Top 1200 Thinking About The Future Quotes & Sayings - Page 20

Explore popular Thinking About The Future quotes.
Last updated on April 20, 2025.
We are all affected by five things. But the most important thing that affects us is our dreams--our ability to see the future. But here's why we don't reach into the future. We're trapped either by regret of the past or the routine of the present. So make sure that the greatest pull on you is the pull of the future.
Your thoughts about your circumstances have you down. On the other hand, you can be in one of the biggest battles of your life, and still be filled with joy and peace and victory - if you simply learn how to choose the right thought. It’s time to think about what you’re thinking about.
When you're recording in the midst of touring, you get a different sense about you. Things are more rocking, darker, heavier and louder. You're thinking about the audience that you're seeing every night.
It's a barrel of laughs, isn't it? It makes The Day After look like friggin'...insert name of cheerful thing here. It was one of the things that made me really worry about worst-case scenarios. There's something impish and probably somewhat therapeutic about thinking about those things.
I like figuring out where I need to be mentally so that I'm not thinking about the camera and that it's second nature. I want to get to a place where I can exist within the confines of what you can do with filmmaking and not have to think about it.
I am like a security camera ever on the watch. The furtive quality of vision feels to me like an incredibly valuable weapon. Everything I see gets transformed into a private sketch or painting in my mind, stored away for future reference, future evidence, future ammunition.
With vertical thinking one may look for different approaches until one finds a promising one. With lateral thinking one goes on generating as many approaches as one can even after one has found a promising one. With vertical thinking one is trying to select the best approach but with lateral thinking one is generating different approaches for the sake of generating them.
I wake up at night thinking about Euripides' 'Hecuba.' That to me is a story that says so much about what it is to be a human being in the middle of a world of unreliable things and people.
There is a history of thinking about space science from an environmental ethics perspective. And part of what I want to do is turn that back and use that experience to see if it reflects how we think about the Earth.
I think when wedding dresses are talked about, every woman has a different set of factors in her mind of what it could be because they've been thinking about it possibly for such a long time.
I definitely agree about the future of youth football being flag. There's just more and more evidence that the youth brain is particularly susceptible to the injury - thin necks, big heads. They're not as coordinated; they're not as skillful. For many reasons, I think the wave of the future is flag football for youth.
In that kind of environment, where there's so much skepticism about information that's coming in, we're gonna have to spend a lot more time thinking about how do we protect our democratic process.
Even as a kid- do all kids think about this? I hope they don’t, I hope my kids don’t think about this- I was always thinking about, "Well, what are we doing? What is this all about?"
When you have a baby you start thinking of death cuz' you see the opposite of life. I've calmed down now but for the first or two years, I kept thinking: "Oh my God, if I die what's going to happen to the child?" And you realise how vulnerable they are, but how critical your own life is because they're so dependent on you. You do feel your own mortality. I kept saying to myself: "OK, when they're 18, I'll be 'x'; so if they get married at 30, I'll be'x'will I get to see grandchildren?" So, since they've been born I've been thinking about death the whole time.
There's no use in asking what if. No one could ever give you the answers. I try, I really do, but it's hard for me to accept this way of thinking. I'm always wondering about the what-ifs, about the road not taken.
A well-known mathematician once told me that the great thing about liking both math and sex was that he could do either one while thinking about the other. — © Steven Landsburg
A well-known mathematician once told me that the great thing about liking both math and sex was that he could do either one while thinking about the other.
We need to get back to reasoning and thinking things through. The future generation is being brought up in greed and without a true understanding of civics. There is no more emphasis on knowledge and time. As a society we need to process ideas and understand what certain principles are based upon.
People who are reading my books, or who are thinking about it, have some general idea about the concept of strategy. They're better off than somebody that has none. So I would never say it's useless.
When mortals are alive, they worry about death. When they're full, they worry about hunger. Theirs is the Great Uncertainty. But sages don't consider the past. And they don't worry about the future. Nor do they cling to the present. And from moment to moment they follow the Way.
The thing about living in a village at the foot of a mountain is that the world for you becomes, without thinking about it, self-contained. People are of two kinds, really: from the Valley, and from Elsewhere.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
I keep thinking about a tale my nurse used to read to me about a bird whose wings are pinned to the ground. In the end, when he finally frees himself, he flies so high he becomes a star. My nurse said the story was about how we all have something that keeps us down.
I don't spend much time thinking about whether God exists. I don't consider that a relevant question. It's unanswerable and irrelevant to my life, so I put it in the category of things I can't worry about.
No one likes to be criticized, of course, but if the things we successfully strive for do not make our future selves happy, or if the things we unsuccessfully avoid do, then it seems reasonable (if somewhat ungracious) for them to cast a disparaging glance backward and wonder what the hell we were thinking.
I started thinking that if post modernism is about people opening up all their skeletons, I'm going the other way. I don't want anyone knowing anything about me anymore.
We don’t choose between experiences, we choose between memories of experiences. Even when we think about the future, we don’t think of our future normally as experiences. We think of our future as anticipated memories.
People in the West tend to identify with western victims. So even when they think about the Holocaust, they really think about the German or French victims; they're not thinking about the Polish, Hungarian, or Soviet victims.
I would say that what the value of talking about and thinking about a dome over Manhattan is that [Buckminster] Fuller has identified a scale of action I think is actually really compelling.
I never thought I would write about the Book of Revelation. It's so dense; it's so complex and puzzling. But then I found I was thinking about a number of themes, one of which has to do with politics and religion.
Theatrical times are different from concert times, to put it simply. Taking a figure like [Mahatma] Gandhi and setting him on a stage requires thinking about what theater is about and what the whole experience is about and what we're trying to communicate in that way, so you get into certain less abstract considerations.
I am kinder to my body. I don't try to prove anything to myself or others. I keep thinking about the need to go slower, gentler and maintain a sense of humor about it all.
Films used to be about challenging, emotional journeys or moral questions that might make you walk away and re-evaluate how you felt about... whatever. Now we're walking out of the cinema really not thinking about anything, other than the fact that the Hulk had a fight with a robot.
One of the best antidotes for depression is to look around and see what you can do to help out - to make a difference - for now and the future. Now is the future, for what I do right now is the future. For what I am doing right now is already affecting tomorrow.
I don't speculate too much about the future. That's the thing about this job - it's so fickle. You take the jobs, you read the scripts and, if something interests you and you like the people who are working on it, you go for it.
You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
I think the future is like anything else that's important. It has to be earned. If we don't earn it, we don't have a future at all. And if we don't earn it, we don't deserve it, we have to live in the present, more or less forever. Or worse, we have to live in the past. I think that's probably what love is - a way of earning the future.
There's nothing to mourn about death any more than there is to mourn about the growing of a flower. What is terrible is not death but the lives people live or don't live up until their death. They don't honor their own lives ... their minds are full of cotton. They swallow God without thinking, they swallow country without thinking. Soon they forget how to think, they let others think for them.... Most people's deaths are a sham. There's nothing left to die.
Every second that passes is like a door that opens to allow in what has not yet happened, what we call the future, but, to challenge the contradictory nature of what we have just said, perhaps it would be more accurate to say that the future is just an immense void, that the future is just the time on which the eternal present feeds.
I was raised thinking that moral and ethical standards are universals that apply equally to everyone. And these values aren't easily compatible with the kind of religion that posits a Creator. To my way of thinking, an omnipotent being who sets up a universe in which thinking beings proliferate, grow old, and die (usually in agony, alone, and in fear) is a cosmic sadist.
I was fortunate that by the time I was born, there were a lot of comforts and at the same time I lived in a neighborhood where it was brought to my eyes every single day that people didn't live like me. Every day I knew that many of my friends "got relief." That was important in my thinking about the world, thinking that not everybody lived that way.
Sometime we get so addicted to murmuring about the past and blaming the past for everything that we miss our whole future. You're not going to enjoy your future, and you're not going to enjoy your right now, if all you can do is be guilty and ashamed and afraid of your past.
When you're sick, you're not thinking 24 hours a day about your suffering, about dying. You want to talk and laugh and think about other things. In the midst of trying to live your life normally, the fear and dread, the realization that it might all end, rises up inside of you.
All we want is to carry out the greatest expression of a free democracy and vote on Catalonia's future. This is not about independence: it is about fundamental civil rights and the universal right of self-determination.
We all spend so much time worrying about the future that the present moment slips right out of our hands. And so all we have left is retrospection and anticipation, retrospection and anticipation. In which case what's left to recall but past anticipation? What's left to anticipate but future retrospection?
If we're going to make progress on this issue [of contraception], we have to be really clear about what our agenda is. We're not talking about abortion. We're not talking about population control. What I'm talking about is giving women the power to save their lives, to save their children's lives and to give their families the best possible future.
Perhaps you don't desire poetry as much as you would like to have my torchy knowledge of your possible futures, but I dare say poetry will do you far more good. For knowing the future only makes you timid and complacent by turns, while poetry can shape you into the kind of souls who can face any future with boldness and wisdom and nobility, so that you need not know the future at all, so that any future will be an opportunity for greatness, if you have greatness in you.
What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
Susan Bordo’s Unbearable Weight is a masterpiece of complex an nuanced thinking not only about a significant problem that faces women but about our culture. A very valuable book.
Humans are the only animals that try to dwell in the future. You don't have to purely live in the present situation without a plan, but the future plans you make can only be based on the aspects of the future that manifest within the present situation.
Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming.
I want to run a marathon in the immediate future. In the future future, I want to do ironmans. I cycle long distances. The only thing I have to work on is the swimming. I'm a good swimmer, but I've never done long distances like that.
At a finite distance in the future, a critical state of encounter will occur, an ultimate co-reflective Center. A focused conspiration will allure individual persons to identify with others in profound affinity. Because of thinking altogether, love will grow into Divinity.
I take my sport damned seriously. Basketball is my life. There are other people who go into important games as if they were any other game. I'm a brooder and I spend a lot of time thinking about my opponent, about the things he can do and about what I have to do to win. I don't think I'll ever be able to change that.
The country will some day pay for the stupidities of those who were in the majority on this commission. They know as much about the future of aviation as they do about the sign writing of the Aztecs.
You can, in short, lead the life of the mind, which is, despite some appalling frustrations, the happiest life on earth. And one day, in the thick of this, approaching some partial vision, you will (I swear) find yourself on the receiving end of - of all things - an "idea for a story," and you will, God save you, start thinking about writing some fiction of your own. Then you will understand, in what I fancy might be a blinding flash, that all this passionate thinking is what fiction is about, that all those other fiction writers started as you did, and are laborers in the same vineyard.
We who run in the way of Love must never torment ourselves about anything. If I did not suffer minute by minute, it would be impossible for me to be patient; but I see only the present moment, I forget the past, and take good care not to anticipate the future. If we grow disheartened, if sometimes we despair, it is because we have been dwelling on the past or the future.
If India hadn't become a troubled space for me, somehow I wouldn't have any reason to write about it. So the fact that it's a lost love, or something, is why I keep thinking about it obsessively.
I've been bothered about time generally and our tripartite division of time into past, present, and future. I think I know what the past is, and I think I know what future is, but I'm really not comfortable with the notion of present.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
The supreme value is not the future but the present. The future is a deceitful time that always says to us, 'Not Yet,' and thus denies us... Whoever builds a house for future happiness builds a prison for the present.
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