Top 1200 Theatre Directors Quotes & Sayings - Page 15

I like working with writer-directors because you can solve problems right there.

The directors [who know every detail] make films that are complete, basically.

If great lecture is theatre, the future of learning is games.

We definitely have to support other female directors because there's not enough of us.

Theatre ticket price capping is not a bad idea.

I went to DePaul University Theatre School in Chicago, Illinois.

A lot of directors are overbearing and tend to make you doubt your instincts.

I pursued a theatre career, and Hollywood came calling.

I've been very lucky to work with a lot of amazingly supportive directors.

I would love to work with Cameron Crowe; he's definitely one of my favorite directors.

I'm drawn to people rather than mediums - directors, writers, actors.

I feel like I've been marinated in Australian theatre.

All of these great directors I've worked with, they've all come to me. I never go after it.

I'm always under the impression that directors should act at some point or another.

Some people are directors and I think they should stay behind the camera.

What I like about theatre is the responsibility you have with your character.

When actors give their input, it can be very ego-driven, and directors are scared of that.

I think all my favorite directors have acted. They understand how an actor thinks.

That's the trouble with directors. Always biting the hand that lays the golden egg.

I would love to do more theatre, musicals... everything.

It's strange - some directors are really talented but they can be so precious when it comes to letting you be a part of it.

I'm very interested in directing actors - many directors direct cameras.

By and large, the theatre establishment is run by a white majority.

I hope to continue working in film, television and theatre.

Being on stage at the Soho Theatre is hard to beat.

It dawned on me that theatre is a powerful weapon for change.

There are so many directors, young and old, around - all doing their thing and struggling.

Theatre, for me, is my playing field. That's where I learnt my craft.

I just am committed wholeheartedly to theatre with no intermission.

We all like indie directors - heck, I even married one... but we're divorced now.

Theatre comes alive when someone cross-dresses onstage.

Definitely, I feel that there is a need for more female producers, directors, and writers.

All my directors have tried to draw the best out of me at that point of time.

It's easier to solve the problem more quickly with directors than with writers.

There are directors that I want to work with and that I admire. You can love a script, but if it doesn't have a good director, it won't be that.

I am a professional and maintain good rapport with all my producers, directors and co-artists.

I'm willing to have two directors on the DuPont board, me being one of them.

There are directors, and there are authors. I think I am more of an author than a director.

Most of the film directors expect their actors to want to work fast.

Most of the time nothing much is required of directors, which is a pity.

As an actor, you're in the hands of producers and directors. It's important to find out who you're working with.

I don't mind any role as long as I get to work with good directors.

The biggest thing I learned is directors don't make a lot of money on a movie.

The only thing I get from the theatre is a sore arse.

In the end I think theatre has only one subject: justice

Theatre taught me to convert a scene into a vision.

My advice to women directors is just to make the best work possible.

Maybe I have just a younger voice than many other directors.

Directors don't always create, they can also destroy with too many demands.

Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.

I care more about the directors that I get to work with as opposed to the actors.

As a producer, I'm quite nurturing, I like working with inexperienced, unseasoned directors.

My directors feel that, because of my height, I look better in action sequences.

Id love to see more women working as directors and producers.

I began stealing a lot of ideas from other directors I had worked with.

I prefer theatre to television - you get to feel the love.

Theatre just fills me up so much.

I am grateful to those directors who actually designed roles for me.

You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work

Have you noticed how most directors are either bald or grey-haired?