vegas. Wish you were here! Partying with all these football players,' and that was devastating. I felt so trapped and angry when I was missing out on something good.

What I can't tell with a photo I will tell with a painting, and what I can't tell with a painting I will tell with a video or text sometimes, et cetera.

I still go to a party and say something embarrassing to someone, and then write them a weird e-mail about it the next day, and then write them a text because I think they didn't get the e-mail. No matter what happens with your level of success, you still have to deal with all the baggage that is yourself.

Judge not the preacher; for he is thy judge: If thou mislike him, thou conceiv'st him not. God calleth preaching folly. Do not grudge To pick out treasures from an earthen pot. The worst speak something good. If all want sense, God takes a text, and preaches patience.

The Bhagavad Gita—that ancient Indian Yogic text—says that it is better to live your own destiny imperfectly than to live an imitation of somebody else’s life with perfection. So now I have started living my own life. Imperfect and clumsy as it may look, it is resembling me now, thoroughly.

My great strength as an editor, I believe, is structure: I know how to reorder a piece, I know how to reach into a jumbled story and extract the important narrative. And I can do both of these things very fast. I also think I've become better at cutting text. You don't always relish it, of course, but by now I know how to distill something without sacrificing its essence.

Americans, more than any other culture on earth, are cookbook cooks; we learn to make our meals not from any oral tradition, but from a text. The just-wed cook brings to the new household no carefully copied collection of the family's cherished recipes, but a spanking new edition of 'Fannie Farmer' or 'The Joy of Cooking'.

The way we make sense of a realistic text is through the same broad ideological frame as the way we make sense of our social experience or rather, the way we are made sense of by the discourses of our culture.

No one statement wrested from its context is a sufficient warrant for actions that plainly controvert other commands. How excellent a thing it would be if the whole Church of Christ had learned that no law of life may be based upon an isolated text. Every false teacher who has divided the Church, has had, "it is written" on which to hang his doctrine.

I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.

When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.

While learning to code may have once been an arduous or expensive process, the college dropouts who developed Codecademy have democratized coding as surely as Gutenberg democratized text. Anyone can go to Codecademy and start learning and creating code through their simple, fun, interactive window, for free.

People will always want more immersive ways to express themselves. So if you go back ten years ago on the internet, most of what people shared and consumed was text. Now a lot of it is photos. I think, going forward, a lot of it is going to be videos, getting richer and richer.

It's a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah.

Moon Phase Astrology is a valuable resource on a neglected topic. Through the use of descriptive and poetic titles, insightful text, and inspiring historic quotes, Raven Kaldera illuminates the subtle differences of the often forgotten Moon phases through the twelve zodiac signs. A must read for those walking the path of the Moon.

Phone calls are much more personal than texting and then when you get a girl on the phone, it's like you ask a question and you get a response back. For a text message, they can read it and get back to it whenever they want to. So that makes a difference, almost like a power play in a way.

It's an attitude of superiority. We are superior to the rest of life. The Book of Genesis says: 'Increase and multiply and have dominion over the birds of the air and the animals and so forth.' You run it; it's yours; do what you like with it. I don't know how old that text is, but it represents an attitude that probably really got going with the beginning of agriculture. Before that, the hunter-gatherers were gentler people than the agriculture.

Text input is certainly useful, but images and speech are a much more natural way for humans to express their queries. Infants learn to see and speak well before they learn to type. The same is true of human evolution - we've had spoken language for a long time compared to written language, which is a relatively recent development.

In the first night of the Arvon Foundation course, Elspeth Barker said something about the newspaper along the lines of - and I'm paraphrasing - "I do these pieces for them and it's amazing, because I don't type it out, I just fax it as it is, and the literary editor has a machine that can transform my handwriting into typed text." At which point I put my hand up and said, "Actually, I'm that machine."

America is run by corporations, it is run by banks and Wall Street. That's why we can't get guns under control. It's because all these lobbyists don't want gun control, they don't want us to have strong environmental safety guards. Young people can become aware of that and they are the most powerful lobby. With a click of a text, you can have millions of people voting for one person.

Usually naive interviewers hover between two mutually contradictory convictions: one, that a text we call creative develops almost instantaneously in the mystic heat of inspirational raptus; or the other, that the writer has followed a recipe, a kind of secret set of rules that they would like to see revealed. There is no set of rules, or, rather, there are many, varied and flexible rules.

Nothing is text but what is spoken of in the Bible and meant there for person and place; the rest is application; which a discreet man may do well; but it is his scripture, not the Holy Ghost's. First, in your sermons use your logic, and then your rhetoric; rhetoric without logic is like a tree with leaves and blossoms, but no root.

Early in my career, a critic said that I needed to "explain" the irony in my work, suggesting that I needed to add text next to the images to help people understand what I was trying to say. At first I was dismayed that I wasn't making work with a clear enough message. That's when I realized that that was the exact opposite of what I wanted to do - that I wasn't responsible for a misinterpretation of my work, that there should be some ambiguity to it. They either got it, or they didn't.

Each typeface is a piece of history, like a chip in a mosaic that depicts the development of human communication. Each typeface is also a visual record of the person who created it - his skill as a designer, his philosophy as an artist, his feeling for... the details of each letter and the resulting impressions of an alphabet or a text line.

The impact of the Yemeni manuscripts is still to be felt. Their variant readings and verse orders are all very significant. Everybody agrees on that. These manuscripts say that the early history of the Koranic texts is much more of an open question than many have suspected: the text was less stable, and therefore had less authority, than has always been claimed.

It's important to be vocal, and to be fair, I've always had that in me, to be honest. One of the things my dad has always said to me is make sure you're vocal, and before the game, I always get a text off him telling me to do the things well and again, 'Be vocal, Dec.'

We've never met before and I start telling you how much I love your favorite musicians, how I watch the same TV as you do, etc. You realize the reason I'm so perfect for you is because I spent the last two years going through your photo albums, reading your text messages and talking to your friends. Facebook is that stalker.

We can teach about hip-hop history, we can teach about legends, hip-hop theory. It's been around so long that text books can be written about it. This is a perfect time to capitalize on and get kids excited about music education.

These 'free' applications ask for permission to read your emails, your text messages, listen to your phone calls, record video from your phone. Why else would someone spend millions developing an application which they then give away? Kind-hearted, maybe? Get real.

In preparing the present volume, it has been the aim of the author to do full justice to the ample material at his command, and, where possible, to make the illustrations tell the main story to anatomists. The text of such a memoir may soon lose its interest, and belong to the past, but good figures are of permanent value. [Justifying elaborate illustrations in his monographs.]

Republicans, supposed defenders of limited government, actually are enablers of an unlimited presidency. Their belief in strict construction of the Constitution evaporates, and they become, in behavior if not in thought, adherents of the woolly idea of a 'living Constitution.' They endorse, by their passivity, the idea that new threats justify ignoring the Framers' text and logic about shared responsibility for war-making.

I don't think there are any rules in real face-to-face relationships or interactions. I think authenticity and being yourself is always, without a doubt, the best plan of action. Things happen differently when you're actually here, so you can't put out a general guideline that's gonna show up in text and be interpreted. There are no rules. Just be yourself.

Certainly I was a very religious child, a deeply weird and very emotional child, an only child with lots of imaginary friends and a very active imagination. I loved Sunday school and Bible camp and all that. I had my own white Bible with Jesus' words printed in red in the text; I even spoke at youth revivals.

We had a few tragic accidents in our state, as they've had in every state, from train crashes on down. And really, no text is worth dying for; that is our message to young people. And this is such a new phenomenon when you look at the number of texts and how they've increased exponentially in just the last few years.

There are two different ways of writing a novel. The first I call the traditional father way, when the novelist slightly situates himself or herself above the text and knows what each and every character is going to do. It's a bit like engineering. I've never felt close to that tradition. I like the second way, which relies a bit more on intuition.

Most of the women in your life will outlast the men in your life. The Saturday Night Live ladies - Maya Rudolph, Rachel Dratch, Tina - and I text pictures of our kids back and forth all the time. It keeps us connected. As my nanny used to say, the older you get, the more important it is to know people that knew you when.

Mann is widely recognized as a master of irony and ambiguity, yet it's remarkable how quickly people foreclose options he carefully leaves open. Lots of readers - including eminent critics - jump to conclusions: that Nietzsche's Birth of Tragedy is a central background text, that Aschenbach is an inferior writer, that he's never been attracted by pubescent male beauty before, that he dies of cholera.

The BBC is very much in thrall to all this techno cross-fertilisation, in much the same way that print journalists are now encouraged to blog. To the point where there is an emerging breed of sub-editors who take perfectly well-written and punctuated original copy and rewrite it so that it resembles a text message written by a 14-year-old under the influence of Bacardi Breezers.

I'm bullish on writing. Movies, radio, television, and now digital media - everything was supposed to push us away from text, to video or "back" to speech. First, there's no going back. We're always stumbling forward. Second, writing is invincible. Thirty years ago, we thought we'd all be talking to our computers; instead, we're all typing on our phones.

In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.

There's an imperative to make sure you distinguish fiction from the fact, because if the fact is doing the work, why did you do fiction? And once you raise the question of why - why do fiction? - then you have to answer it in your text as a kind of enactment of the answer.

I ended up breaking with my boyfriend, and a week later, Neil and I had a date. We started hanging out every single night, and after three months, it was just non-stop. We talk on the phone at least eight times a day and text at least 25 times a day. He's my lifeline in an amazing way. Without him, I can't breathe.

On the first page of the Bible there is an instance of how literalism is but an invitation to transcend the image to which literalism points. That first page is not geology, biology or paleontology; it is high religion. For there we are told who we are in terms of our constititutive text. And if we could understand that, we would worrying about whether the antelopes or the cantaloupes came in a certain order.

You can't see any movie nowadays really without it having some sort of CGI treatment, albeit whether it's a creature or an environment, something like that. To make a point, sort of poetically in that case, but clearly it was a drama and how do you approach it? Well, I think what you're supposed to do is what the text dictates. What you bring to it and everything you need to know should be there, and pay attention to your director.