Top 753 Tracks Quotes & Sayings - Page 12

By studying the Bible one can at best know about God. There is a vast difference between knowing God and knowing about God. Knowing God comes through direct power encounters and through biblical study. These power encounters are usually of a variety which cannot be found within the context of the dusty moldy pages of God's past tracks.

It's hard for new directors to find good tracks because we don't usually get to choose good music by good artists. I honestly think music videos will slowly die out. There will always be a few directors who do cool things. But look how many great videos there were in the '90s, and then look at the 2000s. It's depressing.

I wrote, in total, about 50 or so songs (finished and unfinished) in the 2 and a half years leading up until this moment, and trying to decide what songs to include on the Mini-Album was super difficult, because there were so many different sound/mood roads I could have gone down. But, after going through everything, these tracks seemed to fit together and communicate a similar sentiment and mood the best.

Football is only once a week. NASCAR is once a week. Those sports are insanely popular. Horse racing is oversaturated. Unless tracks cut back to three days a week of full fields, a lot of people will really hurt down the road. Horse racing, to survive, has to go to that. Let's face it: Churchill Downs only does well on Derby Week.

I have a song I wrote called “Autobiography.” I came from a very intense living situation, with having a parent on drugs and not having a lot of money. So I always want to talk about the real things. But I think 90 percent of my music, I want it to be 'feel-good music'. I'm already recording tracks for my album, but when it comes time to actually say, 'this is the album,' I may be in a completely different space than I'm in right now.

When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.

Your relationship is not supposed to be perfect all the time, your business is not supposed to do well all the time, your soufflés are not supposed to raise perfectly all the time. Everything is designed to go wrong so that you can gain the skills of rediscovering your tracks, even in difficult or frightening circumstances. Especially in difficult and frightening circumstances.

My mum and dad used to make me stand up at dinner parties and sing to their friends. I had this conservatory in my house - three steps went to up to kind of a raised part of our kitchen. I used it as the stage. Every night after school I used to download backing tracks of songs I loved and perform to myself. My mum was trying to cook and I was pretending I was at the O2 arena.

Most incredible, however, are the times we know Christ is with us in the midst of our daily, routine lives. In the middle of cleaning the house or driving somewhere in the pick-up, He stops us. . . in our tracks and makes His presence known. Often it's in the middle of the most mundane task that He lets us know He is there with us. We realize, then, that there can be no "ordinary" moments for people who live their lives with Jesus.

It is still news to her that passion could steer her wrong though she went down, a thousand times strung out across railroad tracks, off bridges under cars, or stiff glass bottle still in hand, hair soft on greasy pillows, still it is news she cannot follow love (his burning footsteps in blue crystal snow) & still come out all right.

I long ago lost a hound, a bay horse, and a turtle-dove, and am still on their trail. Many are the travellers I have spoken concerning them, describing their tracks and what calls they answered to. I have met one or two who had heard the hound, and the tramp of the horse, and even seen the dove disappear behind a cloud, and they seemed as anxious to recover them as if they had lost them themselves.

If we insist that public life be reserved for those whose personal history is pristine, we are not going to get paragons of virtue running our affairs. We will get the very rich, who contract out the messy things in life the very dull, who have nothing to hide and nothing to show and the very devious, expert at covering their tracks and ambitious enough to risk their discovery.

In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.

She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost, she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: a papier-mâché horse.

Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.

I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.

If you go to Italy and you drive from the airport to the town, there isn't 30 square feet that isn't planted by someone. Even next to the train tracks, they see the joy of the interaction with the planet as integral to the experience. The idea that you can get free arugula just by planting seeds... because it will regrow itself the next year. We've come a long way from foraging to now planting. The next step of that will be continuing that expansion of planting and really owning the crops.

I'm quite interested in what words can be, if it's very few words, and it's a kind of club track but it has a sort of uplifting or spiritual kind of feeling to it. Somehow, something bigger than just the words on the page happens when you hear it all together. Sometimes I notice when I'm DJing, I put on a lot of tracks that feature vocals. I guess for me, it's just from growing up loving songs, so maybe I'm geared slightly more towards dance music that features a song element.

I think computers have changed things tremendously. At one time, you tended to take the rough with the smooth. But now, because you can go back and stop and start, and have a limitless amount of tracks if anything looks remotely good, we keep it. You've got to go through the agony of sounding very human at first, and then you work on it with the aid of technology. Computers have revolutionized things in many ways allowing me to work to a standard I could have only joked about fourty years ago.

Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn't go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.

I know that suffering gives us new perspectives and helps us to clarify our real value. I know that suffering has helped me to clarify my relationships ... Perhaps suffering stops us in our tracks and forces us to confront what is real within ourselves and in our environment.

As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train. 'I don't want you to leave,' I said. 'I don't want to, either.' 'Then don't.' 'I have to.' We stood looking at each other. It was raining. She looked at me with her rain-colored eyes. Camilla, I love you,' I said. 'Let's get married.

One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.

One more thing," Megan said, stopping Doug in his tracks. His shoulders slumped and he turned around. "What? You want my kidney?" "I want in on the next ultimate Frisbee game," Megan said. Doug grinned. "You're playing skins." Megan grinned back. "We'll see about that.

I tried for a long time to make DJ-able dance tracks that were more specific to the stuff that I was playing. Ultimately, I found I wasn't really capable of doing that. The only type of music I was able to make that really made me feel something would just come straight from my heart or straight from whatever emotions I was feeling at that time.

In this business, my business, I get to meet all kinds of incredible people, fascinating people, glamorous people and sexy people and highly intellectual people. And you meet them and you go 'interesting, interesting, interesting'. They're interesting, but not very many people stop you in your tracks.

I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do. The best thing is simple: just getting the finished version of a track that sounds incredible, from when it was just a melody in my head. Seeing that executed is sick. There's not really too much downside as I write by myself so I'm only sharing the part I'm comfortable sharing. It's all good.

I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.

I don't think there's anything on this planet that more trumpets life that the sunflower. For me that's because of the reason behind its name. Not because it looks like the sun but because it follows the sun. During the course of the day, the head tracks the journey of the sun across the sky. A satellite dish for sunshine. Wherever light is, no matter how weak, these flowers will find it. And that's such an admirable thing. And such a lesson in life.

People who have accomplished work worthwhile have had a very high sense of the way to do things. They have not been content with mediocrity. They have not confined themselves to the beaten tracks; they have never been satisfied to do things just as others so them, but always a little better. They always pushed things that came to their hands a little higher up, this little farther on, that counts in the quality of life's work. It is constant effort to be first-class in everything one attempts that conquers the heights of excellence.

I'm very involved on a lot of levels in making of this album," "I wrote on 11 of the 12 tracks which is, creatively, really important to me. I want to be singing my music passionately and when I'm writing from a place where God has been teaching me something new-when I write from that place-it comes across when I'm singing. That's vital to the message and the reality of God that I want to impart with my music.

I've got to be kind of careful because I've had good advice: "Don't sell yourself too short." I have to not be too available to everything that comes along. I've always been a people pleaser and now I'm upping the ante in terms of price so I can be more selective. I really enjoyed working on three tracks on Sara Groves' [parenthood-focused] album Station Wagon. I love playing on those songs and I love the heart in that album.

If I were to speak of war, it would not be to show you the glories of conquering armies but the mischief and misery they strew in their tracks; and how, while they marched on with tread of iron and plumes proudly tossing in the breeze, some one must follow closely in their steps, crouching to the earth, toiling in the rain and darkness, shelterless themselves, with no thought of pride or glory, fame or praise, or reward; hearts breaking with pity, faces bathed in tears and hands in blood. This is the side which history never shows.

Do the Pentecostals look back with shame as they remember when they dwelt across the theological tracks, but with the glory of the Lord in their midst? When they had a normal church life, which meant nights of prayers, followed by signs and wonders, and diverse miracles, and genuine gifts of the Holy Ghost? When they were not clock watchers, and their meetings lasted for hours, saturated with holy power? Have we no tears for these memories, or shame that our children know nothing of such power?

I think people like listening to what I call trippy music but maybe next year it will be something else. I still have gangster tracks and real-life stories and situations in my music. I’ve been blessed because over 20 year, I never stopped doing what I was doing. It’s pretty much the same thing and I’ve never really changed anything up.

So there are two separate tracks. One track is for the Syrian government and the opposition that is interested in a peaceful future of Syria to come together for national unity, for the political process. At the same time, it is a requirement for everybody to stop supporting the extremist groups, to stop allowing them safe passage, to stop allowing them to receive weapons, to stop allowing them to receive financial assistance, and to come together in actually fighting them.

I thought that my voyage had come to its end at the last limit of my power, that the path before me was closed, that provisions were exhausted, and the time come to take shelter in a silent obscurity, but I find that thy will knows no end in me, and when old words die out on the tongue, new melodies break forth from the heart, and where the old tracks are lost, new country is revealed with its wonders.

Aomori Water is a sound collage piece made in 1998, in Aomori Japan. I was in a residency with other artists. A Japanese sculptor was making a round house and wanted a sound piece to play in it. I recorded some very gentle waves lapping the beach, for the first part. And a very small mountain stream, flowing, for the second part. I layered 8 tracks. This was the first work that I did in ProTools.

We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.

Which is to say that culture is not a reflex of political economy, but that society is now a reflex of key shifts in music theory and practice.... [Sampladelia is] the sound made by those early-twentieth-century discoveries in particle physics and relativiity theory, the projection of the minds of Einstein, Heisenbery, and Bohr, their fateful explorations of liquid time, curving space, uncertainty fields and relativity theorems, into densely configured and fully ambivalent android music tracks

In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.

24.9 percent of American children live in poverty, while the proportions in Germany, France and Italy are 8.6, 7.4 and 10.5 percent. And once born on the wrong side of the tracks, Americans are more likely to stay there than their counterparts in Europe. Those born to better-off families are more likely to stay better off. America is developing an aristocracy of the rich and a serfdom of the poor - the inevitable result of a twenty-year erosion of its social contract.

Love makes the world go 'round, it's true, but lust stops the world in its tracks; love renders bearable the passage of time, lust causes time to stand still, lust kills time, which is not to say that it wastes it or whiles it aimlessly away but rather that it annihilates it, cancels it, extirpates it from continuum; preventing, while lasts, any lapse into the tense and shabby woes of temporal society, lust is the thousand-pound odometer needle on the dashboard of the absolute.

There was one moment, and it happened in school. I had a big final exam - we were supposed to write a 20-page report on this book about Houdini. I probably would have loved reading it, but I didn't, so I just decided to make a little super-8 movie based on it. I tied myself to the railroad tracks and all that. I mean, this is kid stuff, but it impressed the teacher, and I got an A. And that was maybe my first turning point, when I said, 'Yeah, I wouldn't mind being a filmmaker.'

I just went into the studio and did it all in one take. All I was thinking about was the next record; I had already sourced the tracks I wanted to use. I'd been thinking a lot about it and I wanted to represent myself, Leeds and fabric. I'm not very nationalistic, but I wanted to represent what was coming out of Britain as well as at the moment there's a lot of really good new music.

XXIX Traveler, there is no path. The path is made by walking. Traveller, the path is your tracks And nothing more. Traveller, there is no path The path is made by walking. By walking you make a path And turning, you look back At a way you will never tread again Traveller, there is no road Only wakes in the sea.

A lot of charter schools are non-union schools that take a lot of teachers from alternative tracks, like Teach For America. They do this in part because a lot of charter schools have very strong ideologies around how they want teachers to teach. And they find that starting with a younger or more inexperienced teacher allows them to more effectively inculcate those ideas.

There was always this sort of weird process in the development and pre-production, thinking, 'How do we get the studio tracks that Joy Division recorded that are so clean and pristine but sound rough and live and how do we get the live versions to actually sound clear enough so you can make out what they're saying?' That was sort of the frustration with Anton Corbijn and myself, figuring out how we make that work.

Again there are so many records which contain fond memories and music and songs of which I have to say I am quite proud. There are a couple of tracks which in retrospect on which I now wish I had pushed the red button, however I'm sure this is true of any artist career that has spanned the number of years that mine has. I do not believe however that I have ever made a bad record and I have certainly never made a record to which I didn't give my complete commitment.

Perhaps of all our untamed quadrupeds, the fox has obtained the widest and most familiar reputation.... His recent tracks still give variety to a winter's walk. I tread in the steps of the fox that has gone before me by some hours, or which perhaps I have started, with such a tip-toe of expectation as if I were on the trail of the Spirit itself which resides in the wood, and expected soon to catch it in its lair.

Remember the last show you saw that got a standing ovation? Now try to think of one that had the audience on its feet at intermission. They stepped, strutted, stomped, romped, ran rung, hung, flung, flew, threw and played their way through 16 numbers (17 if you count the percussion encore in the lobby that stopped the departing crowd in its collective tracks). It was Blast! and it was fantastic. That said, the show is a cacophony of color and creativity a musical montage offering nearly two hours of stimuli.

I feel like too many people on the West Coast, they're too needy. They feel they need Snoop or Game. I never did any tracks with any West Coast artists. Not because I didn't want to, but because I didn't feel like that's what I had to do in order to get on. I just did music.

Whether we experience it or not, grief accompanies all the major changes in our lives. When we realize that we have grieved before and recovered, we see that we may recover this time as well. It is more natural to recover than to halt in the tracks of grief forever. Our expectations, willingness and beliefs are all essential to our recovery from grief. It is right to expect to recover, no matter how great the loss. Recovery is the normal way .

Writing, painting, singing -- it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death's footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.

One of my first overseas trips with WWE was to France. I walked out of our hotel, and I see a little kid walking toward me with his mom. He gets a couple of steps past me and he stops in his tracks. I see his mom do a little bit of a double-take, then he runs over and just grabs on and starts hugging my leg as hard as he can, then he starts crying.

He was a volatile mixture of confidence and vulnerability. He could deliver extended monologues on professional matters, then promptly stop in his tracks to peer inquisitively into his guest's eyes for signs of boredom or mockery, being intelligent enough to be unable fully to believe in his own claims to significance. He might, in a past life, have been a particularly canny and sharp-tongued royal advisor.

Nothing very new. By taking good care of yourselves you are of service to me and my family as well as yourselves, no matter what you do, even if you don't think so at present. But if you neglect yourselves and are unwilling to live, as though following tracks, in accordance with what we now say and have said in the past too, then no matter how much or how seriously you agree with me at present you will accomplish next to nothing.

Fear is a normal human emotion. It is not in itself a killer. We can learn to be aware when fear grips us, and can train to operate through and in spite of our fear. If, on the other hand, we don't understand that fear is normal and has to be controlled and overcome, it will paralyze us and stop us in our tracks. We will no longer think clearly or analyze rationally. We prepare for it and control it; we never let it control us. It if does, we cannot lead.

When it comes to dialogue between South and North Korea and between the United States and North Korea, these can go on parallel tracks. South Korea and the United States can each play a role.

I'm hoping there's cohesion in these tracks. Some of them were made weeks ago, some were made in 2010, but they've all stood out as one big thing I want to give to everyone. The concept behind No Plans references a few of concerns: having no plans with school, no plans with jobs, and no plans for the future. I'm hoping these songs can help you forget about those concerns, at least for 30 minutes of your day.