Top 784 Tony Blair Quotes & Sayings - Page 13

You know, Kiss can always go on as long as Gene and Paul want it to go on. Static-X is the same way. We're the two founding guys and the two vocalists and the driving force of the band. We can go on as long as we want, as long as the two of us are together. If I ever lost Tony, I'm sure I'd start something else.

You would have thought that as you got older the voice would tend to deteriorate in some ways, but I always look at somebody like Tony Bennett, who is my senior, and still can hit those high notes and still can belt it out as good as he ever did. So it must be something about the voice that's unlike the rest of the muscles in your body.

There's always only been three of us [drummer Joey Shuffield, vocalist, bassist and keyboardist Tony Scalzo and myself], but when we first started we didn't have anybody augmenting the band, so everything had to be kinda to the point anyway. We did that record and toured a while on that, but I just got sick of playing it every night. It felt like doing push-ups to me.

When Tony Benn became a minister in the 1960s -- and I think this must be apocryphal -- he had a huge map of Britain hung upside down in his office, so the channel was at the top and Scotland was at the bottom and, apparently, he said, "This is how we need to look at this country, with the money and the power draining by force of gravity out of the south east." That was a great idea. I rather liked him for that. I don't know if it's actually true or not.

I graduated in June 1948 and then went in the fall to the art school. I stayed with my cousins on Seventeenth Street in the beginning, and later had my own apartment very near there and was able to walk to the Art Institute on Elmwood Avenue. The school had a faculty of local artists - Jeanette and Robert Blair, James Vullo who were well known in the area. It was a school that I think thrived on returning GIs, as many schools did at that time. It was a very informal program - but it was professional.

I watch other wrestlers. I watch movies with Jackie Chan and Jet Li and Tony Jaa. Then there's breakdancing and Capoeira - just anything I see that looks awesome that I think I could adapt in the ring. Just your typical Kung Fu, breakdancing, Capoeira moves.

I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.

I used to send Tony Romo texts throughout the season just to encourage him, just to wish him luck and just to tell him to get on his offensive line. I hated watching this young man get sacked as much as he did, especially when it came down to big games.

I like when I tweet about Tony Hawk. A lot of times, people think it's true; like, I've tweeted about having lunch with him a lot, and people are like, 'Oh, how was he?' or, like, 'Do you have a pic?' I don't know how to explain it. He's right at the level where people could almost believe it, but it's also a really weird pairing.

When I did 'Thoroughly Modern Millie,' it was almost every 'first' I could have imagined: I dreamt someday being on Broadway, and then dreamt someday playing a lead on Broadway, and then dreamt someday of getting to originate a role, and then getting a Tony nomination. It all happened at once. I was just terrified.

Tony Campolo and I both speak a lot, and we began to notice that there were some crowds of old folks that desperately needed some youthful energy, and there were other crowds of young folks that desperately needed some aged wisdom.

I've been around long enough to not take seriously statements like I am about to be crushed. I'm about how do we seek re-election of the Australian government, how we prevent Tony Abbott from being elected. The bottom line is that it should be all hands to the pump rather than saying other, frankly negative and internally divisive things.

It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.

There are five of us. We've all played in various bands together, in different combinations. I know that Todd [Cook] and Tony [Bailey] are my favorite rhythm section - they're just like a unit. I guess we've all just played together in various capacities, so when the band was coming together, it was sort of like we just chose members because they had similar sensibilities and also because they're just cool. We all got along real well.

Somehow the pain, the losses, the hurt, the bad, God is able to transform these into something they could have never been, icons and monuments of grace and love. It is the deep mystery how wounds and scars can become precious, or a ravaging and terrifying cross the essential symbol of relentless affection.” “Is it worth it?” whispered Tony. “Wrong question, son. There is no ‘it.’ The question is and has always been, ‘Are you worth it?’ and the answer is and always, ‘Yes!’

I liked Jimmy Snuka, Tony Garea, Larry Zbyszko, Bob Backlund, Bruno Sammartino, Chief Strongbow, SD Jones (even though they never let him win), Captain Lou, Ted DiBiase...Uh...I'm forgetting some people...Greg Valentine. Chris Rock and Ric Flair are the best. Ric Flair is the king.

When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.

Richard Julian was the one who told me to check out Cartola. Telling someone to check out Cartola is like telling someone to check out Tony Bennett, you know.

We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.

I've had plenty of arguments in Memphis with Tony Allen, Marc Gasol, Rudy Gay, Zach Randolph, we all go through that spell, you ride with each other for so many years, you have a situation where you go at one another to push each other. It's normal in basketball, normal in life. It's just so public in this game.

I noticed - and this is one of the people don't understand of Tony [Abbot] - he grew. To me he grew as opposition leader. He come in - he wasn't really good at the beginning when he was opposition leader. He won the confidence of the Australian people and got the job as Prime Minister. He grew in Indigenous affairs. To me, we just totally disagreed in it, but now we're very much one on one on it.

We ran well there in the November 2012, my first race with (Tony) Gibson (as crew chief). Unfortunately, we haven't left there without a torn up race car. We got caught up in accidents in November of 2012 and then again in November 2013. We cut a tire and crashed last spring, so it'd be nice to have a good clean run with the GoDaddy car. I like Phoenix and Gibson has won there a few times. Hopefully our luck will turn around and we can have a good smooth run and get back on track.

When I was a kid I think the thing I remembered most about The Exorcist was Linda Blair being possessed by the devil, and how scary that was. It had a lot of parallels for me because the movie was challenging different ideas about faith and it was looking at religion in a darker way. Growing up I was afraid of being possessed by the devil, as an adult I'm afraid of being possessed by the world, by ignorance, and not holding on to my beliefs and what I feel strongly about.

If you like Harry Hill, you'd really like Tony Law. He's a Canadian comic who's done a few appearances on 'Never Mind The Buzzcocks' and '8 out of 10 Cats.' Nobody else could do his stand-up; it's very idiosyncratic, very daft, very silly, but really well structured.

Jessica Simpson attended boyfriend Tony Romo's football game. The Cowboys quarterback had the worst game of his career. It's a bad year for the name Simpson. Even O. J. is pissed - he feels like they're making his name look bad.

There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.

My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.

The issue of gay marriage has reached the Supreme Court and observers are analyzing every detail to predict how each justice will vote. Experts say Chief Justice John Roberts is likely to rule in favor of gay marriage based on the fact that he spent Tuesday's hearings watching the Tony Award nominations.

My high-school coach Tony Reginelli was kind of famous for 'Reggie-isms,' kind of like 'Yogi-isms.' He always said if you want to be a good quarterback, when sprinting left you want to be amphibious and throw left-handed. I told him, 'You mean ambidextrous, coach?'

Every ending is arbitrary, because the end is where you write The end. A period, a dot of punctuation, a point of stasis. A pinprick in the paper: you could put your eye to it and see through, to the other side, to the beginning of something else. Or, as Tony says to her students, Time is not a solid, like wood, but a fluid, like water or the wind. It doesn't come neatly cut into even-sized length, into decades and centuries. Nevertheless, for our purposes we have to pretend it does. The end of any history is a lie in which we all agree to conspire.

To me, he has his own style. He doesnt remind me any more of myself than I did (other tailbacks). I did things to remind people of Tony Dorsett, but it was a different style. Hes a guy who can catch balls like Marshall Faulk or somebody like that.

I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones.

The whole time I was a union leader, we had to put up with John Howard and Tony Abbott attacking workers' conditions. I'm proud of being a moderate trade union official, working co-operatively between employees and employers. I'm interested in better wages for workers, better safety, job security, and, profitable companies, because I understand that if you get co-operation in the workplace, everyone wins.

When I went to LA I was almost 30, I'd been nominated for two Tony awards, and on the New York theatre scene I was pretty well known. I went out to LA to meet with casting people, and I remember walking into one meeting and saying: "Hey, how are you? I'm Patrick..." And they said: "I'm so sorry! I thought you were British!" When I asked why, she replied: "Because you're 30 and I've never heard of you!"

Paolo Maldini is someone I loved at AC Milan and looked up to as a player. I think he had so much about him. He had so much quality and he was a player I looked to growing up. Him and Tony Adams - another footballer who's won it all.

How could I resist? Look, I love that record and have nothing but great, great memories of my time with BLACK SABBATH . Tony was really busy but got his solos to me at the last minute as he promised and they are just fantastic. I think BLACK SABBATH fans will be over the moon when they hear what he's done. As for Roger and Ian , well, they just sound great on this song so it really did become 'Black Purple'. Personally, I love the irony of it all.

Ian Holloway played wingers higher up and then wanted us to come back and receive the ball; Dougie Freedman didn't want us to come back too much because he wanted us to attack; Tony Pulis made the team sit back so it was literally you against the full-back.

When my marriage broke up... I had just put on 45 pounds for my 'Shall We Dance?' character. I had to eat 10,000 calories a day just to put on weight while training with Tony Dovolani. I basically stayed in bed for a six-month rotation of depression naps. Dance helped me lose the weight.

It is said that the Queen has come to love the Commonwealth, partly because it supplies her with regular cheering crowds of flag-waving picaninnies; and one can imagine that Blair, twice victor abroad but enmired at home, is similarly seduced by foreign politeness. They say he is shortly off to the Congo. No doubt the AK47s will fall silent, and the pangas will stop their hacking of human flesh, and the tribal warriors will all break out in Watermelon smiles to see the big white chief touch down in his big white British taxpayer-funded bird.

Tony Benn and I were very close, very close friends for 30, 40 years. We talked to each other a great deal, and we were great friends. And I was with him shortly before he died, talking about prospects of the world and prospects for peace. And I'm very sad that he's gone.

I used to imagine what it would be like to do what Jim Brown was doing. I used to imagine what it would be like to be like a Tony Dorsett. I used to imagine what it would be like to be like a Walter Payton. I was imagining Emmitt Smith doing exactly what they were doing.

TV's Tony Snow becomes the White House press secretary. How will he make the difficult transition from Fox News reporter to Republican apologist? ... Mr. President, it is time to hire the folks who've never let you down. Limbaugh at Health and Human Services. Hannity at State. Then give Rummy the Medal of Freedom and install Bill O'Reilly as secretary of defense. Only problem, you might find yourself invading Vermont. And I'll replace Chertoff at Homeland Security. The man's done nothing to control the bear population.

Tony Cottee once played in all four divisions in one season. Cottee started 2000-01 at Leicester City, where he made a couple of Premiership appearances as a sub before being released to Norwich, in what was then Division One. In November the chance to be player-manager of Barnet came up and soon Cottee was playing in Division Three, but alas it did not work out. By March he was again looking for work and found it, with two sub appearances, at Millwall in Division Two.

There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.

I remember when we were in the World Cup in Australia and I had to win the singles against Tony Payne, best of seven legs, to win it. I was 2-0 down but ended up beating him I suffer much less than many of my colleagues. I am perfectly able to go to Australia and film within three hours of arrival.

Over my NFL career, I've had five head coaches who have helped me become better at my craft and have helped me become a better human being: Jim Mora, Tony Dungy, Jim Caldwell, John Fox, Gary Kubiak.

I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.

Tony Stewart -- Broke out a new chassis at Pocono Raceway last June and raced to the checkered flag for his first victory of 2003; has finished among the top 10 in all but two of his 10 career starts here; Turn one is probably the easiest of the three, but you've got the challenge of having to downshift in the middle of the corner, .. You go down the backstretch and into the tunnel turn and it's basically one lane.

All true competitors in any field and walk of life take adversity and are strengthened from it. They develop a reputation of determination and toughness that wins more decisive moments in life than winning shots. Bobby Blair was one tough player. Playing him was like going into a phone booth with an angry bobcat. His massive talent was only surpassed by his courage to hit the big shots under the most pressure. No one ever looked forward to playing him. It was going to be pain and suffering if you wanted to go the distance it took to beat him.

Some memorizers arbitrarily associate each playing card with a familiar person or object, so that the king of clubs is represented by, say, Tony Danza. The grand masters associate each card with a person, an action, or an object so that every group of three cards can be converted into a sentence.

It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.

When one teenager dying of cystic fibrosis asked me, 'Why am I different?' I answered, 'Tony, because it makes you beautiful.' He loved my answer because he knew full well how much he had done for the world and that he would be immortal through his love and the fund raising of those who knew him hoping to find a cure for cystic fibrosis.

There was a cinema called The Orient outside the community centre where we rehearsed in Six Ways, and whenever it showed a horror film the queue would go all the way down the street and around the corner. 'Isn't it strange how people will pay money to frighten themselves?' I remember Tony [Iommi] saying one day. 'Maybe we should stop doing blues and write scary music instead.'

John Logan is maybe the No. 1 screenwriter in the world today, not to mention that he won a Tony for Best Play for Red. So he may just be the best writer period right now. He wrote The Aviator, and I was in New York doing a play, and he asked if they would see me for the film, just meet with me. 'Cause that's what Martin Scorsese does.

When Michael Bay called me, I'd worked with him before on 'The Rock,' and he called me and said, 'Tony, I might have something for you.' I said, 'Okay, you haven't called me in ten years!' He said, 'I've been busy!' I said, 'I've been busy too Michael, glad we could make our schedules match!'

I guess I am nostalgic for a time - the nineteenth century and early twentieth - when writers were, to use Stefan Collini's phrase, "public moralists" and politicians, plutocrats, bankers, arms dealers, and experts and technocrats were not solely defining the moral norms as well as the political lives of our societies. We do have some writers claiming to be public moralists, but, as I said, they have actually been more jingoistic than even the henchmen of Bush and Blair.

I don’t know if Barcelona have ever gone to a place like the Britannia Stadium and suffered the kind of onslaught from Tony Pulis’ team of long throws and free-kicks or been up to a place like Blackburn and been beaten up by their long ball into the box.

Crisis and my experience of Punk Rock in Britain/Europe was anything and everything but "fun" and this sort of idea comes from people who were either not there at the time, or were and have an axe of some kind or another to grind about their own experiences with Crisis. The years between 1977 and 1980 were some of the hardest of my Life and they certainly contributed to Tony and I wanting to destroy the group in 1980 and head for sunnier pastures artistically, culturally, and whatever else we could find.

For the only time in my career, I came in and met Tony [Richardson] for the part - I did not read, I just met with him - and in the middle of the meeting, he told me that I had the part [in The Hotel New Hampshire]. There was never, "Well, thank you, and we'll have my people call your people." There was none of that kabuki that goes on now endlessly for even the smallest role.

You get a team that goes out there and they find a little bit of something that advantage is going to seem larger then it is if the rules were not as tight because it's harder for other people to find whatever that advantage may be. I'm not saying points leader Tony Stewart has a huge advantage. What they've got is that they are hitting everything exactly right. When they have everything working just right, that's how it shows to be dominant.