Top 91 Thelma And Louise Quotes & Sayings

Louise Wilson told me she wanted to see more of the 1997 show. And so I needed to reissue that.

When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."

Travel is best when it's as unplanned as possible so that you get that real sense of adventure. The film 'Thelma and Louise' really encapsulates that - their travels are unplanned and spontaneous and therefore full of excitement, escapism and optimism.

In 1986, when they made the TV movie, Return to Mayberry, Barney and Thelma Lou did get married!

I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.

I didn't think of 'Thelma and Louise' as a feminist movie.

Thelma and I are excited to work with UMSL around our shared passion for jazz and education and make this initial investment to establish the institute.

I'm obsessed with 'Thelma and Louise,' and therefore obsessed with Callie Khouri who wrote that movie.

At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers.

The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.

Jeez Louise. I know why rich people are so thin: it's from trekking around their humongous houses the whole time.

My favorite duo since Thelma and Louise. They got chops, heart, and soul stirring harmonies.

I love you, Louise Downe McCord. You drive me absolutely crazy sometimes, and this is one of those times, but I love you.

I always found Louise Brooks interesting. She was an icon of the silent - film era, and I knew she'd grown up in Kansas, and that she was smart and rebellious and sharp - tongued.

I don't use 'best friend' often especially with someone I've only known for a year but Louise Redknapp completely changed my life and the two of us became these kind of wonderful confidence boosters for one another.

There are a lot of people who dream of overnight success, of being Brad Pitt getting discovered for 'Thelma and Louise,' but that doesn't always happen. I represent that stick-to-it-ness that it takes to build a career over time, guest spot by guest spot. Looking back from here, I wouldn't have wanted the journey to go any other way.

I listen to NPR a lot. And I can tell you that Mary Louise Kelly is one of the very few hosts on there who actually seems fair and is not totally biased against President Trump.

I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.

Every once in a while, a book so possesses me that I happily give up a couple of consecutive nights of sleep - as well as the evening news broadcasts and latenight talk shows - to finish it. That's what happened when I opened the novel 'Shadow Tag' by Louise Erdrich.

When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".

Miss Jean Louise, stand up. Your father's passin'.

They said love made you strong, but in Louise's opinion it made you weak. It corkscrewed into your heart and you couldn't get it out again, not without ripping your heart to pieces.

Why is it so difficult to have films seeing the world from women's perspective like 'Thelma and Louise?'

When people know I wrote 'Thelma and Louise,' they don't want to mess with me.

One thing about 'Thelma & Louise' we can't forget: Brad Pitt. Oh, yes.

It’s sad that women characters have lost so much ground in popular movies. Didn’t Thelma and Louise prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.

Louise Gluck, C.K. Williams, Thomas Lux. A lot of the poets that I like are the ones that influenced me as a writer.

The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.

'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.

The wedding ring on my left hand was bought by my grandfather, Samuel Miliband, in Brussels in 1920. I never knew him, as he died when I was one. But his ring was kept by my aunt until it was placed on my finger by my wife Louise 32 years later.

On their own, each [character] is a victim of no importance. But when you bring them together, they become a dangerous weapon. Jeanne is the vowel and Sophie the consonant. Psychologists know this phenomenon well. Each individual is harmless, but together they create an explosive chemical reaction. It's like Bonnie and Clyde, like Thelma and Louise.

Well with girls I don't get no respect. I had a blind date. I waited two hours on the corner. A girl walked by. I said Are you Louise? She said, Are you Rodney? I said, Yeah. She said, I'm not Louise.

Louise de Keroualle, being a Frenchwoman from the French court, was feared by most Englishmen for how she might influence their king, and that fear quickly turned to hatred.

I was certainly seriously emotionally affected [ when Louise Hillary and Belinda Hillary died], but we were building the hospital at the time and I decided that the only thing to do was to carry on and complete the hospital - and it was a jolly good hospital too, I might say. So I really did it by working and working on the things that Louise and I had been working on.

An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."

Louise Brown's birth marked the end of the beginning of human IVF, acclaimed at the Royal College of Obstetricians and Gynaecologists. This event was snubbed by some clinicians now styled as 'pioneers', who shouted that the test-tube claim was a fake! They did not matter.

I'd love to find a lifelong female film editor as Scorsese has with Thelma Schoonmaker. I think women are probably, without generalising, sensitive to subtle things as an editor.

Since nostaglia is fueled by inflation, could it be that inflation is the result of a conspiracy by the people who are trying to palm off McGovern buttons and Howdy Doody puppets and their Aunt Thelma's toaster as antiques.

I am a community activist, philanthropist, breast cancer survivor, advocate and founder and board chair of the Thelma D. Jones Breast Cancer Fund. I am also a parent, grandparent, and a doting pet owner.

Yes, Louise Brooks was beautiful and intelligent, and she could be very funny, but obviously there was a deep insecurity there, a real destructive rage and immaturity.

I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.

At night, I read. I read for two hours. I just finished a marvelous book by Louise Erdrich, 'The Round House.' But mostly I read 20th-century history and biography. I lived then. I was either a child or at school or at work.

I'm drawn to intergenerational tension, and it must have been strong in the 1920s: I wondered how Louise's [Brooks] generation of flappers appeared to the women who came of age at the beginning of the century - wearing corsets, long skirts, and high collars.

'Thelma & Louise' really hit a nerve, and I loved that movie.

I'm taking my rats. Those are my friends for the tour. Thelma and Louise. They're so cute.

I would love to star in a remake of Thelma and Louise. Yep, that's the one I'd be interested in redoing.

I grew up watching Scooby Doo and Thelma was my favourite character.

People still come up to me and ask whether I am Louise Brown or if they've seen me somewhere else before.

Basically [Louise] Brandeis was a Jeffersonian. And you say the timing is great, and it is in a lot of senses, except not for [Tomas] Jefferson, because this is a Hamiltonian moment, and he's the rock star of the minute with a great musical.

I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.

Because for that day, I really did become Lulu. Maybe not from the film or the real Louise Brooks, but my own idea of what Lulu represented. Freedom. Daring. Adventure. Saying yes.

Louise Frogley is a brilliant designer. I always find her wardrobe fittings really informative and creative. Together, you kick images and ideas around.

There is no Garbo! There is no Dietrich! There is only Louise Brooks!

When I was probably in middle school I saw the mini series Angels in America for the first time and I think Mary Louise Parker's performance in that first of all sparked a deep obsession with Mary Louise Parker, but I also really love Amy Adams because she gets to do comedy and drama so consistently.

American politics are rich with characters and stereotypes - Joe the Plumber, Harry and Louise, Nascar dads and hockey moms, to name a few. But one persistent type hasn't gotten much attention: the Republican football coach.

It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.

Anyway, madness and genius. They're the disturbed pals of the human condition. The Bonnie and Clyde, the Thelma and Louise, the baking soda and vinegar. Insanity just walks alongside the brilliant like some creepy, insistent shadow.

Louise Bonnet is a Los Angeles-based painter of round, fleshy, almost obscene shapes and people. But hers is a very clean, friendly cartoon world, so there's this tension between harmlessness and perversion that is totally unsettling.

I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.

I used to sing when I was six years old. When the family would leave the house, I'd get up on the stool and sing. 'T for Texas, T for Tenessee, T for Thelma, the gal that made a wreck out of me.' I was in love with my babysitter. She was 18. I was six.