Top 1200 Things Work Out Quotes & Sayings - Page 19

I would like to work with Todd Phillips of 'The Hangover'. I would like to do more comedies; it would be a lot of fun. No actors in particular. I don't consciously seek out things to do.

Work-do plays, learn your craft, and go to school. Keep working. Nobody is going to give you jobs for going to parties or any of that nonsense. Go out, look around, do things.

I know that some people work differently, but I have to work from the inside out. It doesn't matter how big the character is, there has to be a truthful core.

You don't have to look like an Under Armour mannequin to be an athlete. A lot of people probably think I'm not athletic or don't even try to work out or whatever, but I do. Just because you're big doesn't mean you can't be an athlete. And just because you work out doesn't mean you're going to have a 12-pack.

The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.

When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.

I decided to focus on the things I could control and let go of the things that were out of my hands. That lesson has provided me with great relief; it has brought great things into my life.

I don't want to work in just any movie for money. I do films in seven languages so I am pretty busy to be out of work.

Kids know they can't make it alone, yet at the same time, built into each one of us, is a survival ethic. It says, "Nobody cares and you have to look out for yourself and if you don't, you'll die." These two things work against each other. I think most kids are very frightened of their parents, and that's what all fairy tales reflect: Parents will fail you and you'll be left on your own. But, of course, everything comes out right in the end and the parents take you back.

I perceive a necessary gap between seeing and being. I would not be able to have said certain things if I had been under the obligation to unify the word and the deed. As it is I can let my words reach out and net impossible things - things that are impossible for me to do. And this is a way to pay the price for saying or seeing things.

I love arranging my music, not in alphabetical order but by mood, creating playlists for when I have energy and want to work out or go-out party mixes and music to chill out to.

I always feel like you never know: sometimes you can put out work that you feel is really strong, and other times, you can put out work you think is less strong, and people react to it, so it's kinda like in the eye of the beholder!

I think 'MythBusters' is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.

Have you ever thought that the only ugl things in this Cove are man's fault, while the beautiful things are God's work? Look at those mountains.

The worst thing that can happen is when you have gone weeks and months into elaborate sequences and the storyline of the film changes and you find out they don't need it. Sometimes you don't shoot those sequences, or they have been shot and then get edited out of the sequence you've shot gets changed and needs to be redone. That can be hard. It's not heartbreaking, but you do tend to think, "Och, all that work and effort." But that's filming, you know? You put all of these modular things into the pot, and sometimes they don't all get used.

The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that, and then I put it out there and say to you, 'What do you think?' I hope that you think well of it, obviously.

Genes work with probabilities; they don't work with certainties. So most things that you're looking at with these genetic tests, it's not like you're condemned to automatically get the disease or the syndrome. There's a lot of factors in play there.

When you have a coaching change, when you have trades, an injury, when you have all these things happening - these are all things that are out of your control. Quickly, you start to understand that, really, the only thing you can control is going out and playing hard every night and being ready for your opportunity.

We all have the things that we all have to work on, and things we have to get better at.

Everybody has their opinions of what Jeff Green should be or what I can do, but I have to go out there and prove it to myself that I work hard and I put in the work to be in the position I'm in.

If you want to make more money, you'll have to do things differently. You will have to do things you never even thought of doing in the past. You will have to do things out of your comfort zone.

There are many things I want to do, so many people I want to work with, so many different opportunities out there as an actor.

The things I thought were so important -- because of the effort I put into them -- have turned out to be of small value. And the things I never thought about, the things I was never able to either to measure or to expect, were the things that mattered.

When I saw Justin in 'The Social Network', I became deeply obsessed with the desire to work with him and reached out to Justin. When we met, we talked about a couple of things I was working on that did not come to fruition, but it gave us a meeting.

I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.

After I work with my editor to get the manuscript in good shape, I sketch and lay out a whole book loosely, usually in black and white. You learn things about your text when you have to think about pacing and page-turns.

I don't even know how to think about running out of things to talk about. Certain things are inescapable to me. I'm connected by the hip with so many things in the streets.

The average man won't really do a day's work unless he is caught and cannot get out of it. There is plenty of work to do if people would do it.

Awards are so unnecessary because I think we get so much out of our work just by doing it. The work is a reward in itself.

I roll out of bed, walk into the garage, work out, and go about my day. I'll bring my daughter out there in her ExerSaucer. I don't know if I'll ever go back to a gym.

Society likes to file you away, put you in this or that category. And I never fit any category. Maybe that's why I was left out of a lot of things, or why my work was not really understood, because there was no precedent for it.

I think what's important in a good manager and a good agent is that they know your vision and that they are passionate about you and believe in you. Because if they don't, then they're not going to work hard for you, and they're going to send you out on things that you don't want to do.

I think "MythBusters" is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.

I think in my life I have so many things that changed so much with work and my career, and I don't really get to plan out a lot of my days. So when I have something that's familiar - just something that's there - I don't really like to switch it up.

The parenting books didn't work for me; I got my parenting lessons from everything but the books! And it was about figuring things out. So every time I had a thought, I would put down my conclusions and thoughts.

You know. Life's short. If you don't try new things, you'll never know what you're best at. And you can only make time for new things by quitting the things you know don't work for you.

My success was the shock of recognition, probably, rather than the quality of the work. I mean, the quality may have been fine, but there's a lot of fine work out there. It was the fact that I was doing something that at that time, nobody else was doing, except for say, Mort Saul out in San Francisco on The Hungry Eye, and "Second City" was emerging out in Chicago. Nothing in print. It was basically happening in cabaret and nothing in fiction. And certainly nothing in New York in cartoons.

I might find out about a songwriter and start following them on Instagram. Within a day, we might be hanging out and feeling out whether we can work together.

[I] learned ... that friends are a good source of food and soul when one has not yet gotten the hang of cooking or living (as opposed to dying) alone. That nothing-not booze, not love, not sex, not work, not moving from state to state-will make the past disappear. Only time and patience heal things. I learned that cutting up your arms in an attempt to make the pain move from inside to outside, from soul to skin, is futile. That death is a cop-out. I tried all of these things.

Sometimes, a person who likes your work and a person who don’t will show up within milliseconds of each other to let you know how they feel. One does not need to cancel out the other, positively or negatively; if you’re proud of the work, and you enjoyed the work, that is what’s important.

We should work for simple, good, undecorated things, but things which are in harmony with the human being and organically suited to the little man in the street.

Happiness is a critical factor for work, and work is a critical factor for happiness. In one of those life-isn't-fair results, it turns out that the happy outperform the less happy. Happy people work more hours each week - and they work more in their free time, too.

I've noticed in my life that as you work on more things with more people, you spend less time hanging out with other people who are artists, creative people who give you a sense of family.

Too many people go through life complaining about their problems. I've always believed that if you took one tenth the enrgy you put into complaining and applied it to solving the problem, you'd be surprised by how well things can work out.

Most artists - painters or writers - I think create out of stress or negative situations. Look at rock music. It's about getting things off of your chest, and it's a means of venting in many ways. That's what my work is about.

The repealing and replacing of Obamacare is very complicated. It is what a White House and congressional leadership, serious White House and serious congressional leadership, should meet on and work on and figure out a strategy of, and it may work and it may not. Obviously not every administration gets things through, even when they have much larger majorities in congress and a much larger popular vote than Donald Trump had.

Hillary Clinton wants to put the great miners and the great steelworkers of America out of work and out of business. That will never happen with Donald J. Trump as president. Our steelworkers and our miners are going back to work again!

We come from a generation where the music was very innovative, a lot of it coming out of blues and influenced by blues: the idea was that you would jam on things, and you'd try things out. You took a journey, and you took a left turn, and you experimented live right there in the moment.

The ego, as a collection of our past experiences, is continually offering miserable lines of thought. It's as if there were a stream with little fish swimming by, and when we hook one of them there is a judgment. The ego is constantly judging everybody and everything. It has its constant little chit chat about things that can happen in the future, things about the past, too, and these are the little fish that swim by. And what we learn to do-this is why it takes work-is to not reach out and grab a fish.

When you take something extremely broad, then it is not a work of expansion or work of compression. It's hard because you have to decide what to throw out.

For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.

Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.

Doing is very good, but that comes from thinking. Little manifestations of energy through the muscles are called work. But where there is no thought, there will be no work. Fill the brain, therefore, with high thoughts, highest ideals, place them day and night before you, and out of that will come great work.

Everything is always feasible if you run a corporate finance exercise: you can always try to come out with a justification on how things could work. But the real issue is to say how do you translate that into practice.

Most people ultimately realize that they can acquire things, change their partner or other things, consume more and still it doesn't work. I'm not criticizing any of this.

Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.

My lab and academic work fill my day from about 9 am to 7 p.m. Then I zoom out the lens to work on my other writing.

Tantric Buddhism is just a collection of things that work by doing them. And sometimes we add new things. We have electronic music; we did not have it in Tibet.

One of the things big law partners say when they talk about Atrium is that we get people who wouldn't make partner. And I say, they're the people who are doing the work for you anyway, but they transition out because they hate the lifestyle.

You know, those kinds of things in your life...movies you try to work out your issues, then you realize those kinds of traumatic issues just stay with you forever and they just keep reoccurring, and no matter how hard I try to get them out of my head, they just sort of stay there.