Top 457 Thrones Quotes & Sayings - Page 7

When 'Game Of Thrones' came out, lots of interviews were coming in, and people asking me to do certain things which would push me out there. Like this whole Instagram and Twitter thing - getting more followers doesn't bother me at all.

Shows like Game of Thrones, stories like that, only really come around once every 10, 15 years. I can't remember the last time a show has really caught the imagination that way. Maybe Star Wars back in the '70s.

It's a reasonable thing to tell somebody, 'I've watched 70 hours of 'Game of Thrones.'' That's a totally normal, boring thing to say about yourself. But if you were like, 'I just spent 100 hours playing 'Skyrim,'' people think you're a weirdo.

Kallor said: "I walked this land when the T'lan Imass were but children. I have commanded armies a hundred thousand strong. I have spread the fire of my wrath across entire continents, and sat alone upon tall thrones. Do you grasp the meaning of this?" "Yes," said Caladan Brood, "you never learn."

Something that 'Game of Thrones' always does successfully is that action sequences are never just action sequences. There's always a point of view, and you're always identifying with one person or one group of people.

I certainly relate to Ygritte in the fact that she is so strong and also ruthless as well and I feel that especially within 'Game of Thrones,' I think that as a show, it is one of the frontrunners for showing dominant female characters and making sure that men answer to women rather than the other way around.

When I see a fan coming over, I can't help but make an assumption about what they want to talk about. A middle-aged American woman will head over, and I think, 'Game of Thrones.' Turns out it's 'The Tudors' or 'Elementary' or 'The Hunger Games.' It's always a surprise.

I just don't skimp on TV. Even if I'm exhausted and so tired and it's 12 A.M. and a Sunday night, I'll still watch Game of Thrones. I will stay up, and I will watch it. I totally screw my sleep schedule up.

I really like to have a moment alone at the house, either in the morning or when I come home from work, when I can just zone out at my computer, relax, stare out the window, get into a 'Game of Thrones' episode, go up on my roof, whatever, then go out to dinner.

What I love with 'Game of Thrones' is, every season, I get to continue to develop the existing themes; every season, I also get to write new themes.

There was a series called 'Game of Thrones' which was very popular here in the United States, a post-Tolkien kind of thing. It was garbage, yet very addictive garbage - because there's lots of violence, all the women take their clothes off all the time, and it's kind of fun.

On one level, all of the characters in 'Game of Thrones' grow out of George R.R. Martin's imagination. Therefore they are his. As long as they are in the novels they are his. But the moment they step forth onto the TV screen, they become filtered through the showrunners. In a business sense, it's the same way with comics.

About a year after leaving drama school or a year and a half - and I was working solidly ever since leaving drama school - I picked up 'Game of Thrones.'

The smells are very strong on 'Game of Thrones': the incense, the fire, the heat of all the burns. The smell of Lancel's Faith Militant cloth is very thick in my nostrils right now. And I think the warmth of it all: the hard work ethics, the ambiance, the temperature of the set. There are so many sensory memories of it, which will never leave me.

It's been rumored for almost a year that Tormund was going out and stuff like that. But that's 'Game of Thrones.' The people you think are going to die don't die. Then people will die in a moment when you did not expect them to die.

I want people to talk more. I mean, I watch Game of Thrones and there's all sorts of crazy nudity in it...and very little of which I can justify, except that it's in a titillating and somewhat exploitational manner, but I don't really feel like that's a subject that people are interested in because it's the same news story.

For although we know that the years pass, that youth gives way to old age, that fortunes and thrones crumble (even the most solid among them) and that fame is transitory, the manner in which—by means of a sort of snapshot—we take cognisance of this moving universe whirled along by Time, has the contrary effect of immobilising it.

It was great fun being part of a TV series that I'd been a fan of for five years. I've been watching it every single Monday when with my wife. It was like a ritual - every Monday night on HBO Nordic, we would watch 'Game of Thrones' together.

I think that because I struggled and did get very bullied, that definitely made me learn how to be funny and let things roll off and be able to laugh, and I think that has definitely helped me when it comes to being in the public eye with 'Gay of Thrones' and 'Queer Eye.'

The stone is strong. Bran told himself, the roots of the trees go deep, and under the ground the Kings of Winter sit their thrones. So long as those remained, Winterfell remained. It was not dead, just broken. Like me, he thought. I'm not dead either.

One of the trickiest things about 'Game of Thrones' is just seeding those first couple of episodes with that basic information that people need to know, both about the world and the ground rules of the world, and the relationships between the characters, as far as who means what to whom and why.

There weren't any deleted scenes, it was just a matter of tightening stuff. I didn't have any deleted scenes in what I did as far as I know. It's very unusual on Game of Thrones for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, "Hey, we don't need this scene."

Thrones, dominations, principalities know now with a terrible certainty that mere force of arms has no power which compares with that living word of the crucified Nazarene, that bears with it Eternal Life, and directs the duty of a world of men whom he can lead, but who bend no knee to power.

In the case of 'Game Of Thrones,' I've been to set a couple of times, and it's really exciting and inspiring for me to see the set and the actors in action, meet them and talk to them, so it definitely helps. If I can go to set, I will.

The reality is, 'Game of Thrones' has been a successful show for HBO, which has put us in a position to come and pitch another show and get them excited about it. And that's what helped get us here.

I certainly relate to Ygritte in the fact that she is so strong and also ruthless as well and I feel that especially within Game of Thrones, I think that as a show, it is one of the frontrunners for showing dominant female characters and making sure that men answer to women rather than the other way around.

The first director I ever worked with on 'Thrones,' he had a big hand in casting me. He said he cast me because there was a bit of an Alec Guinness about me, but a very dangerous Alec Guinness.

I think that it's interesting how shows like 'Walking Dead' or even 'Game of Thrones,' with all its fantasy elements, have become so popular. Sometimes, though, I get a little bit annoyed because the whole nerd thing taking over and is now cool, and it wasn't cool when I was younger.

While most episodes have a beginning, middle, and an ending, finales on 'Game of Thrones' are just one ending after another after another, as each of the storylines needs to wrapped up or at least attended to in some way.

The guys on 'Game of Thrones' trust me implicitly to take care of the action stuff. I don't mess with their drama, but they allow me to come up with ideas like 'Hey, what if the giant had a bow? And what if he shot some guy off the wall?' With 'Constantine,' too, they really trust me to scare the audience.

When good media takes a bounded form, and comes once in a period of time, it begs to be consumed as a whole - it creates an engaging experience. We don't dip in and out of an episode of 'Game of Thrones,' after all - we take it in as a whole. Why have we abandoned this concept when it comes to publications, simply because they exist online?

You have to look at your blessings, don't you? With Thrones, I have to realize that, whatever happens, and for all the stress and the pressure that goes with it, it's been an extraordinary journey and I know I'll look back later in my life and think, 'That was crazy, that was amazing.' It's something that very, very few people experience, and I love that.

[I watch] all that stuff - Game of Thrones and all the other series. How about House of Cards? As for Boardwalk Empire - that's another period of government overreach, but at least they use the amendment process! In real life, the executive branch, by violating the Constitution, is using statutes in place of constitutional amendments to diminish our liberty.

The weird thing is, 'Game of Thrones,' people go to Iceland for three weeks, and it'd be like a small guerilla operation. 'Thor,' we went there for, like, five days, because we couldn't afford to be there any longer, because we were airlifting the entire contents of Hollywood into this country.

I first felt the addictive power of 'Game of Thrones' when I was prime minister, living in a world where power was also pursued relentlessly, albeit far less colourfully. Certainly, the characters of my world were nowhere near as good looking or exotically dressed.

The thing about 'Game of Thrones' is it doesn't pin too much of a focus on magic. It kind of paints it in the same way that mystical things are portrayed in our world, because you don't walk about Westeros and see wizards with staffs or magical wands. All the characters don't really believe in it. It's this mysterious hidden vein to Westeros.

I like watching American TV shows like 'The Sopranos,' 'Game of Thrones,' etc. I also like to watch dance reality shows since I love to dance, even though I haven't been trained in dancing.

My old man, he's done it very differently from me. He had years of honing his craft and years of doing all that stuff before he even had to worry about 'Game of Thrones.' So he's absolutely established himself as an actor without the fear of having to have a personality as well.

'Thrones' would be the perfect platform to send a progressive message because right now, our politicians aren't telling us any truths. It's hard to find a good, meaningful message, so I think it's up to storytellers, television shows, and films to have an impact on the world conversation. Is that not what film and television is for?

It wasn't like I ever said, 'I want to be an actor.' I was in the right place at the right time. I went to a local drama group because I found football on the weekends too cold - which is highly ironic because I've had some of the coldest experiences of my life filming 'Game of Thrones.'

I was really, really stagnating and getting bored in the steady work of television and didn't really know what movies I would be making that Hollywood would be making, and then I went on to 'Game of Thrones,' and it was just like, everything I've been waiting to do was handed to me by really nice people.

The higher orders [of angels] are presumed to be closer in their nature to God and to function in roles that serve God more directly than the lower orders, which tend to the administration of the physical universe and the service of humankind. Some orders are associated with particular divine qualities - Seraphim with Love, Cherubim with Wisdom, Thrones with Judgment.

Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you. Remember that, Sansa, when you come to play the game.” “What . . . what game?” “The only game. The game of thrones.” -(Littlefinger)

I'm used to being part of 'Game of Thrones' and going into something where you're a small part of something else. You don't want to hold anything up because they've got such a well-oiled machine going.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.

I've never done a big series like 'Game of Thrones' before. All I knew was that it was HBO, and I'd seen what they had done with 'The Sopranos' and 'The Wire.' But when I started reading the script, it was a no-brainer. Yes, yes, yes. Gold. Every time I turned the page.

'Game of Thrones' cares about children. Children are heirs. There's no hemming and hawing about how they're desensitized to violence or they cost too much to send to college. They're a blessing - in many ways the only blessing - and even the evil ones have parents who love them.

The Jew continues to monopolize money, and he loosens or strangles the throat of the state with the loosening or strengthening of his purse strings...He has empowered himself with the engines of the press, which he uses to batter at the foundations of society. He is at the bottom of...every enterprise that will demolish first of all thrones, afterwards the altar, afterwards civil law.

People are going to die who don't die in the books, so even the book readers will be unhappy. So everybody better be on their toes. David and D.B. (David Benioff and D.B. Weiss co-creators of 'Game Of Thrones') are even bloodier than I am.

What I'm doing is making sure that I have a balance, and that allows me, I think, to be a better actor and to more easily and quickly access all of the emotions on the scale. I make sure that I read a book on the weekend or read something or do my knitting or do the things that I need to do for myself, like 'Game of Thrones.' Get that balance.

My kids are always like, 'Why do people always want to take pictures with you?' and I'm like, 'Because I'm your Dada, and you're my daughter. That's why.' It's definitely mostly because of 'Game of Thrones.'

Money is a needful and precious thing, and when well used, a noble thing, but I never want you to think it is the first or only prize to strive for. I'd rather see you poor men's wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace.

Then Frodo came forward and took the crown from Faramir and bore it to Gandalf; and Aragorn knelt, and Gandalf set the White Crown upon his head and said: Now come the days of the King, and may they be blessed while the thrones of the Valar endure!

What's great about 'Game of Thrones' is they change the perspective, the POV, all the time. So you will have one story told by one character and you'll go, 'Oh my God, horrible', and then maybe the season after you have the same story told but from the person you thought was just the most horrible, vile creature.

Funnily enough, I had a real giggle with Gary Oldman when we were doing an interview together for 'Tinker Tailor Soldier Spy.' Because I joked I was probably the only British actor who wasn't in the 'Harry Potter' franchise. The same is true of 'Game of Thrones.' Also 'Star Wars.'

If you get a bad script, then you start expending energy trying to make a silk purse of a sow's ear. When the script's as good as those on 'Game of Thrones,' say, I don't think there was a single occasion where any of us thought there was a bad scene.

'Game of Thrones,' people say that it's a fantasy series, but it's a hell of a lot more than that. It attracts the so-called geeks and nerds, and God bless them, they're wonderful for getting right into the show. But primarily it's about family; it's power and betrayal and jealousy. It's all those wonderful things that a fantastic drama is about.

When I rather guiltily read the books on which the TV series 'Game Of Thrones' is based, I was struck by one thing. The whole point of this saga is that ruthlessness pays, that evil generally wins, that justice is non-existent, and utter cynicism the only wisdom. It is the Middle Ages without the saving grace of Christianity.

My ultimate game - or at least one I would really like to see - would be something where it was like the beginning of George R. R. Martin's 'Game of Thrones', where you're Ned Stark, and you know that one of your friends has been murdered, and you go to the capital city and you have to navigate this web of court intrigue.