Top 1200 Toy Story 3 Quotes & Sayings - Page 20
Explore popular Toy Story 3 quotes.
Last updated on April 16, 2025.
When I was a junior camp counselor and it was my job to tell the campers a bedtime story or devotional, I would tell them a rapture story.
When writing, I'm not thinking about war, even if I'm writing about it. I'm thinking about sentences, rhythm and story. So the focus, when I'm working, even if it's on a story that takes place at war, is not on bombs or bullets. It's on the story.
Let it be understood, in the first place, that a science fiction story must be an exposition of a scientific theme and it must be also a story.
Look directly into every mirror. Realize our reflection is the first sentence to a story, and our story starts: We were here.
When it became clear that Lennon was not going to speak with me, it really became a how-I-didn't-get-the-story story. It was a caper.
I think it's a short story writer's duty, as well as writing well about emotions and characters, to write story.
I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
America was built by immigrants. Immigrants come here for work - to contribute and get to a better place. That's my story. It's a story of hope.
From the very beginning Europe has been not only a success story but also a story of success achieved by learning.
Cinema is a director's medium; it's his story and his vision. If it's a good story, people will connect to it.
I keep a journal, like many writers do. It helps in writing a story, as you can use an incident from the journal and put in your story.
And what it depends on, of course, is whether the story itself is worth the ethical compromise it requires and whether the competition is onto the story.
The story line of the Bible is the story line of God taking the initiative in seeking out a people who are His very own.
The American story is a story of immigration. I would be the last person who would say immigrants are not important to America.
For every man with a baseball story - a memory of a moment at the plate or in the field - there is a woman with a couldn't-play-baseball story.
It's always a long goddamn story. Every time you ask anyone anything really important, it's a long story.
But me contradicting a news story is not going to make my words fact. It will just create a new news story.
Telling Phil Hellmuth a bad beat story, is like telling Joan Rivers a Botox Story
The story of your life is the story of the long and brutal assault on your heart by the one who knows what you could be and fears it.
If as a child I had written a story, the best story that I could imagine, I would have written as indeed is happening to me.
My clothes have a story. They have an identity. They have a character and a purpose. That's why they become classics. Because they keep on telling a story. They are still telling it.
Creating is one thing; telling the story is one thing. I see myself more as a storyteller than a story creator.
For me, the main inspiration to write a story or novel is the voice of its central character, or the narrative voice of the story itself.
Africa’s story has been written by others; we need to own our problems and solutions and write our story.
90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
Don't worry about meaning. If a story's any good, it can't help but have meaning. Let the PhDs tell you what your story means.
Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story.
America is a nation of prayer. It's impossible to tell the story of our nation without telling the story of people who pray.
I think it's a great story, the story of Babel. I think anyone can direct it as an analogy for a lot of different situations.
If you lead a simple life, and that story is written, then that story will not satisfy. It needs an angle. Suppose there is no angle?
We have newsreaders behaving like actors, lowering their voices if it's a sad story, as if we didn't know it's a sad story. There isn't a single cool newsreader.
With watercolour, you can't cover up the marks. There's the story of the construction of the picture, and then the picture might tell another story as well.
1921' is a fantastic love story about people who are studying music. It has a fair leaning towards classic love story.
I was too lazy to start a whole new story, so I just stuck a princess into the story I was working on... and The Princess Diaries was born!
The same way that you are the main character of your story, you are only a secondary character in everybody else’s story.
Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
A good story, a story resonant and remarkable, can be remade endlessly to tell new sides of itself for new generations of readers.
It's like, if you have a story that's already great, then the thing that we can shift is how we're telling that story, how we're presenting it to the world.
The story of the African-American people is the story of the settlement and growth of America itself, a universal tale that all people should experience.
You have to tell a good story first. If it's a good story, people will be interested. It doesn't matter about the content.
Do not start a story unless you have an ending in mind. You can change the story's ending if you wish, but you should always have a destination.
The story of 'Libra Scale,' the storyline was created first, and then the music was created around the story line.
I tend to gravitate toward reporters who cover all aspects of the story: from personal aspects to the big picture that answer the 'so what' of a story.
I think a story is an attention grabber. I think it's a truth conveyor. Those are two great features of a good story.
No victim wants their record, or their minor story to be told. Every victim should have the right to tell their own story.
All the best stories are but one story in reality - the story of escape. It is the only thing which interests us all and at all times, how to escape.
Once you know the end of the story, every part of the story contains that end, and is only a way of reaching it.
Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.
We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
Tell a story! Don't try to impress your reader with style or vocabulary or neatly turned phrases. Tell the story first!
I just wanted to tell the story of a bunch of musicians who had never had their story told before. There's no preaching or theorizing.
Truth can arrive within the story and ride latent - a bit incognito - within a story, and people are more prone to receive it.
With 'Noontide Toll', I wanted to cater to a single story but also collectively more than a single story.
We need myths to get by. We need story; otherwise the tremendous randomness of experience overwhelms us. Story is what penetrates.
That was one of the key things - when you asked the story about the writing of the story - one of the things we wanted to make sure was that it grew out of.
From the very beginning, Europe has been not only a success story but also a story of success achieved by learning.
If the story is insensitive to a person and is not nuanced enough, that's a story I don't want to be a part of. Otherwise there is no other character that I don't want to play.
The true story is vicious and multiple and untrue after all. Why do you need it? Don’t ever ask for the true story.
