Top 258 Tourist Quotes & Sayings - Page 5

David Attenborough has said that Bali is the most beautiful place in the world, but he must have been there longer than we were, and seen different bits, because most of what we saw in the couple of days we were there sorting out our travel arrangements was awful. It was just the tourist area, i.e. that part of Bali which has been made almost exactly the same as everywhere else in the world for the sake of people who have come all this way to see Bali.

To be proactive is to educate yourself and get the word out via social media, or through one of the many animal-welfare organizations around the world, and by signing petitions, starting your own campaigns, rescuing and fostering animals, organizing cleanups, recycling, volunteering at your local animal shelter, going to eco-tourist destinations or photo safaris. This will help get the word out to the masses, and hopefully, this will bring more awareness and more compassion to animal welfare.

But nothing will persuade me that the mere fact of being in a place is enough in itself to justify the effort of getting out of bed to become a tourist, or even a traveller. I don't have the slightest wish to be intrepid. I don't want to prove myself to myself or anyone else. I don't care if no one thinks me brave or hardy. I have no concern at all that I did not have whatever it is I should have had to take a dive out of a plane or off a building. None of that matters to me in the least.

If you come face to face with some really challenging situations and tragic circumstances - you are going in there with a purpose. You are not going in there as a tourist. You're not going there just to merely observe. You have a purpose, and your purpose is to tell that story, to share that story for the bigger benefit of millions of other people. Your purpose is to create that bridge so you can give that story the dignity and the focus that it deserves, and you can become a part of the amplification that needs to be there.

It's time now to rent a car, roll down the windows and prepare for your first big thrill: the freeways. They're so much fun they should charge admission. Never fret about zigzagging back and forth through six lanes of traffic at high speeds; it erases jet lag in a split second. You're now heading toward Hollywood, like any normal tourist. Breathe in that smog and feel lucky that only in L.A. will you glimpse a green sun or a brown moon. Forget the propaganda you've heard about clean air; demand oxygen you can see in all its glorious discoloration.

Meanwhile it's got stormy, the tattered fog even thicker, chasing across my path. Three people are sitting in a glassy tourist cafe between clouds and clouds, protected by glass from all sides. Since I don't see any waiters, it crosses my mind that corpses have been sitting there for weeks, statuesque. All this time the cafe has been unattended, for sure. Just how long have they been sitting here, petrified like this?

One day I went to the manager and I asked him whether his model was working and he said, "Well, haven't you seen how many customers we have in this store?" And yes indeed I had. I mean it was definitely attracting a lot of customers, even attracting tourist buses that would land up at this store and people would go through the store and marvel at all the options, even sometimes take photographs of the various aisles.

The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass

Mathematical study and research are very suggestive of mountaineering. Whymper made several efforts before he climbed the Matterhorn in the 1860's and even then it cost the life of four of his party. Now, however, any tourist can be hauled up for a small cost, and perhaps does not appreciate the difficulty of the original ascent. So in mathematics, it may be found hard to realise the great initial difficulty of making a little step which now seems so natural and obvious, and it may not be surprising if such a step has been found and lost again.

Let's say I take a picture of the Eiffel Tower in front of the casino in Las Vegas. That type of pattern might suggest I'm just a tourist. But if my next one is of another dam or electrical station, someone might say 'Well, that's kind of strange'. What do the different pieces of the puzzle mean when you put them together? And one of the advantages of geographic profiling in geography is a common denominator for so many different types of information sources.

Tourism as a number-one industry is a terrible, terrible idea for any city, especially New York. If you were going to turn a city, which is a place where people live, into a tourist attraction, you're going to have to make it a place that people who don't live here, like. So I object to living in a place for people who don't live here.

For me, the experience of not living in America was recognizing that I was American. You don't think about yourself being so culturally encoded, so nationally stamped; you don't discover that when you're a tourist for a month. You see how you reflect the place you're from. When I came back from living in Europe, I was very struck by how I didn't see America as the center of the world in the same way. It's very easy to slip back because America is so powerful. But any place you live is the center of the world.

The human mind is a fearful instrument of adaptation, and in nothing is this more clearly shown than in its mysterious powers of resilience, self-protection, and self-healing. Unless an event completely shatters the order of one's life, the mind, if it has youth and health and time enough, accepts the inevitable and gets itself ready for the next happening like a grimly dutiful American tourist who, on arriving at a new town, looks around him, takes his bearings, and says, "Well, where do I go from here?

Everyone is in a hurry. The persons whom I lead in worship, among whom I counsel, visit, pray, preach, and teach, want shortcuts. They want me to help them fill in the form that will get them instant credit (in eternity). They are impatient for results. They have adopted the lifestyle of a tourist and only want the high points. . . . The Christian life cannot mature under such conditions and in such ways.

Fitzgerald describes the social disillusionments and ballroom romanticism of the young people of the upper classes and the loneliness of Gatsby, who gives large parties and has an extensive social life; yet he is lonely, and his guests scarcely know him.... Hemingway's characters live in a tourist world, and one of their major problems is that of consuming time itself. It is interesting to observe that his works are written from the stand point of the spectator. His characters are usually people who are looking--looking at bullfights, scenery, and at one another across cafe tables.

The indigenous peoples of the great tourist spots seem to lose their souls. All cultural, religious, and political efforts and ideals are crippled since the culture is engaged only in luring ever more tourists. It is not the contact with an essentially foreign population that corrupts the inhabitants of the great foreign resorts. It is the contact with great masses of people who are seeking fir the moment only well-being and not salvation that weakens and devalues the indigenous population.

I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.

Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!