We're going to keep trying to strengthen the American family, to make them more like the Waltons and less like the Simpsons.
Everything I know about pop culture I know from 'The Simpsons,' and they say the Grammys aren't very good.
Oftentimes, what seems to be a street lunatic charging at me spouting gibberish turns out to be a devoted 'Simpsons' fan quoting their favorite line.
The success of 'The Simpsons' really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.
I had the X rating on my films. Now they do as much on The Simpsons as I got an X rating for Fritz the Cat.
The Simpsons will end as soon as Fox is able to find an 8 p.m. comedy hit to replace it - so I give us another 50 years.
Our solution on 'The Simpsons' is to do jokes that people who have an education, or some frame of reference, can get. And for the ones who don't, it doesn't matter, because we have Homer banging his head and saying, 'D'oh!'
Sometimes people get mad at The Simpsons' subversive story telling, but there's another message in there, which is a celebration of making wild, funny stories.
The early seasons of 'The Simpsons' had a great deal of heart. That's what I'm trying to pull from, the kind of stuff that goes straight to kids' hearts. When they're watching, they don't necessarily know why they love something.
The thing that makes me happiest about Simpsons Illustrated are all the drawings that we get from readers. I wish we could print them all. They're really imaginative. They show a lot of hard work.
It was crushingly disappointing as a fan of The Simpsons to discover that it's just you in a room speaking into a microphone. I thought I was going to become friends with Homer Simpson, but unfortunately none of them are real.
I grew up watching 'The Office' and 'Father Ted' and all the British things at that time - 'The Royle Family' - and the American ones like 'Friends,' 'Frasier' and 'The Simpsons.'
I was very moved by shows that combined things that were funny and sad. I remember liking 'Simpsons' episodes in which emotions were central.
When you're trying to come up with an idea for a movie it's actually the hardest part - the germ of the idea. Inevitably you think of something that would be great and then discover that it was on an episode of The Simpsons.
I draw a weekly comic strip called Life in Hell, which is syndicated in about 250 newspapers. That's what I did before The Simpsons, and what I plan to do for the rest of my life.
I'll tell you what 'The Simpsons' is really good at. They'll describe something, you don't see it, and it's funnier when you describe it.
Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.
When The Simpsons came around, there really was nothing else like it on TV. It's hard to imagine, but when Fox first took the plunge with it, it was considered controversial to put animation on prime time.
Roughly 65% of American households owned a video recorder by 1989, when 'The Simpsons' was launched. This meant that fans could watch episodes several times and pause a scene when they had spotted something curious.
The truth is that many of the writers of 'The Simpsons' are deeply in love with numbers, and their ultimate desire is to drip-feed morsels of mathematics into the subconscious minds of viewers.
Trying to please everyone can be very hard, but, like Shrek or The Simpsons, Robin Hood manages to entertain adults and children at the same time, but in different ways.
America needs to be a lot more like the Waltons and a lot less like The Simpsons.
I have less to do with 'The Simpsons' every season, but I stick my nose in here and there. Basically, it's just trying to keep the characters consistent and making sure the show has a soul.
I used to be a huge fan. "The Simpsons" taught me a lot about filmmaking. It imitates film, but it's drawn, so everything is super clear
The biggest move that put Fox on the map, from an entertainment perspective, was when 'The Simpsons' moved to Thursday night, and that was paired with 'Martin' and 'Living Single.'
The Simpsons was pretty experimental at the time, but it attracted a lot of sitcom writers that felt confined by the limitations of live-action sitcoms in the '80s.
Trying to please everyone can be very hard, but, like 'Shrek' or 'The Simpsons,' 'Robin Hood' manages to entertain adults and children at the same time, but in different ways.
Its consistency of what comedy can do and what comedy can be.Growing up with that show [The Simpsons] shaped my worldview.
I wasn’t invited to be on staff at the Simpsons because they didn’t want any women on staff at the time.
We went to church twice a week. My parents were employed in ministry; we prayed before dinner. We rollerbladed in the summer. We were allowed to watch the 'Simpsons.' I fought with my younger brother over Legos.
Before The Simpsons, I was 4 years old, so I don't know exactly what I was thinking before that.
I don't know how I've managed to reach the age of 45 as a professional comedian and not watched more 'Simpsons,' considering everyone says it's one of the best shows ever.
In the pressure cooker of a TV show, it’s a little bit of a witches’ brew. I completely think I’m capable of being crazy. I probably was crazy when I was doing 'The Simpsons'.
I was very, very into animation when I was growing up. The Simpsons is still my favorite show. I have a really strong connection to it.
We've got a bunch of new writers now who tell me they grew up watching The Simpsons. It's bizarre, and they're writing some very funny stuff.
Early on in my career, I was often the only woman in the room, writing for shows like 'Late Night with David Letterman,' 'The Simpsons,' 'Newhart,' and 'Coach,' and sometimes I'd feel like I didn't belong.
I constantly watch 'The Simpsons' and an English cartoon called 'The Raccoons' and 'Gummi Bears.' I was obsessed with ninja films, and the 'Teenage Mutant Nina Turtles,' I used to love that as well.
When you think about 'The Simpsons' or 'King of the Hill' or something like that, the worlds tend to expand each episode, because there's no additional cost incurred to hire an animated character.
Maybe it'll be like 'The Simpsons,' and everybody will remain unchanged. Maybe that's what 'Glee''s about. Maybe this is kind of a stasis show. I don't know.
I transplanted my brain into 'HQ' and that's where the dark corners of my mind got exposed: Pop culture, '90s baseball, 'Simpsons,' 'Seinfeld,' 'Mr. Show,' Phish, Grateful Dead.
When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who'd briefly joined a religious cult and then discovered Foucault. Such is life.
I think when 'The Simpsons' first came on, there was an uproar. People got used to it. They realized the show's really funny, it's got a heart, so I think it's pretty safe.
When I was 21, I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for 'The Simpsons' who'd briefly joined a religious cult and then discovered Foucault. Such is life.
People forget at the time that 'The Simpsons' started out, it was controversial - the fact that they said 'hell' and 'damn' in a cartoon was a lot. America was in an uproar.
A whole generation was raised to learn about comedy from The Simpsons. To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.
A whole generation was raised to learn about comedy from 'The Simpsons.' To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.
The success of The Simpsons really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.
I acted in 'Almost Famous.' My album 'Fingerprints' won a Grammy Award in 2007. Even more prestigious, as far as my kids were concerned, I appeared in episodes of 'The Simpsons' and 'Family Guy.'
Maybe it'll be like 'The Simpsons,' and everybody will remain unchanged. Maybe that's what 'Glee's about. Maybe this is kind of a stasis show. I don't know.
It's not exactly calm at Christmas. It's a bit like the Simpsons appearing in a pasta advert - lots of bickering, crazy pets, and plenty of tomato sauce!
Yeah, my first love was 'The Simpsons,' but in terms of movies and stuff, I loved 'Back To The Future,' I loved 'Jurassic Park,' I loved 'The Truman Show.'
You look at shows like The Simpsons or Larry Sanders or Curb Your Enthusiasm or Seinfeld, they're really sophisticated shows that we all love back home.
I'm a great admirer of 'The Simpsons.' It's very surprising because it's backed by a right-wing television company in the U.S., and quite often it's poking fun at the people who would be its audience.
I think 'The Simpsons' is in the right time slot because it's not a show for kids. It's too vulgar. And 'Ren and Stimpy' is worse. We would never do anything like that.
Growing up, I remember my parents feeling a little wary of 'The Simpsons.' This was the late eighties, and there was a wave of articles about TV shows that were bad for America. Then we all started watching it and loved it.
Every joke is either taken by ads or The Simpsons. It's all about being able to get your ideas out into the universe.
That's been the case for decades. 'The Simpsons,' 'King of the Hill' - they do the preproduction in America, and the production is in Korea or in some cases China, or occasionally Japan or India.
It doesn't hurt my voice or anything because some impressions tear my throat apart. [Christophen] Walken is easy; I can do it in my sleep. They all know it by heart. I did it on The Simpsons. I'm surprised that people still want to hear it.
I like 'The Simpsons' like everybody else. But yeah - people think I'll always be super intense.
The Simpsons can go anywhere in the world and not worry about any budgetary issues. However, even when the show has had its run, I think the characters can go on in perpetuity.
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