Top 453 Tickets Quotes & Sayings - Page 7

I worked at a movie theater in Tempe, Arizona, when I went to community college there. And I got fired because a sorority had rented out a theater to watch 'Titanic,' and they were being really rude to me while they were waiting for the movie. So as I tore their tickets, I told them the end of the movie.

Instead of the cashier and ticket-ripper of the movie theater, the block chain consists of thousands of computers that can process digital tickets, money, and many other fiduciary objects in digital form. Think of thousands of robots wearing green eye shades, all checking each other's accounting.

When I was in the UFC, I would get tickets for a fight, and then what I would do is go in the crowds and watch the rest of the fights. A lot of times, I would end up taking pictures and signing people's books. I didn't care if I got any money or anything. I was just there enjoying my time and watching the fights.

Anyone can see why an elite athlete would want to leave a small, impoverished country where their skills were effectively uncashed winning lottery tickets. All they had to do was wash ashore almost anywhere else in the world and cash in. Yet the vast majority of Cuban boxers - and Cuban athletes in general - despite that incentive, stayed.

Andean skiing offers an unforgettable combination of beach-style weather, great snow and exotic travel. There are many attractions. Here on the fringes of the Andes, skiers will find few lift queues, tickets 50% cheaper than France, and unique scenery that includes condors and Mount Aconcagua, the highest peak outside the Himalayas.

We've gotten to play shows where I'm the headliner, so people are buying tickets to come see me, and that's when you really learn, 'Okay, who's listening to this music?' That and social media. But I couldn't feel luckier about the fan base that is starting to grow... People have just been super, super supportive and awesome.

Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true.

Support is really important to me. It's quite a responsibility when people are paying for tickets. I've spent ten years playing for free, now it's like, bloody hell people are spending a tenner and I want it to be a great show and I really don't subscribe to having a crap support band.

I would say don't take advice from people like me who have gotten very lucky. We're very biased. You know, like Taylor Swift telling you to follow your dreams is like a lottery winner telling you, 'Liquidize your assets; buy Powerball tickets - it works!'

The question is not, could Utah compete week in and week out in the ACC, SEC, Big Ten, whatever, .. The question is, in a one- game setting, can Utah compete, can Utah get the market share, sell the tickets of one of those more familiar institutions. Nobody knows that answer.

I care less about selling tickets and getting Twitter followers than I do about making as many people laugh as I can. I'd rather make people laugh than make them know who T.J. Miller is.

You get weird, funny requests on Twitter. With our fan club, I was seeing a lot of fans were having some issue with the way the fan club tickets were being handled in one of the shows. So I was able to correspond with that fan, and be like, 'Listen, we'll be on it.'

The New York theater community didn't like being invaded by reality stars - they still don't - but I got in there and auditioned just like everybody else. They hired me for 'Hairspray' to help sell tickets for a few weeks, but I ended up being there much longer than originally planned and started to carve a niche for myself.

I think the most surreal moment for me having been a kid who was on unemployment, was on food stamps - I'm not kidding you, to utter these words aloud is so surreal to me - but to say, "I had to give up my Super Bowl tickets for my all-expense paid research trip to Argentina's wine country," it was like, who's life is this? It was splendid, and the nice thing was that they renewed my contract for another year.

Fraud is common when you give away billions. Fraud related to Hurricane Katrina spending is estimated to top $2 billion. In addition, debit cards provided to hurricane victims were used to pay for Caribbean vacations, NFL tickets, Dom Perignon champagne, 'Girls Gone Wild' videos, and at least one sex change operation.

I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.

I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.

They'd have to force me to take the All-Star Game. They take over the building, your season-ticket holders have to be in a lottery to see if they get tickets, and then they don't get a good ticket. Really, no good can come out of it, and all it can do is upset your fans.

I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.

It is bizarre to see the NFL attacking an America that has treated it so well over the years. Taxpayers pay over 70 percent of the cost of stadiums. Our citizens pay more and more for tickets, and valuations of professional sports franchises have skyrocketed. Player compensation keeps growing.

Long Island always seems to be the hardest place for some reason. There are always excuses. People will say, "Well, there's a lot to do in Long Island..." but you know what, if Jim Gaffigan was here, tickets would be gone a month ago, if Chelsea Handler was at the Barclays Center, gone.

Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.

The pop world is popular, and it's about what the people want and connecting to the masses, whereas opera, although it was once popular - and I still believe it can be - it has become very elitist and intellectual, but that certainly doesn't sell tickets. It's a struggle, but I've always embraced struggle and thrived off of it, so it's the way my life needs to go.

When it comes to women, there has been a tendency to define women in sports in the context of their relationships - they watch games because their husbands watch. They're interested because their kids play a sport. They buy tickets to a sporting event because it's a way to spend time with family.

My first time performing was in the black box theater of my high school's basement as a member of 'Clownaz,' the school's improv team. We charged money for tickets, saying the proceeds went to our school's recycling program. Then, immediately after the show, we divided up all the money and kept it.

Once I was checking to hotel and a couple saw my ring with Blues on it. They said, 'You play blues. That music is so sad.' I gave them tickets to the show, and they came up afterwards and said, 'You didn't play one sad song.'

Miles Davis would have this lineup of all these amazing musicians and one day would just say, 'We're done.' After tons of great records and tickets sold, he said, 'Now I'm going to grow my hair out and play my horn through a wah-wah pedal.' Rather than play it safe, he went on.

The duty of man is not a wilderness of turnpike gates, through which he is to pass by tickets from one to the other. It is plain and simple, and consists but of two points--his duty God, which every man must feel; and, with respect to his neighbor, to do as he would be done by.

The artist doesn't really think about consequences - he or she does the work, stands back and looks at and thinks, 'Hmm, that could have worked better like this.' But as a person who needs to sell tickets to do the next work, one needs to analyze how it does or does not hit its mark.

I don't follow trends. I'm a trendsetter. I represent all the younger generations; fly kids, creative kids - they look up to me. I got a program that's called ROAR. I go to all high schools everywhere we go, and I talk to all the kids, and I give away 30-35 tickets and passes to the kids doing good in school. Stuff like that means a lot to me.

People want to see John Cena - they want to see all these guys - but I want people to buy tickets because they want to see the girls and they're looking forward to the Divas matches.

I would say the first concert I ever went to is my earliest memory. I was four and already obsessed with Michael Jackson. We were living in Munich at the time. My mom, being the best person ever, somehow managed to get us two tickets to the '97 Michael Jackson History World Tour.

My run cannot be touched. If you want to talk about longevity, you can speak the name Hogan. If you want to talk about white-hot, selling tickets, and taking the business to a height it's never been - and, with a hell of a supporting cast, I might add - you're talking about Stone Cold Steve Austin.

Don't just learn one thing; learn everything about whatever you're going into. If you want to be an actor, if you want to be on Broadway, hang lights, sweep floors, sell tickets, be an usher, do everything that you can because that's where you learn your character and your craft.

I think we make too many records. One record a year is crazy to me. But some people have to sell tickets. The label has to meet their quarterly number: 'We need a record a year.' All of a sudden, the tail's wagging the dog. It's not the music; it's everything else making the music. That's just backwards. It's wrong.

Destiny, quite often, is a determined parent. Mozart was hardly some naive prodigy who sat down at the keyboard and, with God whispering in his ears, let music flow from his fingertips. It's a nice image for selling tickets to movies, but whether or not God has kissed your brow, you still have to work. Without learning and preparation, you won't know how to harness the power of that kiss.

What many fans don't realize with fighters, this is our job. But at the same time outside of this, we have regular lives where we do the same things that everybody else does. We have the problems. We get speeding tickets, we get pulled over, we have family issues, we have girlfriend issues, we have issues amongst ourselves, self doubt.

You don't pay the same price for a Ferrari as you do for a Honda Accord. But for some reason, for movie tickets, you're asked to pay the same price for 'Avatar' as you are for some $2 million movie, which is kind of a weird thing when you think about it.

Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.

Just because someone isn't allowing you to pay for the date, it doesn't mean you can't contribute on some level. For example, if someone took you for dinner and a movie, they may have paid for the dinner, they may have paid for the movie tickets, but then you buy the popcorn.

I spend up to two hours a day on correspondence. Hearing from fans on the Internet and being able to directly respond to the fan base is exciting. You can cut out the middle man like the fan club... before a recent appearance in Tyler, Texas, I had fans reaching out on MySpace offering their lake house, Mavericks tickets. It was amazing.

Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting

Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game.

We enter parliament in order to supply ourselves, in the arsenal of democracy, with its own weapons. If democracy is so stupid as to give us free tickets and salaries for this bear's work, that is its affair. We do not come as friends, nor even as neutrals. We come as enemies. As the wolf bursts into the flock, so we come.

I think in the future we might see things arrive the way Prince announces a concert where a few days before the show he announces it and tickets just go up. You might see that with movies and other things.

Hartford had the Mark Twain Masquers, which was fantastic. They had been in business I don't know how many years. They knew how to build sets and sell tickets and put on a play. My day started at night. When I left the office, that's when my day began.

I just went to your typical public schools, and my dad would take us to the movies every week, or he'd buy scalped tickets to San Antonio Spurs games. I remember I was four or five years old and my parents, who were very young, took us to see The Police in Austin, and Iggy Pop opened.

I remember when I was at the first showing of 'John Dies at the End' at Sundance, and I was talking to some of the people in the standby crowd who were outside and didn't have tickets. They were just waiting in line to see if they could get in. It was this whole gang of die-hard sci-fi wacko people, and they were just fantastic.

When I do stand-up around the country, I often see people walk out. This is a show that they've purposely gone to, where my name is on the ticket, and it cost them $75 or something. So, you think, Wow, that means that they either didn't know very much about me when they bought their tickets or they're that offended by what I've said. I've been doing this a long time. Anybody who comes to one of my shows must sort of have an idea of where I'm coming from.

I remember back in 1994 when the Eagles charged more than $100 for tickets. They said, 'We ain't Pearl Jam.' That's back when records were selling and the Eagles had sold just about as many as anyone on the planet. And years later we're still charging less than them.

The only thing that does change, to some degree, is [that] you have some life experiences, you suffer a certain amount and you incorporate that into your work. Not in the content of your work, but in the sensibility of your work. It's nothing that you try and do; it just happens. And if you're lucky, people buy tickets to see it, and if you're not lucky, [then] they don't like it. But that's all.

There may be less of a chance of losing all the money you put into a mutual fund than there is of losing all the money you put into lottery tickets, but you're never going to win big in a mutual fund.

My father took my mother, me, and my brother from Sicily to New York. He got us one-way tickets but booked himself a return flight. He dumped us with my mother's parents, who had just arrived from Italy, and abandoned us. That was 1986. I didn't see or speak to him for another 12 years. That's cruel.

You gotta have a Swaggy in 'Space Jam.' If you want to sell tickets, you got to have me. I can give them swag once they get their powers taken. They can come to me and I can be a sorcerer of Swag. I can hand it out to them and give them hope.

I don't throw money away. First class tickets are very expensive. Why should I fly first class if I can fly business, which is the same thing? I would only fly first class if the ticket included access to some sort of special compartment that could save me if there was any crash.

I think it's always hard to find great roles, no matter what age you are. So I always say to people, 'You have to remember that Hollywood is in the business of making movies that they can sell tickets to; they're not in the business of finding great roles for actors.'

I only worked theater jobs, but they were all really silly when I first graduated. I was a line monitor at 'Spamalot,' which means I got there at 8 A.M. and told people how much the tickets were for standing room. I was an NYU Medical School fake patient, to teach doctors how to talk to patients.

I've been eight weeks into a fight camp, two weeks out from a fight, having paid coaches, booked plane tickets, and invested quite a bit of money in my camp, only to not be able to fight because my opponent got hurt. Boom. I'm out that money. It sucks.

The whole awards thing is great. Why? Because the Golden Globes, the Academy Awards, they put a focus on the industry, and that focus translates into people buying tickets to see movies or download films, legitimately download them. And it keeps us all at work. So I'm a big fan of award shows.

The fans never gave up on CM Punk. If CM Punk wants to be part of 'All In,' he can be part of 'All In.' But I am not putting it on him to draw those 10,000 seats. If we did have CM Punk, we would not tell you we had CM Punk - unless we didn't sell any tickets.