Top 1200 Theme Quotes & Sayings - Page 18

Explore popular Theme quotes.
Last updated on December 4, 2024.
I once heard some idiot on the radio saying that all great art has suffering as its dominant theme, and that the greatest artists are only able to create because they suffer immensely in their own lives. What a bunch of bullshit. Look at Van Gogh's paintings: there's as much joy in them as there is pain. Suffering is only a single color, and by itself it's boring.
The theme of luck comes up a lot. It's something I thought about before, why some people are lucky and some people aren't lucky. It seems like some people you meet can sort of cultivate luck, and I've always been fascinated by that.
One thing that's interesting for me is the alignment of the U.S., Israel, and India along Islamophobia and hate for an entire group of people, and India wanting to be like 'Hey U.S., we're just like you! We don't like Muslim people either!' For both parts of my identity, there's that theme of Islamophobia. That's pretty disgusting.
In popular culture, there isn't any other conception of Islam and Muslims other than what you see on the news... When you go to a theme park, you see Muslims riding roller coasters and eating ice cream. Why doesn't anybody think of those Muslims when they think of Muslims?
People link the 80s to that very liberal theme, growing up in a very liberal world, having ideals or not having ideals. The 80s were an confusing era. — © Sam de Jong
People link the 80s to that very liberal theme, growing up in a very liberal world, having ideals or not having ideals. The 80s were an confusing era.
What works for me is simply to read a lot of stuff throughout the year - not with a particular story or theme in mind, but just because you never know what might be useful or interesting in the long run. I much prefer to just absorb a lot of stuff and let the old unconscious chew down on it over time.
I never start with what lots of people think of as a subject or a theme. They're school words, not art words. So, writing essays busts my arse because the art is in addressing the subject. I find it really difficult and monstrously time-consuming. In an essay I need to employ my imagination but it's indentured in a way it's not when I'm free to make everything up.
Requests for mustache rides were the big common theme, around the time of the release of the season. People were saying how much they hated him, obviously, and how they would kill him or choke him. There were just all kinds of things. You name it, I got it.
Overall the theme is about never giving in... not letting anyone tell you what to do or take anything away from you. Always being yourself, whatever that may be. The content obviously takes a darker and romantic approach to relationships about love and loss, as well as overcoming adversity in everyday life. Generally, just being tough and standing up for what you believe.
What I think of as 'freakonomics' is mostly storytelling around an idea - not a theme but an idea. I like ideas much more than themes. Themes are boring. Themes are, 'Wool is back,' but ideas are, 'Why is wool back?'
Oh my God, if you're talking terrible theme songs, you have to mention Matt Hardy. I can't understand what they're even saying. There's a point in Matt Hardy's song where it sounds like they say 'I want to meet the cheese.' I'm always like, 'Meet the cheese?' Just goofy stuff.
The life's work of Walt Disney and Ray Kroc had come full-circle, uniting in perfect synergy. McDonald's began to sell its hamburgers and french fries at Disney's theme parks. The ethos of McDonaldland and of Disneyland, never far apart, have finally become one. Now you can buy a Happy Meal at the Happiest Place on Earth.
Trump's Fox News fixation was a major theme of his presidency. He hired people from Fox, fired people because of Fox, and gave most of his national TV interviews to Fox. Sometimes it was hard to tell where Trump ended and Fox began.
The truth comes to rule, not through violence, but rather through its own power; [this is the central theme of John's Gospel:] When brought before Pilate, Jesus professes that He Himself is The Truth and the witness to the truth. He does not defend the truth with legions but rather makes it visible through His Passion and thereby also implements it.
I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words.
The use of neuroscientific data to help resolve phenomenological questions is proving a common theme in much contemporary thinking about the mind. How rich are the contents of visual perception? Does vision only tell us about shapes and colours, or does it also represent higher categories like lemon or umbrella?
God the Father is the giver of Holy Scripture; God the Son is the theme of Holy Scripture; and God the Spirit is the author, authenticator, and interpreter of Holy Scripture.
I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind.
But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.
Writing is a vocation and, as in any other calling, a writer should develop his talents for the greater glory of God. Novels should be neither homilies nor apologetics: the author's faith, and the grace he has received, will become apparent in his work even if it does not have Catholic characters or a Catholic theme.
The Christ within who is our hope of glory is not a matter of theological debate or philosophical speculation. He is not a hobby, a part-time project, a good theme for a book, or a last resort when all human effort fails. He is our life, the most real fact about us. He is the power and wisdom of God dwelling within us.
Her face ... was a one-of-a-kind, a surprising variation on a familiar theme - a variation that made observers think, Yes - that would be another very nice way for people to look. What Beatrice had done with her face, actually, was what any plain girl could do. She overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.
As any opera fan knows, lawyers and judges do not fare well in most operas. Just consider the productions of 'Andrea Chenier,' 'Aida, Norma,' 'Billy Budd,' 'Peter Grimes,' 'The Crucible,' 'Lost in the Stars,' 'The Marriage of Figaro,' 'The Makropulos Case' and Wagner's 'Ring' cycle. Around 1810, the theme of justice emerged in opera.
Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
Halloween is huge in my house and we really get into the 'spirits' of things. A few years back, my wife was frustrated with the same old stupid sound effects tape we would play, which ends with the theme from 'Ghostbusters' and 'Monster Mash'. I told her that Halloween is way too cool a holiday to suffer through this every year.
At first, my bedroom had flowers and yellow walls and huge furniture in plastic that was orange and green - and furry green bed cover and everything. Then, I think the day I turned 13, I painted the walls black and put Kurt Cobain on the wall and just changed everything into a dark theme.
I did a really fun orange nail polish with my friend Deborah Lippmann. All of her nail polishes are named after songs so we called this one "Lara's Theme" which is really cute. It's a bright orange which is really good for summer or cheering yourself up in winter.
My fiction is based on both my own experience transformed, altered, juggled and changed to suit the demands of composition, character, and plot. If I see a theme emerging in a story I will likely take it up and develop it. I hardly ever set out with a conscious plan and if I do the story usually takes over and takes me where it wants to go.
We are befouling and destroying our own home, we are committing a slow but accelerating race suicide and life murder - planetary biocide. Now there is a mighty theme for a mighty book but a challenge to which no modern novelist or poet has yet responded. Where is our Melville, our Milton, our Thomas Mann when we need him most?
The difference of the degrees in which the individuals of a great community enjoy the good things of life has been a theme of declaration and discontent in all ages; and it is doubtless our paramount duty, in every state of society, to alleviate the pressure of the purely evil part of this distribution, as much as possible, and, by all the means we can devise, secure the lower links in the chain of society from dragging in dishonor and wretchedness.
It's a big theme throughout my music to just embrace everything about your own mind and to always feel powerful. It's not just a feminine thing, but for men, too, whether they feel weak, or strong or crazy or reclusive. I want everyone to feel powerful no matter what little beasts they have in their head.
The restructuring theme can be of various kinds. Some amount of debt gets serviced out of cash flows, some gets back-ended and resolved with sale of non-core assets of the company, and some debt gets converted into equity which might today look like a haircut.
And if you look at all this academic work in the conferences and so on there's a constant theme that terrorism is extremely hard to define and we therefore have to have a deep thinking about it. And the reason it's hard to define is quite simple. It's hard to find a definition that includes what they do to us but excludes what we do to them. That's quite difficult. So it takes a global war on terrorism.
I think there's tons of life and excitement in Paris. There are lots of old people and young people creating sexy new culture, but they're having to do it in the middle of a theme park. Paris is so dedicated to preserving its sense of itself, "we were great once upon a time," that it's hard for people who are making work right now to have to struggle in this sort of museum.
I love Doctor Who and I remember the first one, which was wonderful in its low-tech quality. I also loved the theme song, which sounded like The Cure to me. Which character would I like to play in Doctor Who? Who's the bad guy? The Dalek? OK, I'll play him.
And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs, and the countryside will be mostly shopping centers and theme parks. Forgive me. I don't mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Guys can look like pigs. The girl always has to be a looker. Look at most TV shows: According To Jim - pig and a looker. Still Standing - pig and a looker. Ralph Kramden [on The Honeymooners] - pig and a looker. Family Guy - pig and a looker. It's a theme.
If you go to a theme park, there will be so many rides. You will get an exciting experience in each of them. Like that, every film is an experience that entertains you. Some films will touch your heart. Some will touch you emotionally. There is nothing more than that.
Every decent director has only one subject, and finally only makes the same film over and over again. My subject is the exploitability of feelings, whoever might be the one exploiting them. It never ends. It's a permanent theme. Whether the state exploits patriotism, or whether in a couple relationship, one partner destroys the other.
It's a critical fallacy of our times ... that a writer should 'grow,' 'change,' or 'develop.' This fallacy causes us to expect from children or radishes: 'grow,' or there's something wrong with you. But writers are not radishes. If you look at what most writers actually do, it resembles a theme with variations more than it does the popular notion of growth.
The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!
The most successful men in the end are those whose success is the result of steady accretion. It is the man who carefully advances step by step, with his mind becoming wider and wider - and progressively better able to grasp any theme or situation - persevering in what he knows to be practical, and concentrating his thought upon it, who is bound to succeed in the greatest degree.
You know, ever since I was a kid I've always been fascinated by the Arthurian Legend and, you know, the notion of nobility in battle and the - the notion of chivalry. And, you know, that's a - whether to not that's a dying theme in today's world. And then the offer of the White Knight came along and the writing was just beautiful and it was something that I just leapt at. I mean, it was great fun to do.
Writers often like to talk about how intuitive the writing process is, but in truth, building a book is a remarkably unintuitive task. Or, to put it more accurately, you need a lot more than intuition. You need plot and characters. You need a setting. You need a theme that is relevant and supported by your text.
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
When I celebrated my bar mitzvah, there was no cake. Today, there is no such thing as a bar mitzvah in the United States without a special cake. It can be even more complicated and expensive than a wedding cake, because bar-mitzvah cakes are often based on a particular theme.
My direction has never really changed, because I don't think that you can really work gimmicks in gospel music. With gospel music, there is this central theme that always comes around about the love of God, the love of Jesus and the power that you have through Jesus Christ. You don't need a gimmick when you have that.
'Habits & Contradictions' is the prequel to 'Setbacks.' I had all these titles already in my head before I even dropped 'em. Like 'Setbacks,' I knew that was gone be the first one; I knew 'Habits & Contradictions.' I knew 'Oxymoron.' I got two more albums that I already have the title to it, and I know how I'ma play the theme off of it.
I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.
In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
You watch an old 'Jeopardy!' and the categories alone are very plain. 'Poetry,' or 'Movies,' or 'Physics.' If you watch it now, though, there'll be a theme board where the categories are all Hitchcock movies. Lots more jokes, lots more high-concept categories and questions.
In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, 'How does our society develop? What are the problems in our society? Where is our direction leading?'
A theme that has always interested me is how women express anger, how women express violence. That is very much part of who women are, and it's so unaddressed. A vast amount of literature deals with cycles of violence about men, antiheroes. Women lack that vocabulary.
Maybe we like our politicians to appear like bumbling oafs. It certainly never did Ronald Reagan or George Bush any harm. The Italians still seem enamoured of Silvio Berlusconi - a man whose entry into a room is less likely to be greeted with the Italian national anthem than by the Benny Hill theme tune.
The world has witnessed the rise and fall of monarchy, the rise and fall of dictatorship, the rise and fall of feudalism, the rise and fall of communism, and the rise of democracy; and now we are witnessing the fall of democracy... the theme of the evolution of life continues, sweeping away with it all that does not blossom into perfection.
In reading the biographies of very successful men and women, one theme frequently surfaces: such people have a strong bias for action. Those who achieve high levels of success in some areas of life tend to take a LOT more action than those who settle for average or below average results.
'Rosemary's Baby' is still one of my favorite movies of all time. The idea of her being impregnated with the devil is just so frightening. I'm actually going to work on a movie in February, called 'Mercy,' from Jason Blum, who produced the 'Paranormal Activity' movies, and there is a similar theme to 'Rosemary's Baby' in the movie.
When I hear a man discoursing of virtue, or of any sort of wisdom, who is a true man and worthy of his theme, I am delighted beyond measure: and I compare the man and his words, and note the harmony and correspondence of them. And such an one I deem to be the true musician, having in himself a fairer harmony than that of the lyre.
It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
When I finished my degree I became a physics and maths teacher. And worked in the international school in Brussels, because like many kids, after University I went home going 'ahhh I don't know what to do'. I happened to fall upon a job there because they were desperate for a physics teacher which is a common theme among many schools.
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