Top 1200 Theatre Directors Quotes & Sayings - Page 16

Explore popular Theatre Directors quotes.
Last updated on December 2, 2024.
If you don't take it personally, the partnership between producers and directors is very intimate.
I will always be grateful to Chelsea, to the players, the directors, the owner, the fans.
A lot of young directors, they're not confident; they're not open to the emotional level of the scene. — © Terence Stamp
A lot of young directors, they're not confident; they're not open to the emotional level of the scene.
For most directors, the scriptwriter is about as welcome on set as a member of the Taliban.
Most actors are pretty adaptable because we work with so many directors.
Working with directors like Gurinder Chadha was a learning experience for me.
I've run into some S.O.B. directors, but I gave them back as good as I got.
I live in L.A., where every coffee shop is filled with scriptwriters, producers and directors.
Mumbai and Gujarat are the two places that can be termed as the capital of theatre.
I feel there's enough seriousness in the world without seeing it in the theatre.
Film is not as exhilarating, not as physically, mentally, or spiritually challenging, as theatre.
There's a wonderful stable of directors I've worked with, and work I've done that has dignity and meaningfulness.
The world was no doubt made, that it might be a theatre of the divine glory. — © John Calvin
The world was no doubt made, that it might be a theatre of the divine glory.
I am interested in independent cinema and theatre, and they don't make news.
Unlike films, theatre allows you to experiment as an actor, which is fulfilling.
I don't know why directors sign on to these projects and completely rewrite everything.
I tell my children to avoid theatre and go into cinema and TV.
Theatre is how I first encountered art on any level.
Theatre especially in Hindi is not enough to help an artiste in earning a livelihood.
I do not talk to the FBI directors about pending investigations [on Hillary Clinton].
So I've had really great assistant directors for my last seven movies.
Only when you don't impose things on it do you get real political theatre.
Films with fresh themes and able directors are a pleasure to associate yourself with.
Directors and actors are people whose career spans are very short.
I find it kind of weird that directors want to put themselves in their films.
Scripts and directors make great actors, not the other way around.
You never know as a director what other directors do. Because you don't get to see what they do.
When Orlando gets to the point where they're hiring local directors, that will be good.
All film directors, even the ones using 3-D today, want you to look at what they chose.
I love the flamboyance, the melodrama, the bloody theatre of Russian history.
Directors get to fire on many more cylinders than an actor.
Many of the museum directors who make an impact personally curate exhibitions.
I always go back to theatre. It's probably where I'll draw my last breath.
I happen to have worked with male directors who don't understand women at all. Not at all. I'm flabbergasted by their ignorance.
Nobody cares for the product I, and a host of other horror directors, make.
I studied at the Piccolo Teatro di Milano: I was a theatre actor.
One is always attracted to pieces of theatre with great roles for women.
My first play was 'A Month in the Country' at the Chichester Festival Theatre. — © Phoebe Fox
My first play was 'A Month in the Country' at the Chichester Festival Theatre.
When I was in college, all the pretty women were in the theatre, so I auditioned for a play.
My mum very much wanted me to go into the theatre.
I can't do theatre in the US,' she says, 'because I don't have a green card.
Theatre has been a part of my education as much as anything else.
I'm at the National Theatre School, which is like the Juilliard of Canada.
If I can do quality work with wonderful writers and directors and producers... that's the cherry on top.
I don't run after successful directors. I give importance to the content of the film.
I am fine working with debutant directors. They have a freshness about them.
With Kubrick and most film directors, they are in complete control, but one can influence them.
I've always loved musical theatre. It's my favorite thing in the world to do. — © Judy Norton
I've always loved musical theatre. It's my favorite thing in the world to do.
Its expensive to be dark - a theatre shut costs a lot of money.
Casting directors will often say that they are open to any ethnicity, but they're not.
Theatre has always been ahead in terms of colourblind casting.
Having started out in theatre, I feel an impulse to do it as much as I can
I've never worked in the U.K. television industry, but my guess it that it's a tough world for directors.
Bud [Yorkin] was the kindest and dearest man, and one of the most talented directors there was.
I grew up in musical theatre and love to perform on stage.
Directors and writers have a lot of stress as well, because they have people they answer to.
As an artist, program directors always want to put you in a little box.
In fact, in childhood, I was scared to watch a film in a dark theatre.
On a film set, we're all glorified troubleshooters, really, as directors. It's not if a problem arises. It's when.
I had done plays, and Hindi theatre pays peanuts.
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