Top 1200 Tragic Endings Quotes & Sayings

Explore popular Tragic Endings quotes.
Last updated on April 14, 2025.
I started thinking about the endings of novels not because I think endings are so important, but because I think they're actually not as important as they're sometimes given credit for.
There are no happy endings. Endings are the saddest part, So just give me a happy middle And a very happy start.
I'm a hopeful romantic who adores novels with happy endings, because there are enough sad endings in real life. — © Tammara Webber
I'm a hopeful romantic who adores novels with happy endings, because there are enough sad endings in real life.
All Hollywood endings - the bad endings have to be the bad guys to be falling about 50 stories to his death and you have to see his eyeballs as he goes to his doom.
Happy endings are still endings.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
For every story you hear that's tragic, there's another that's equally tragic or more so. I think you come to look at it as part of life.
There are no endings, and never will be endings, to the turning of the Wheel of Time. But it was an ending.
Melancholy is a state that I very much enjoy being in, actually. It's not the same as feeling sad. It's a more complex emotion; it derives from a tragic view of the world, a tragic view of art.
People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.
Endings of one rook and pawns are about the most common sort of endings arising on the chess board. Yet though they do occur so often, few have mastered them thoroughly. They are often of a very difficult nature, and sometimes while apparently very simple they are in reality extremely intricate.
Not only are there no happy endings,' she told him, 'there aren't even any endings.
I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.
Best not to look back. Best to believe there will be happily ever afters all the way around - and so there may be; who is to say there will not be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teachers that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question.
There's no need to be tragic or destroy yourself or jump off a cliff. That's no longer the paradigm I wish to follow, or that anyone should follow. It is not necessary to be tragic. It's bullshit that women can't have it all. Why not? Other people do.
I always try to do true endings and that's where I got into trouble always because Hollywood wants to do happy endings.
The 'Beacon Street' record was kind of like a b-side to 'Tragic Kingdom,' but it came out before 'Tragic Kingdom,' so it's a weird situation.
I actually thought Pope Paul VI was the most tragic figure in the modern church, like Lyndon Johnson was a very tragic figure in politics in some ways.
There are no happy endings... There are no endings, happy or otherwise. We all have our own stories which are just part of the one Story that binds both this world and Faerie. Sometimes we step into each others stories - perhaps just for a few minutes, perhaps for years - and then we step out of them again. But all the while, the Story just goes on.
Sometimes love does not have the most honorable beginnings, and the endings, the endings will break you in half. It's everything in between we live for. — © Ann Patchett
Sometimes love does not have the most honorable beginnings, and the endings, the endings will break you in half. It's everything in between we live for.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered. It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
The Greek tragic mask is one of my main metaphors for the role of the poet. The eyes of the tragic mask are always open to witness even the worst, and the mouth is always open to make poetry from it. Neither ever close.
Fortunate people often have very favorable beginnings and very tragic endings. What matters isn't being applauded when you arrive - for that is common - but being missed when you leave.
I'm not an endings person. I don't do endings. There may have been people in the band who wanted this to be an ending from time to time, but me and Amy don't really do endings. You cannot escape from us. Once we're friends with you, that's it.
I find it ironic that happy endings now are called fairytale endings because there's nothing happy about most fairytale endings.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
In life, the number of beginnings is exactly equal to the number of endings ... In poetry, the number of beginnings so far exceeds the number of endings that we cannot even conceive of it.
I am hopeful, though not full of hope, and the only reason I don't believe in happy endings is because I don't believe in endings.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.
The passing of an ordinary man is sad. The passing of a great man is tragic, and doubly tragic when the greatness passes before the man does.
In my newspaper days, your endings could be literally sliced off in the composing room, so it was dangerous to get attached to them. Yet I think this has made me work harder on endings in fiction.
That’s why love stories don’t have endings! They don’t have endings because love doesn’t end.
Akri won't let me eat any of them nasty gods. What's the world coming to when a demon gots to beg for tidbits...not eve a finger sandwich or a single knuckle. Tragic. Terribly tragic.
He who climbeth on the highest mountains, laugheth at all tragic plays and tragic realities.
Sometimes people say, do you want a drink? And I say, oh, I'd like to, but I'm a tragic alcoholic. I always say tragic. I'm a tragic alcoholic.
Usually the people that peak in high school are tragic, tragic adults. Most of them end up working for the water department in their hometown and driving around said high school as the decades slip past.
I think Sacajawea was caught in a series of tragic situations - her kidnapping as a child, her being passed from tribe to tribe, being sold into marriage. However, I never thought of her as a tragic figure. I do not think she was a victim in the way we think of tragic figures.
She should have done science, not spent all her time with her head in novels. Novels gave you a completely false idea about life, they told lies and they implied there were endings when in reality there were no endings, everything just went on and on and on.
Jewish history has been tragic to the Jews and no less tragic to the neighboring nations who have suffered them. Our major vice of old as of today is parasitism. We are a people of vultures living on the labor and good fortune of the rest of the world.
"And they lived happily ever after" is one of the most tragic sentences in literature. It's tragic because it's falsehood. It is a myth that has led generations to expect something from marriage that is not possible.
If you follow nature you will not be able to vanquish the tragic in any real degree in your art... We must free ourselves from our attachment to the external, for only then do we transcend the tragic, and are enabled consciously to contemplate the repose which is within all things.
There's something tragic in the fate of almost every person--it's just that the tragic is often concealed from a person by the banal surface of life.... A woman will complain of indigestion and not even know that what she means is that her whole life has been shattered.
What freedom does a starving man have?" The answer is that starvation is a tragic human condition- perhaps more tragic than loss of freedom. That does not prevent these from being two different things.
The theatre is a tragic place, full of endings and partings and heartbreak. — © Iris Murdoch
The theatre is a tragic place, full of endings and partings and heartbreak.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
And in real life endings aren't always neat, whether they're happy endings, or whether they're sad endings.
The artist sees the tragic to such a degree that he is compelled to express the non-tragic.
I never had stock endings. I didn't believe in stock endings. To make the [reader] happy was not my objective, but to make the [reader] say, "Yeah, that's what would happen" - that was my objective.
What give all that is tragic, whatever its form, the characteristic of the sublime, is the first inkling of the knowledge that the world and life can give no satisfaction, and are not worth our investment in them. The tragic spirit consists in this. Accordingly it leads to resignation.
Unhappy endings can be as cheap as happy endings.
The sad end he met in Afghanistan was more accurately a function of his stubborn idealism - his insistence on trying to do the right thing. In which case it wasn't a tragic flaw that brought Tillman down, but a tragic virtue.
The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.
People generally like happy endings, which is something I learned from my years in advertising. I like happy endings myself, but only if they're honest. I'm just as happy with a terrible, hopeless ending.
Unhappy endings are just as important as happy endings. They’re an efficient way of transmitting vital Darwinian information. Your brain needs them to make maps of the world, maps that let you know what sorts of people and situations to avoid.
To see the Republican Party break up the way it has to lose its moral compass it is tragic, it's tragic for me personally, but I won't be part of it. I won't share a party label with people who think it's all right to put babies in internment camps.
My family doesn't do happy endings. We do sad endings or frustrating endings or no endings at all. We are hardwired to expect the next interruption or disappearance or broken promise.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me. — © Bruno Mars
With my being from Hawaii and being very family oriented I don't really have a fear of a tragic ending. I dont see any tragic ending for me.
You'll never learn how to do your endings until you FINISH your endings.
When something tragic has happened, you can try to move on and put something tragic behind you, but it rarely works. It's in you when something like that happens. It's physically a part of your life.
This site uses cookies to ensure you get the best experience. More info...
Got it!