Top 1200 Things Past Quotes & Sayings - Page 20

Art is a means of memorialization of the past, a record of a rapidly vanishing world; a means of exorcising, at least temporarily, the ravages of homesickness. To speak of 'what is past, or passing or to come'-in the most meticulous language thereby to assure its permanence; to honor those we've loved and learned from and must outlive.

That the past is ahead, in front of us, is a conception of time that helps us retain our memories and to be aware of its presents. What is behind us [the future] cannot be seen and is liable to be forgotten readily. What is ahead of us [the past] cannot be forgotten so readily or ignored, for it is in front of our minds' eyes, always reminding us of its presence. The past is alive in us, so in more than a metaphorical sense the dead are alive - we are our history.

With 'Get Hurt,' we wanted to see where else we could go with the band. We thought it was time to change things up a bit. The song itself is similar to the feeling of a wreck you see coming, but long past the point you can avoid it.

A man rising in the world is not concerned with history; he is too busy making it. But a citizen with a fixed place in the community wants to acquire a glorious past just as he acquires antique furniture. By that past he is reassured of his present importance; in it he finds strength to face the dangers that lie in front of him.

I've been busy for a long, long time. I've received a ton of awards in the past few years ... I think they're really great, it's really an honor, but s**t - I really have to work for these things.

It costs so much to promote something these days that almost always safety is the preferred option, reference back to things which have been successful in the past. Also, people are simply not given the time to develop and find themselves and their audience as we were.

We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past--the portrayals of family life on such television programs as "Leave it to Beaver" and "Father Knows Best" and all the rest.

Alan Watts, the Buddhist scholar, proposed the existence of a mental faculty he called forgettory, which is the flip side of memory. There are times, Watts maintained, when we need to forget things, to let them slip away into the unremembered past.

When you're single, you're not beholden to anyone, and you can shut down more easily. In the past, I had the idea that I'd live in a caravan with a dog near a pub with no responsibilities. But now, when bad things happen in the world, I feel responsible for them because they're going to impact on my daughter.

You can only live on the past for so long, and we kind of stretched our luck on that. We think we're on the way back, but it's just a matter of how quickly things come together. Common sense tells you it's not going to happen overnight because we're trying to catch up.

Our checks are pale. Our wallets are invalids. Past due, past due, is what our bills are saying and yet we kiss in every corner, scuffing the dust and the cat. Love rises like bread as we go bust.

Men wrongly lament the flight of time, blaming it for being too swift; they do not perceive that its passage is sufficiently long, but a good memory, which nature has given to us, causes things long past to seem present.

A man who has broken with his past feels a different man. He will not feel it a shame to confess his past wrongs, for the simple reason that these wrongs do not touch him at all.

Contrary to popular belief, the past was not more eventful than the present. If it seems so it is because when you look backward things that happened years apart are telescoped together, and because very few of your memories come to you genuinely virgin.

You can never forget the time you are living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you’re living in is the most important thing.

Knowledge builds on the past and has its place. Wisdom is beyond time. It's the direct perception of reality as it is. And in this direct seeing of what is lies the potential of transformation-a transformation that is not merely a redecoration of the past but a transformation of humanity that embodies the eternally new.

We can never run away from our past. The past will catch up to us because it is us. It is a part of us; it's what makes us we are. It's what delineates the borders of our societies.

I'm beginning to see that just knowing the piece is not enough. Having a clear technique is not enough. Having a broad repertory is not enough. I want desperately to get past all those things.

I'm at the point now where I don't really have an agenda. I kind of let things flow, and there's not a narrative. On the set it's usually one or two people, and I'm not trying to choreograph them as I did in the past. I'm really just trying to see what's going on in their minds and in their faces.

You know, we've had moments on our great defenses in the past - 2012, '13, '14... where we weren't playing as well as we wanted to play. We had moments where we weren't doing the things that we practice or we were supposed to execute.

The fear of AIDS imposes on an act whose ideal is an experience of pure presentness (and a creation of the future) a relation to the past to be ignored at one's peril. Sex no longer withdraws its partners, if only for a moment, from the social. It cannot be considered just a coupling; it is a chain, a chain of transmission, from the past.

As of today, I have absolutely no regrets. I think I am a mature person who can take things in stride. I'm grateful for people in my past. They helped me get to where I am, wherever that is. But now, I am thinking for myself and sitting in on all the business transactions.

If I'm walking along the street, ideas come. Ideas about things that I'm interested in. I've jotted them down in the past on bits of paper and then, more recently, on apps in my phone. I've always written poetry since I was a kid.

While the past asks only to be remembered, a woman's memory alters on her behalf and in her best interests. Memory - the vain old biddy - cannot resist penciling a few slight, cosmetic revisions in the margins of the past.

I have an almost complete disregard of precedent, and a faith in the possibility of something better. It irritates me to be told how things have always been done. I defy the tyranny of precedent. I go for anything new that might improve the past.

I think you really have to remember what you loved about making music in the first place. Ultimately, people can be like, 'We've seen this dude in many movies,' but if they hear a song and they're feeling it, they can look past all the personal things and not hold it against you that you're also an actor.

All normal human beings are interested in their past. Only when the interest becomes an obsession, overshadowing present and future conduct, is it a danger. In much the same way healthy nations are interested in their history, but a morbid preoccupation with past glories is a sign that something is wrong with the constitution of the State.

Yes, we have the judiciary, the Constitution, we're fighting racism on a daily basis, but these are all state efforts and are not the efforts of the individual. The individual has to commit to change, the individual has to look at the past and take accountability of the past; for the wound to heal we have to dress it together.

I'm not concerned about avoiding anything that happened three years ago or worried about letdowns or things of that nature. When you use the term 'letdown' you proceed with the assumption that this is a continuation of something that happened in the past.

I was lucky, I had support from Mum and Dad - they said as long as you work hard, anything is possible. I never thought past those two things - that I liked living in imaginary worlds and that it is possible to do that for a living.

I'm not the type of person who likes to look backwards. I've always felt compelled to move forward and I've never been one to dwell in the past. All the people I've met, all the places I've been, and all the things that I've done have simply been part of who I am.

The human condition can almost be summed up in the observation that, whereas all experiences are of the past, all decisions are about the future. It is the great task of human knowledge to bridge this gap and to find those patterns in the past which can be projected into the future as realistic images.

Accept what you are able to do and what you are not able to do. Accept the past as past, without denying it or discarding it. Learn to forgive yourself and to forgive others. Don't assume that it's too late to get involved.

None of my family is in the industry. But I watched movies like an insane person when I was a child. I used to make my dad stop at the video store every time we drove past it, and you had to drive past the video store to get to our house.

There's a great deal of scientific evidence that social connectedness is a very strong protector of emotional well-being, and I think there's no question that social isolation has greatly increased in our culture in, say, the past 50 years, past 100 years.

In these night recitations we create a space between things as we felt them at the time and as we speak them now. This is the space reserved for irony, sympathy and fond amusement, the means by which we rescue ourselves from the past.

Our memories are our own, and we cannot blame anything or anyone in the past for any pain dwelling there. If we open the door to them or keep hashing over past incidents in our minds, we have only ourselves to blame.

I have great respect for the past. If you don't know where you've come from, you don't know where you're going. I have respect for the past, but I'm a person of the moment. I'm here, and I do my best to be completely centered at the place I'm at, then I go forward to the next place.

We actually allow ourselves to choose to have different experiences and to liberate ourselves to see past the illusion, past the fear of that fear, which is very strongly embedded in us as a part of the illusion here.

Events, once happened, lose reality, alter with a glance, a storm, a night. In time, the past never happened. But who could know? Who could know that the past is not as solid as this instant.

I do sometimes strongly hope that in a past life, my most recent life before this, I was absolutely horrible, evil, hideous. Because otherwise - well, hell, to even things up next time around, I'm going to have to pay for this one, am I not?

The moments of the past do not remain still; they retain in our memory the motion which drew them towards the future, towards a future which has itself become the past, and draw us on in their train.

I'm a fan of characters wherever they come from. Truth be told, I wasn't a big comic book fan growing up. Maybe that helps me bring a fresh perspective to things because I'm not trying to match anything that's been done in the past.

The paradox is that when we model future designs on past successes, we are inviting failure down the line; when we take into account past failures and anticipate potential new ways in which failure can occur, we are more likely to produce successful designs.

The past does not haunt us. We haunt the past. We allow our minds to focus in that direction. We open memories and examine them. We reexperience emotions we felt during the painful events we experienced because we are recalling them in as much detail as we can.

I always set myself new goals. I always want to do better than I did in the past. I always want to achieve things I never achieved before.

Americans are guaranteed the constitutional right to legal abortion in Roe v. Wade, and it's past time for Republicans to stop using the issue as a political football. In fact, it's past time for Republican politicians to stop interfering in women's personal lives, period.

On the upswing of an economic cycle, workers, consumers, savers, investors, and entrepreneurs imagine a future that is brighter than the past. On the downswing, they imagine a future dimmer than the past.

The past is never the past. It is always present. And you better reckon with it in your life and in your daily experience, or it will get you. It will get you really bad.

The problem is we bear grudges that go a thousand years into the past. Really, I could find people who begrudge the Greeks for doing awful things to the Bulgarians more than a thousand years ago.

Each age tries to form its own conception of the past. Each age writes the history of the past anew with reference to the conditions uppermost in its own time.

Don’t use your conscious past. Use your creative imagination to create a past that belongs to your character. I don’t want you to be stuck with your own life. It’s too little.

We must beware of the Past, mustn't we? I mean that any fixing of the mind on old evils beyond what is absolutely necessary for repenting our own sins and forgiving those of others is certainly useless and usually bad for us. Notice in Dante that the lost souls are entirely concerned with their past! Not so the saved.

To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.

The way you remember the past depends upon your hope for the future. And if what you see in your future has no hope, it has no potential, then you view the past that brought you to here as not very good.

I found in the past when I did a bit of punditry, I was very conscious of not saying anything negative about people I played against, because players are elephants and they remember when someone says something - I stored things for years and just waited for my opportunity.

And we should forget, day by day, what we have done; this is true non-attachment. And we should do something new. To do something new, of course we must know our past, and this is alright. But we should not keep holding onto anything we have done; we should only reflect on it. And we must have some idea of what we should do in the future. But the future is the future, the past is the past; now we should work on something new.

From Software believes all the things we have learned in the past titles can be best reflected in the future only by starting work on a new franchise or series. That's the philosophy behind us trying to make a decision about leaving the 'Dark Souls' franchise.

The paramount doctrine of the economic and technological euphoria of recent decades has been that everything depends on innovation. It was understood as desirable, and even necessary, that we should go on and on from one technological innovation to the next, which would cause the economy to "grow" and make everything better and better. This of course implied at every point a hatred of the past, of all things inherited and free. All things superceded in our progress of innovations, whatever their value might have been, were discounted as of no value at all.

You can never forget the time you're living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you're living in is the most important thing.