Top 219 Thrillers Quotes & Sayings - Page 3

Explore popular Thrillers quotes.
Last updated on November 17, 2024.
Thrillers rely on certain archetypes and our familiarity with them is quietly driving all of the tension. So it becomes an interesting challenge from the score perspective, to enhance that tension without being noticed, just like those archetypes.
'Good as Gone' goes from zero to 60 in under six seconds and never lets off the gas! If you like your thrillers filled with nonstop action in a race against time through Europe's underbelly, hop in and take a ride.
The preparation for building a series of thrillers based on a single character is kind of like the preparation for becoming a parent: The best part is the idea - wink, wink.
After I tasted success with erotic thrillers, a time came when I was being offered only films belonging to that genre. The industry loves repeating a success formula, and the audience had formed a certain image of mine in their minds.
The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.
I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films. — © Cecile de France
I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
Once you achieve success, you are consumed by the fear of living up to it. Which is why many directors stick to tried and tested fare. But, I made films on village subjects, love stories, movies with students as focus, crime thrillers... it was very satisfying.
I read anything I could get my hands on: science fiction, fantasy, horror, thrillers. I even became hooked on the Bantam reprints of the old pulp novels from thirties and forties: Doc Savage, The Shadow, The Avenger.
Each day is a surprise - and each day I learn something wonderful and new. Both in writing thrillers and in reporting the news, I work to change the world a little bit. I want readers - and viewers - to be surprised and captivated and even inspired.
I think what you call 'metropolitan America' - as in San Francisco, New York and Los Angeles - I think there's more awareness of the atypical, while in more traditional Britain, there's the kitchen-sink dramas and thrillers. It's more formulaic.
I drew influence from Mike Leigh, Ruben Ostlund, a lot of Scandinavian filmmakers, Lukas Moodysson. I also drew influence from horror films and thrillers, which is something I would never think to do earlier in my career.
I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.
I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
Thrillers are like life, more like life than you are.
After about the age of 13, I was a romance addict. Still am, though I read just about every other genre as well. The only thing I really shy away from is political thrillers.
Police thrillers are so widely read and police dramas so commonplace on television that many people think they have a good understanding of what a cop's world is like. But in truth that world is seldom revealed with anything approaching verisimilitude. We get it with The Wagon.
All summer, I read fiction because you must read for the pleasure and beauty of it, and not only for research. I don't read thrillers, romance or mystery, and I don't read self-help books because I don't believe in shortcuts and loopholes.
Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.
I like westerns, fantasy, sci-fi, graphic novels, thrillers, and I try to avoid the word 'genre' altogether. A good book is a good book. — © Gillian Flynn
I like westerns, fantasy, sci-fi, graphic novels, thrillers, and I try to avoid the word 'genre' altogether. A good book is a good book.
I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is The Shining. I don't really like slashers, but I love thrillers with tension.
When you're watching an action movie, you experience an action movie more outside of the aquarium, you're out of the aquarium looking in at all the swimming fish that are in there. Whereas horror films and thrillers are designed to put the audience into that box, into that aquarium.
I don't watch things like 'Jeepers Creepers' or 'Final Destination 53.' I really like more of the psychological thrillers, like 'Rosemary's Baby,' 'The Shining' and 'Don't Look Now.'
If you write thrillers or mysteries or horror fiction or quote-unquote speculative fiction, men might read you, and the 'Times' might notice you.
Hollywood thrillers give away almost 70 percent of the story in promos but still the film remains interesting. In India we do a lot of cuts and put in songs in promos to create an impact.
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
My uncle Randall always had a book in his hand. He read in the car, he read at restaurants, he read when you were talking to him. He read lots of different things, but mostly it was Louis L'Amour's westerns and contemporary thrillers.
To me, sound is a crucial component to, really, any moviegoing experience, but particularly with suspense films or thrillers. I think you need the audience to become subtly really attuned to the soundscape in, like, this uncomfortable way.
I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
I think Tamil films will soon go the Hollywood way. There will be separate full-length humour-driven scripts, just like how thrillers and musicals are becoming successful genres.
The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers.
I grew up reading thrillers, science fiction, fantasy - you name it - and one day I asked myself if there was a reason why a fear of spiders was so common. Was there something buried deep in our evolutionary history that made being scared of spiders a survival instinct?
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
A lot of locked-room mysteries take time for you to pay attention and see the setup. They aren't thrillers, and they don't move along. The modern mystery story is really faster-paced, and I think modern readers tend to prefer seeing something happening on every other page.
I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.
I like a lot of documentaries, I like political movies and political thrillers. But I also like a good action movie. I like a pretty wide range.
You could call it that [urban Western], I guess, you could certainly call it that. A lot of these types of films are, really, if you get down to the core most suspense thrillers in this genre, the Western is sort of the birth of it all.
I'd read a lot of thrillers about politicians and presidents, but never one where you flip the stereotypes and make good people bad and bad people good.
I'd like to make character-based dramas. I end up writing thrillers a lot - these psychological character-based things with weird people doing horrible things to each other - coming to a theatre near you!
Id like to make character-based dramas. I end up writing thrillers a lot - these psychological character-based things with weird people doing horrible things to each other - coming to a theatre near you!
If you scroll through all the movies I've worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I'm no specialist, because I've done everything. I'm a specialist in music.
I love fantasy. I love thrillers. I love action. I'm all over the place. As long as the story and characters are good, I'll love it. — © Julianne Hough
I love fantasy. I love thrillers. I love action. I'm all over the place. As long as the story and characters are good, I'll love it.
It's inevitable that you will die, so the only question is when. The great thrillers are the moments that play and tease with the question, "When will it be?"
My first book, 'Contest,' had a guy fighting aliens in the New York Public Library. The second book, 'Ice Station,' and 'Temple' were present-day military thrillers.
All those who love thrillers will find in Michael Alexiades's first novel a source of great pleasure and satisfaction. It combines suspense and knowledge, experience and imagination. His grateful readers will now wait for the next.
I was a bit of a delinquent growing up, a very poor student - I nearly failed several grades before dropping out of high school and getting a G.E.D. But I still read a lot. Thrillers and war novels, mostly, along with the occasional literary novel from my parents' bookshelf.
My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
What kind of hard SF do I write? Everything from near-future, Earth-centric techno-thrillers to far-future, far-flung interstellar epics.
I believe thrillers work if the story is good. It is not easy to make a thriller because the audience is making their own story in their minds as they watch the film. You have to break that expectation and still make them like the film.
I see now that dismissing YA books because you're not a young adult is a little bit like refusing to watch thrillers on the grounds that you're not a policeman or a dangerous criminal, and as a consequence, I've discovered a previously ignored room at the back of the bookstore that's filled with masterpieces I've never heard of.
I got into reading a lot of noir and a lot of thrillers as well, and I really admired the plotting about those and the way that they can surprise you. And obviously to surprise people and to have twists in the tale, you have to plan quite carefully.
I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.
I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.
Vera Caspary wrote thrillers - but not like any other author of her time, male or female. Her specialty was a specific type that she pioneered - the psycho thriller. — © M. J. Rose
Vera Caspary wrote thrillers - but not like any other author of her time, male or female. Her specialty was a specific type that she pioneered - the psycho thriller.
To me, the best comedies get a little dark, and the best thrillers are a little bit funny. So I'm not exactly sure where I draw the line between the two.
If you go to my Netflix, the sections that they recommend are 'Thrillers with a Strong Female Lead,' 'Comedies With a Strong Female Lead.'
I've always been a huge fan of thrillers like David Fincher's 'Se7en.' I am fascinated by the disturbing, dark underbelly of life. I find such films deeply engrossing. They delve deep into the human psyche, and that's a place worth exploring.
The situation that women were in, at the time, was something that Dumas doesn't really go into, but it's a great subject to look at. It's a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it's the same in this genre.
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