Top 1200 Today's Music Quotes & Sayings

Explore popular Today's Music quotes.
Last updated on November 8, 2024.
We want to get this good music to as many people as possible because I think it heals, it soothes, I think music is incredibly important, especially in today's chaos.
You used to have to sing and convey emotion, and now, well, technically you can do anything with technology. It sucks for music today, but that's why that old music feels so good to me.
I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.
I agree with you about the music of today. It lacks style and emotion. I can't relate to it either, as for grunge music, well that was the death kneel for a lot of the glam metal hair bands of the 80's, so I really do not care for grunge. I miss the 80's as well, it was a truly great decade for music.
The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
If you only have the mind of, "We have to sell this music and I have to make money on this music," then it's not really about the music anymore; it's about the money. I'm not saying I don't want to make money, but I'm thinking a little more long-term than just making a buck today.
Back then people closed their eyes and listened to music. Today there's a lot of images that go with the music. A lot of music is crap and it's all commercial and the images are all trying to sell the record.
I would say my relationships have always affected my music. Each one. I wrote most of my great songs, that I'm still using today, in 2008 when I had the worst heartbreak of my life with my first girlfriend. It inspired great music.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
I think the hymns give us a glimpse of the generations before us, and what was important to them at the time. Even though they are usually singing similiar messages that are in today's music, it is good to be reminded that the message of Christ is just as much relevant today as it was then.
I am certain that most composers today would consider today's music to be rich, not to say confusing, in its enormous diversity of styles, technical procedures, and systems of esthetics.
I am definitely less and less interested in music made by people that exist today, people that are living. I just see them as part of the whole stupid process of the music business, desperate (even if they feign indifference) to get noticed, trying to "make it" in the stinking music business, to become "famous" etc, and it disgusts me.
Just like there's a hole in the ozone layer, there's a hole in the musical ecological layer [wrt lack of successful "conscious" music]... 'Traditional' music was brand new at one time... When you hear R&B today, do you believe it?
But classical music is not entertainment, and I feel viciously strong about that. Classical music is forever. Entertainment is something that is here today, and may be gone tomorrow.
Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
The proliferation of new music groups and individual performers focusing on new music today is heartening. On the one hand the culture is very resistant to new things, and yet it continues to change and grow.
The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.
Electronic technology has been a part of music making and music listening for a century. We always treat it like it's new, and cutting edge, but it's actually omnipresent, so we should just treat it as part of the arsenal today.
'Konnichiwa,' to me, is a classic because I don't make music for today where everyone is going to judge what I did in two years; they're gonna tell me today. — © Skepta
'Konnichiwa,' to me, is a classic because I don't make music for today where everyone is going to judge what I did in two years; they're gonna tell me today.
I am glad so many women singers are being heard in music today. It is healthy for music . . . healthy because it means a lot of men are listening!
In the early 60s, folk music seemed to be very popular. In the early 70s, people like James Taylor, John Denver, Jim Croce and Cat Stevens brought back the interest in acoustic music. Today, we don't hear anything.
Music of today is not even in the same building as music from the '70s.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
Country music and just music in general really lost a great friend today.
When today's generation reads Jack's books or they listen to the music created by some of us, I believe that they see there is a different way of approaching today's life and today's sometimes seeming hopelessness that can provide answers.
Music is everything to me. Without music, I wouldnt be here in America now, and I would have been a completely different person. It made me who I am today.
If some of those people who wanted to ban Beethoven's music could hear the music that's being played today, wow, what would they do, man?
The music departments in the public school system gave me a really extraordinary foundation and music appreciation that I still draw from, even today.
Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
I think I need to accept the fact that I am where I am today because fans have shared my music illegally and legally, but I wouldn't be here today without the Internet, so I can't speak out against it.
I tried playing for the public, and I selected music that I thought would be pleasing to them. Times are different now. Today, I play the music I want, and I just try to do my best.
Older generations can sometimes look down on today's hip hop but I refuse that mindset. I remember how hurt I was when older people told me that Run-D.M.C. was jungle music or that it was not music at all. Or that LL Cool J was not art.
The problem with listening to music today is that there's so much of it everywhere. We've got used to hearing music without actually listening to it.
My true belief about Rock 'n' Roll--and there have been a lot of phrases attributed to me over the years--is this: I believe this kind of music is demonic. ... A lot of the beats in music today are taken from voodoo, from the voodoo drums. If you study music in rhythms, like I have, you'll see that is true. I believe that kind of music is driving people from Christ. It is contagious
Today we are united, strong and on the move. Today we have a strong strike fund. Today we have the resources to run large-scale organizing campaigns against global employers. Today we have $100 million in the bank.
Rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written
I began seriously concentrating on music study after I entered senior high school. I went to a class in the arts section at the YMCA and learned music theory and composition. Today, there are many classes like this available, but this was not so much the case in those days.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
So much is filtered by pop music today, because the music industry is driven by single, single, single, single, the next single, not the nurturing of artists and that kind of thing.
Today, music is visual.
You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.
There's no way that music could ever go down the tubes. I can't imagine a civilization without music. When you realize today that music is such a part of people's lives. And will always be, really.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
Most of the music you hear on the radio today is developed for making money. It doesn't feel true or honest. You can feel it in the music.
Country music has been empowering to women. Women invented it - it was women singing to their children that built country music. The people making country music today might not even know that it all started with a midwife. But it's true, it really did. That's where Michael learned to shake it the way he did. It wasn't from old Papa Jackson, I'll tell you that.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
Some music is supposed to be disposable; that's OK. A lot of music is fun for today, but it isn't supposed to be timeless; it's supposed to be trendy.
The formats have changed so much, and even if you look at alternative music today, most of it isn't really that alternative. It's just good, strong, modern music.
There's something missing in the music industry today... and it's music. Songs you hear don't last, it's just product fed to you by the industry.
In olden days a glimpse of stocking was looked on as something shocking. Now, Heaven knows, anything goes. The world has gone mad today, and good's bad today, and black's white today, and day's night today.
The Clash were innovative, radical and helped drive a change in music that was ground-breaking. In comparison to some of the music today they sounded like they meant it. I still listen to their music today to remind myself what music made with commitment sounds like.
The whole format of entertainment that I did seems to be fading away. The music business of today is completely different when you see the videos and the music. — © Bobby Vinton
The whole format of entertainment that I did seems to be fading away. The music business of today is completely different when you see the videos and the music.
I think that what is important is that the music be honest and direct and that it is relevant to today. I think music needs to be of its time and speak to that time.
What you have to understand is that blues... it's in a line from the oldest forms of African music. If you're playing it like it's an echo of the past, it would be a lot less exciting, but this music lives today.
I don't look at our society today too much. My focus is still in the past, and part of the reason is because what I do - the wellspring of art, or what I do - l get from the blues. So I listen to the music of a particular period that I'm working on, and I think inside the music is clues to what is happening with the people.
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