Top 1200 Things Work Out Quotes & Sayings - Page 20

I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.

There was a time when Prakash, our daughter Disha, Vinod - who I was seeing then - and I went out to dinner. People thought it was very strange. But I have always felt if you can't work out one equation - the man/woman one - you don't have to lose out on the person altogether.

I need to reach out to people who work for small to mid-sized companies, and help them identify and apply their strengths at work.

You should listen to songs and listen to what works. Listen to why a song is a hit. Check it out-not to imitate it, but there are certain things that work-hooks and melodies. Hear what works through the ages.

I am always working on the go. I have never had an office that I work out of and work has become intertwined with my personal life. Fortunately I am able to work from my home and can answer my e-mails in the morning, play tennis or kitesurf in the afternoon to keep fit and have meetings or phone calls in between.

When people ask me what it is about Brazil and my work, it's not something that I can say literally. It's unidentifiable. It's like when you do research and things inspire you. If you're smart enough, then obviously you don't take it literally. The inspiration will come out later somehow.

Margaret Thatcher made tough decisions. She put people out of work and she stood up to labor unions and she did a lot of things that I did not like.

I've been thrown out of schools and fired from jobs. I don't want to work. I can honestly say I haven't done an honest day's work in my life.

The greatest lesson I've learned in life is "Who knows what's good or bad?" Things come along that you really want, and they turn out to be the worst thing in the world. And some of the worst tragedies that you can conceive turn out to be the best things, the exact medicine you need in that moment.

I still like to keep tapes of the few minutes before the final take, things that happen before the session. Maybe it's superstitious, but I believe if I had done things differently - if I had walked around the studio or gone out - it wouldn't have turned out that way.

You'll never see me in any of the tabloids because I've made a conscious effort to stay out of that. I'm not interested in fame. I'm interested in hard work and letting my work speak for what I do. I've been in high-profile shows but you don't see stories on me because I don't go out and court them.

When you've worked as long as I have, which I'm truly grateful for, you go in and out of these different environments. Sometimes it's not so much fun or easy or healthy. Sometimes you're fighting a lot of things off-camera that have nothing to do with the work on-camera.

I have some things that I've been workin' on, such as delivery, wordplay, breath control, just a lot of other things that artists work on, that the listener may not be listening for.

If you want to be successful in the gym, in the classroom, in college or when you get out and go into the world of work, that is going to be determined by how hard you are willing to work.

It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.

My daughter is 12 weeks old and I've been in a training camp for 10 weeks. So I haven't held her properly and been out pushing the pram, doing the little things. But when I'm slugging it out and things are getting tough I just think, 'everything is for the kids.'

One of the things I've had to struggle with is that part of what people find critically and curatorially questionable in my work is that I try to make things that don't read as art until they're in a gallery.

I've felt that if you dwell too much on your errors, you're dealing in the negativity of things. I don't like that. I'd rather work on the positive reinforcement, the things I did well.

Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest photographer to work with. I don't have heavy equipment. I work out of one bag.

No, I'm not a drug addict, and neither is my husband. If that were so, you'd get a lot less work out of me. It would show in the performances and in the work.

Again, the glory of one attribute is more seen in one work than in another: in some things there is more of His goodness, in other things more of His wisdom is seen, and in others more of His power. But in the work of redemption all His perfections and excellencies shine forth in their greatest glory.

My son is everything to me. He's the reason why I get up and I work out the way I work out and train the way that I train. He changed everything about me, so he was a blessing.

I keep only a small edit in my wardrobe because I think it is important to keep things moving through, and I like to find out which pieces from my collections work and which could be reworked and improved.

Robert de Niro has always been fascinating to me. And if John Cazale were still alive, that would be a man I'd love to work with. I'm a big fan of Paul Thomas Anderson's films - I would be honored to work with him. I think he's a brilliant director, and he gets such compelling stories out of his actors and out of his crew.

I find it hard to act unprofessionally because I can't do drama at school, it's hard for me to do drama out of school, I don't have time any more. I dance as well. I don't have time to work and dance and still have a good social life. I miss that security but I'm hoping that this is a good time for me. I'm trying to do as much as possible to get myself out there and hopefully it will work out.

I don't plan anything out, and I don't write in chronological order. The emotional tenor is what guides me, but a lot of it is feeling my way through the dark. That's okay if you have unlimited time to work and stumble upon things in a delightful way, but under a deadline, it can be really stressful.

When I go out and race, I'm not trying to beat opponents, I'm trying to beat what I have done ... to beat myself, basically. People find that hard to believe because we've had such a bias to always strive to win things. If you win something and you haven't put everything into it, you haven't actually achieved anything at all. When you've had to work hard for something and you've got the best you can out of yourself on that given day, that's where you get satisfaction from.

I would say that if you really wished to be a working member of the community, don't go out on strike because then there's no work and no potential of work.

I really admire people who have the integrity and dignity to hold out for the best work, even if that means you're not going to work for six months. But I don't have that.

When I work out in the morning, I go bare-faced. I do spinning, and it's dark in there anyway, so no one sees you. If it's after work, I remove whatever's on my skin from the day.

The truth is, the personal ends up becoming part of your professional. As an actor, much of your work happens at home as you try things out on your family. Sometimes you stay in character unbeknownst to you and keep practicing.

I try and work out as often as possible. Since I travel very often, it becomes very difficult to have a daily work out routine, but I practice yoga every day or try and play some sport. Also, I am very aware of what suits my body in terms of food and exercise.

There's a sense of knowing when to stop and take a break from things, to step back from the work you're making, and of changing things up to keep them interesting for yourself.

We are all good at things - a varied assortment of things - and we all desperately need to find out what those things are for our self-esteem. If there is anything young people need, it is confidence and an identity and a purpose.

We do all like to get things inside a barb-wire corral. Especially our fellow-men. We love to round them up inside the barb-wire enclosure of FREEDOM, and make 'em work. Work, you free jewel, WORK! shouts the liberator, cracking his whip.

There's only so much I can do to effect change - and really, the thing that I can do that's most effective is to work and to do good work. That, I feel, is speaking out in its own way.

The first time I looked at Yammer, I thought I was on Facebook. Work is not a social network, with serendipitous communications and photo collections. Work is about managing tasks and responding to things quickly.

You do your job every day. When things go right, there's never any coverage. But when certain things happen, boy, the world descends on you and they plug you into a narrative that has been established that you're either a pig, you're a racist, you're a hater, and that's why you joined the cops and so forth. The good work you do - it's kind of like the CIA, every success nobody can ever know. You guys, not that your work is clandestine, but it's not news when you save a kid.

I keep fit, I work out, I eat pretty damn well, I don’t drink like a fish, and all of those things are tempered with a holistic mind-set that you need to damn well respect the vehicle that you’re walking around in.

If you really want something, it's nerve-racking, but at the same time, I try not to stress myself out about it too much because there are also so many arbitrary things that go into being cast for something - you know, like the color of your eyes, all these things that are kind of out of my control.

One must work, if not from inclination, at least out of despair — since it proves, on close examination, that work is less boring than amusing oneself.

I am very present in my work and my work is somehow an expression of my soul, but at the same time I think that a writer cannot write out of nothing.

Casey Affleck is someone I want to work with again. We almost had him on 'Pete's Dragon,' but his scheduling issues didn't work out.

All medical procedures require two hands, so in a sense it's like when you play an instrument. That's what they call things that they use in their work: They call them instruments. A lot of people start out majoring in medicine and drop it and change their major to music.

Everyone is always trying to figure out the future of film distribution. I try and not spend too much time worrying about things like this and just try to focus on making the best work I can to entertain me and my friends.

I love saying terrible things. Things that I think are terrible and I've gotten in to trouble in the past - just hearing it come out of my mouth or seeing it typed and seeing it out there - something terrible that in real life isn't funny.

My friends seem to think that an hour and a half effort a day is all they need to bring to the altar to make things work for them. I couldn't do that. I thought that if you didn't work at least as hard as the guy who runs a gas station, then you had no right to hope for achievement. You certainly had to work all day, every day.

There was never a game plan to be on social media. Like most things in life, if you work consistently and at your pace, then things fall into place.

I've loved Danielle Spencer since 1989 - that's never going to change - and that's one of those things where I stare at her and go, 'How did it fail?' I still can't work it out, because my feelings for her have never changed.

Practice, work out, proper nutrition, lots of work on my short game. In golf, that's really where the strokes come off the scorecard.

If you're in the ring with somebody that doesn't throw good punches, guess what. Don't have him throw any punches. You work to their strengths. It's really not that difficult. You don't try to get them to do things that are out of their realm or whatever. It's not hard. It's not rocket science.

I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.

It is impossible to know what fate will bring. If you love to write or paint, you will keep on writing or painting, and things will either work out or not, and you just have to keep being in the process.

I don't like honors. I'm appreciated for the work that I did, and for people who appreciate it, and I notice that other physicists use my work. I don't need anything else. I don't think there's any sense to anything else.... I've already got the prize. The prize is the pleasure of finding the thing out, the kick in the discovery, the observation that other people use it. Those are the real things. The honors are unreal to me. I don't believe in honors... I can't stand it, it hurts me.

The most precise work is generally done by hand, with hand tools. Some people rely on machines for their precision, and my way of working is backwards. I rely on the machines for doing the gross stock removal and then, when it comes to the final refinements and fitting of joints and things, making things work together, I rely more on sharp-edged tools that I push by hand.

Reading is a gymnasium for the imagination where people can work out, get ready for the shocks of existence. [...] For me, the intimate teachers have not only taught me how to make things, they have represented some qualities of mind and mindfulness that I would like to have.

I work on a musician's week, so Monday is Friday. By the time Thursday rolls around, you stay in, and you work, and you don't go out because it's horrible.

I work in the studio all day, and then I go for a walk with my dog, listening to music on headphones. And Saturday and Sundays, work is strictly out of bounds. It has to be.

These are the things I learned: share everything, play fair. Don't hit people. Put things back where you found them. Clean up your own mess. Don't take things that aren't yours. Say you're sorry when you hurt somebody. Wash your hands before you eat. Warm cookies and cold milk are good for you. Live a balanced life. Learn some and think some and draw some and paint and sing and dance and play and work some every day. Take a nap every afternoon, and, when you go out into the world, watch for traffic, hold hands, and stick together.

I keep fit, I work out, I eat pretty damn well, I don't drink like a fish, and all of those things are tempered with a holistic mind-set that you need to damn well respect the vehicle that you're walking around in.