Top 1200 Things Are Not What They Seem Quotes & Sayings - Page 17

Sometimes, I seem to be only able to actually move and get going with things on the razor edge of possibly still managing whatever it is I'm supposed to do. I think, secretly, I might even get a buzz out of it. Maybe I crave the adrenalin like some sort of crazy gambler high on risking everything on the turn of a card.

The larger an English industry was, the more likely it was to go bankrupt, because the English were not naturally corporate people; they disliked working for others and they seemed to resent taking orders. On the whole, directors were treated absurdly well, and workers badly, and most industries were weakened by class suspicion and false economies and cynicism. But the same qualities that made English people seem stubborn and secretive made them, face to face, reliable and true to their word. I thought: The English do small things well and big things badly.

Some people seem so different, some people feel so much more than other people, some people are able to push past things so much easier. And...it's just fascinating to me.

Things seem to be at a boiling point all the time. In fact, it has been that way my whole life. I find it interesting, and I like the fact that the emotions are in your face all the time. You always know where you stand. None of that "we don't have any racial problems here" attitude that you get, say, up north. All of this is rich fodder for a crime novelist.

Big Walter used to say, he'd get right wet in the eyes sometimes, lean his head back with the water standing in his eyes and say, 'Seem like God didn't see fit to give the black man nothing but dreams - but He did give us children to make them dreams seem worth while.'

I grieve and dare not show my discontent, I love and yet am forced to seem to hate, I do, yet dare not say I ever meant, I seem stark mute but inwardly do prate. I am and not, I freeze and yet am burned, Since from myself another self I turned. My care is like my shadow in the sun, Follows me flying, flies when I pursue it, Stands and lies by me, doth what I have done.

You work here [on the farm] simply without philosophizing; sometimes the work is hard and crowded with pettiness. But at times you feel a surge of cosmic exaltation, like the clear light of the heavens... . And you, too, seem to be taking root in the soil which you are digging, to be nourished by the rays of the sun, to share life with the tiniest blade of grass, with each flower; living in nature's depths, you seem then to rise and grow into the vast expanse of the universe.

You seem to take things so personally, hating people and worshipping them--always thinking people are so important--especially yourselves. You just ask to be kicked around. I like people and I like them to like me, but I wear my heart where God put it--on the inside.

An actor that tells you that they have real choices between material is, for the most part, lying. There are very few people that have opportunities. But what you do have where I am in my career, is saying no to the things that seem repetitious. For me, I always look for material that allows me to bring my worldview to it. And those opportunities, since the beginning of The Shield, have grown exponentially.

I know, people have had different things to say about Marvel, about how creatively free they are or not free they are, but for me, the rule has always just been stay as good as I can possibly be, and stay one step ahead of the curve, and stay unique, and stay myself. And they seem to like that.

A lot of abstract painters seem to be doing everything all at once now. And so these different styles are jibing and not so jibing, and they're clashing. But they all seem to be working in their own domain. Whereas back in the '60s, man, it was kind of a dull world. It was a vital world. But it was kind of contained and not too recognized by the public. Now art is absolutely recognized by the public.

One of the great things about the film being so unusual and provocative is the filmmaker to me doesn't seem to have a definite opinion on the rights or wrongs or the immorality of behaviors and systems, he just presents a set of very unusual circumstances and asked the audience to partake in the judging of what feels right or wrong or what feels natural and unnatural.

According to accounts of the Buddha's life, it would seem that he had a very deep relationship with nature. He was not born in the royal palace but in a park, under a sala tree. He attained complete enlightenment under the bodhi tree and left this earth to enter Parinirvana, again, between three sala trees. It would seem that the Buddha was very fond of trees.

The stories that confirm that bigger story are brought in and easily digested. But there's another set of stories that are always there, which do not confirm, but which complicate and contradict what we think we already know. And I'm always attracted to that. There doesn't seem to be much of a market for it. Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest.

I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.

I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.

Here's an encouraging word for someone tonight - don't think you're not doing what God called you to do just because things don't seem as glamorous as you thought they would be. If you are a woman who honors God right where you are, you are in ministry. Keep being obedient, keep looking for the next open door of opportunity, and above all else hold closely to our Lord.

You know that fiction, prose rather, is possibly the roughest trade of all in writing. You do not have the reference, the old important reference. You have the sheet of blank paper, the pencil, and the obligation to invent truer than things can be true. You have to take what is not palpable and make it completely palpable and also have it seem normal and so that it can become a part of experience of the person who reads it.

I was always either so unreasonably and pointlessly happy that no one place could seem to contain me, or so melancholy, so sick and silly with sadness that there was no place I could stomach the thought of entering. I hated it here. And I have never been as happy as when I was here. And these two things together confront me with the beak and claws of the True.

Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.

It is true that 'I seem to see a table' does not entail 'I see a table'; but 'I seem to feel a pain' does entail 'I feel a pain'. So scepticism loses its force - cannot open up its characteristic gap - with regard to that which ultimately most concerns us, pleasure and pain.

All warfare is based on deception. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.

Surely comics require more effort on the part of the reader than movies or television. I'm always learning new things you can do with comics that wouldn't work in any other medium, and often they require the need to process a lot of dense information. Of course, the trick is to make the complicated seem effortless and spontaneous.

There's a certain advantage to living in a small country like Guatemala, I think. You don't feel so distant from political reality there. When things happen, they almost seem to happen on a Shakespearian stage with the audience so close they can become actors too. This is partly what Joseph Brodsky meant when he wrote that small countries have big politics.

But no value has been put on human life; it is given to us free and taken without being paid for. What is it worth? If you look around, at times the value may seem to be little or nothing at all. Often after you have sweated and tried and things are not better for you, there comes a feeling deep down in the soul that you are not worth much.

I capture reality, never pose it. But once captured, is it still reality? I've always tried to play with the false impression of reality, with the ambiguity of appearances. Things are what they seem to be, or maybe something else. I use people as unconscous actors in little dramas they don't know they're in. These pictures are about Earthlings, but I'll let you in on a secret: I'm an Earthling myself.

It's actually a tribute to the quality of economics teaching that they have persuaded so many generations of students to believe in so much that seems so counter to what the world is like. Many of the things that I'm going to describe make so much more common sense than these notions that seem counter to what one's eyes see every day.

The problem in America as far as actors are concerned - and it's probably true in other fields, as well - is that they don't value people who are older or talented. I don't think ability means anything. How much money you have or how much money you can make for them are the only things they seem to care about or understand.

To women, drummers seem like these adorable, sexy Neanderthals, but lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.

We [Black people] have always used our creativity to battle and we're not the only ones. Black Americans are certainly leaders in that simply because we were denied education and dealt with enforced illiteracy. But people seem to always forget that literacy is not the only way of learning things or conveying knowledge.

Even things which seem separate and finished are infinitely connected and will infinitely connect. This connection happens as soon as you let it, as soon as you engage - as soon as you even attempt to engage.

I think everything you are, everything that engages you, eventually comes to bear on the novel you write. I think the creative energy in novel writing, obviously, comes from tension. From trying to fuse. From trying to make coherent disparate things that might not at all seem to belong together within a narrative.

Among the things she said: "Women seem to possess all the natural gifts essential to a good portraitist ... such as personality, patience and intuition. The sitter ought to be the predominating factor in a successful portrait. Men portraitist are apt to forget this; they are inclined to lose the sitter in a maze of technique luxuriating in the cleverness and beauty of their own medium."

Personally, I don't want to do a lot of angel deals in a year. I get approached a lot. I'm becoming less and less polite, which doesn't seem to be helping. A lot of the things I get pitched on are from people who just want to make money.

Life without sex might be safer but it would be unbearably dull. It is the sex instinct which makes women seem beautiful, which they are once in a blue moon, and men seem wise and brave, which they never are at all. Throttle it, denaturalize it, take it away, and human existence would be reduced to the prosaic, laborious, boresome, imbecile level of life in an anthill.

Consequently, I get inspiration from all over the place. But it's not like a calculated thing on my part, or a way that I see myself, you know? I'm just interested in things that move me, and I don't care where they come from. In fact, I'm interested if they come from a place I wouldn't expect, or would seem foreign to me on some level.

It places value on experience versus intellectual understanding. I saw a lot of people contemplating things but it didn't seem to lead to too many places. I got very interested in people who had discovered something more significant than an intellectual, abstract understanding.

I made my first website when I was ten. I flirted using instant messages all throughout high school. I like the Internet. I like cuddling. I like my cell phone. I like awkward eye contact with strangers. I like hearing people's voices. I like parties. I like Craigslist. These things don't seem technologically exclusive to me.

One cannot legislate the maniacs off the street... these maniacs can only be shut down by an armed citizenry. Indeed bad things can happen in nations where the citizenry is armed, but not as bad as those which seem to be threatening our disarmed citizenry in this country at this time.

The one function that most gods seem to have in common is to give human existence some ultimate purpose - and, while it is not possible to disprove an ultimate purpose, there does not seem to be any evidence for it. This is not to say, of course, that there is no purpose in life at all: we all make our own purposes as we go through life. And life does not lose its value simply because it it not going to last forever.

No matter what is happening in our lives, we choose how we wish to think about it. And the greatest gift we give ourselves is often our willingness to change our minds. Despite what might seem to be the saddest and most intractable situation, we have the power to believe that something else is possible, that things can change, that a miracle can happen.

It's funny - until 'Catfish,' none of my films were angled at young people except for the fact that they were angled at me and my contemporaries. And that's who I'm constantly making things for. I'm not imagining a younger audience I'm trying to impart wisdom to; I don't want to seem pretentious enough to think I can impart wisdom.

And so there are a lot of bad things. And in this campaign, if there's somebody you don't think should be nominated, if you think there's a coarseness to the campaign that's horrible, if you think it's creating voices around the world that seem to speak for America and damages in the world, you may say it's pretty horrible. On the other hand - what's the reverse?

Quotes about Life Tell me not, in mournful numbers, Life is but an empty dream! For the soul is dead that slumbers, and things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art; to dust returnest, Was not spoken of the soul.

On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.

There's no reason to assume that my idea of what's better would really be better. I resent it when other people try to inflict their ideas of betterness on me. I don't think they know. And I can't see any authority on the horizon that's got any answers that seem worthwhile. Most of the things that are suggested are probably detrimental to your mental health.

I am a pet person. My dog actually lives in Georgia now. But I work with animal trainers and pets quite often. I also volunteer at different places like animal shelters. It's good to be around pets. They kind of put things into perspective. They're easygoing, loyal, and they seem to get it, even when humans don't.

Part of the reason might be that I was born in 1954 and I look upon my youth with great fondness, like many old men. And, though my work doesn't focus much on good things, I see that period as America's heyday. True, we had many problems, like racism and Vietnam, but we still weren't quite as nuts as we seem to be now.

In relationship you gotta have friendship because if you don't, even if things may seem perfect in the beginning, times like this when you are married and you have a kid, you have to still be able to have that spunk, that sass, that fun, and that friendship. Because yeah, jumping into something so quickly can very much turn sour very very fast.

To women, drummers seem like these adorable, sexy Neanderthals, and lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.

Children love making things, but they don't get the same opportunities now as practical subjects seem to be sidelined. I would love to see schools offering much more in the way of practical subjects to let children see what they can do.

I have never been able to understand the complaint that a story is "depressing" because of its subject matter. What depresses me are stories that don't seem to know these things go on, or hide them in resolute chipperness; "witty stories," in which every problem is the occasion for a joke; "upbeat" stories that flog you with transcendence. Please. We're grown ups now.

We are not what we seem. We are more than what we seem. The actor knows that. And because the actor knows that hidden inside himself there's a wizard and a king, he also knows that when he's playing himself in his daily life, he's playing a part, he's performing, just as he's performing when he plays a part on stage.

For a culture that has such a problem with death, we seem to deal with it in a quite bizarre way. We see people shot, killed and blown up, and we find it funny and sexy and all those things. But, the reality of it is that every day people die, and people are really sad and they grieve and they go through a really difficult process with it.

Any single historical event is too complex to be adequately known by anyone. It transcends all the intellectual capacities of men. Our practice is to wait until a sufficient number of details have been forgotten. Of course things seem simpler then! Our memories work that way; we retain the facts which are easiest to think about.

It's funny because I think, as a general rule, that people seem to think that if you do lots of different things over the course of, like, a timeline, it means that you kind of disregard what you did before. But that's not true of me. I still genuinely like everything I did as much as I liked it when I released it.

As I go musing through this mournful land Soothed by the pine-tree's solemn harmony, Thy well-loved image comes and walks by me. I seem to hold thee by the gentle hand And talk of things I dimly understand, That thy dear spirit set to mine may be As to an intricate lock the simple key.

All material Things seem to have been composed of the hard and solid Particles ... variously associated with the first Creation by the Counsel of an intelligent Agent. For it became him who created them to set them in order: and if he did so, it is unphilosophical to seek for any other Origin of the World, or to pretend that it might arise out of a Chaos by the mere Laws of Nature.

Some care is needed in using Descartes' argument. "I think, therefore I am" says rather more than is strictly certain. It might seem as though we are quite sure of being the same person to-day as we were yesterday, and this is no doubt true in some sense. But the real Self is as hard to arrive at as the real table, and does not seem to have that absolute, convincing certainty that belongs to particular experiences.

The timing for directing is usually because it takes that long to develop a piece and then do pre-production and then post-production. It takes at least a couple of years. I prefer directing to doing other things. Directing and writing seem to be infinitely more creative