Top 1200 Trash Talking Quotes & Sayings - Page 19

Explore popular Trash Talking quotes.
Last updated on October 7, 2024.
I first discovered YouTube while browsing the web, and then I found people just talking into their cameras. I never even knew it was a thing you could do. William Sledd was my first YouTube obsession. He was so unapologetically himself, and just had fun talking to his audience about things that interested him. I thought - if he could do it, why couldn't I?
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
I love my play 'The Trials and Tribulations Of A Trailer Trash Housewife' because I get these letters from all of these women who literally have left their spouses who were abusing them. You know, I'm just breaking up marriages right and left. But, that need to be broken up.
And I don't care if you're talking about things that are true, you're still talking about my personal life. How about I go peek in your window, take what underwear you wore last night, whose husband you were fucking, and shove that in the megaphone throughout your neighborhood? How does that feel? It's none of your goddamn business.
What is the role of a public intellectual in the age of Twitter and soundbites? Is it to share your thoughts for the public good, or is it to curate the heaps of hate emails, tweets, and right-wing articles that trash your intellectual and social work?
A lot of people were getting million-dollar deals from music I felt was trash, because their videos were going viral. I wanted to put out music that had soul, because that's what was missing.
I love when people will say, "Oh, my songs are my children." I understand that, but I'm also not afraid to kill my kids. I know when the time has come to throw it in the trash can. With a child you've got to go to therapy and put it in daycare and buy it birthday presents. With a song, you can shove it in a dark closet and tell it you'll be there when you're ready.
'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.
Pearl Jam bassist Jeff Ament and I get excited talking about making record artwork or working with T-shirt designs. The least exciting part for us is talking about the finances; it's like going to the dentist for us. But we at least try to do it in a creative way and put our stamp on it. I can only think that we create something that's worth the value of that dollar.
I have my cards read every time I pass a tarot-reader booth. I would be so embarrassed to have one of those 900 numbers appear on my phone bill, because I don't know how I would explain it to my business manager. It would almost be like saying, 'Okay, I'm white trash.'
Back in the old days, guys used to wreck hotel rooms and trash rental cars and all that dumb stuff. When I came into wrestling, they were like, 'We're out of cars. You're one of those wrestlers. No, we're not renting a car to you.' It was like that. We had to re-create, re-establish the trust.
The picture has made its million back in four months; I have been overwhelmed by letters, hundreds of them, literally, begging me in my next production not to swing over the shallow trash of mother love, father love, sister love, brother love.
You take 5 white guys and you take 5 black guys and put em together for a week and what you won't have is 5 blacks guys talking like, 'Golly gee, we really won that big basketball game' but you will have 5 white guys talking like 'Yo slick, whuzzup...we be shootin hoops and mad playin, slammed those mofos
I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.
We have become this very fear-based culture, especially post-9/11. Fear is the opposite of love, in my opinion. I think there would be more love in the world. I'm not talking about rainbows and unicorns and '70s Coca-Cola commercials. I'm talking about gritty, dangerous, wild-eyed love. Radical acceptance of people. Belonging. A good, goofy kind of love.
You can refer to god and you are really just talking about nature. If you are going to say the universe is god, then everything is god, everything is religion. But when we explore traditional religion we are talking about humanistic gods people pray to, that they think can intervene in our lives, who run sort of a heaven-and-hell operation for the afterworld.
My dad was just a little trailer trash white dude that worked his tail off, didn't have a dad. He started working at 14, didn't get to play sports. He dedicated his life to his kids to let us live our dreams.
I have my cards read every time I pass a tarot-reader booth. I would be so embarrassed to have one of those 900 numbers appear on my phone bill, because I don't know how I would explain it to my business manager. It would almost be like saying, Okay, I'm white trash.
I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever? — © Josh Smith
I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?
I'm not just talking about analyzing symbols from a dream but bringing the dream into life. I'm talking about seeing the world around you as a waking dream where the symbols and synchronicities will speak to you if you pay attention. That's why I call it active dreaming because it's about getting active with all our dreams can be.
Okay, this is Fran Lebowitz. She gave an interview once for the Paris Review about trying to write fiction and saying that fiction writers start talking about how characters are talking to them, and it's crazy, she's never had that. And I also thought, I'm never gonna be able to do this, because I didn't feel that for a really long time.
I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.
Hire me for the next picture. I don't have to just play down-and-out trailer trash and mean, old, wicked, old nuns. I could play a princess or a queen. That's all I wanted to do. Because campaigning does go on. It's a part of selling the film.
Bonnie and Clyde, while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.
I used to believe in em (lines). I don't anymore. They in our heads. Lines between black and white ain't there neither. Some folks just made those up, long time ago. And that go for the white trash and the so-ciety ladies too.
Beautiful actors are learning what beautiful actresses like Charlize Theron discovered a while ago - that they get taken more seriously when they trash the same beauty that got them taken seriously to begin with.
I am talking about ultimate deceit. I am talking about unparalleled treachery. Bottomless lies. Depths that are seen that are previously unimaginable. Darkness and shattering despair that could break bones. Paranoia and horror that could stop the heart cold. All inflicted on one's self by one's self. The soul turns schizophrenic and goes hopelessly insane.
I always have this red nose in my pocket, and if it looks like I'm taking things too seriously, or the person I'm talking to is taking them too seriously, I put the nose on. It doesn't matter what we're doing or talking about, it doesn't matter if we agree or disagree, the nose changes everything.
We need to send our words out in the direction we want them to go. In other words, we need to start talking victory when we’re staring at defeat. We need to start talking healing when we’re feeling sick. We need to start blessing and prosperity when we don’t have anything. We need to speak about marching when we feel like quitting.
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
If you examine the history of any playwright of the past twenty - five or thirty years - I'm not talking about the comedy boys, I'm talking about the more serious writers - it seems inevitable that almost every one has been encouraged until the critics feel that they have built them up beyond the point where they can control them; then it's time to knock them down again.
Who directed the video 'No More Drama' for Mary J. Blige. I was actually kickin' with J. Lo talking about some music that we're gonna put together, and we were talking about great directors. She said she really, really liked that video and was wondering who directed it, so yeah, I looked it up!
I remember being in India one time where I saw people who were struggling to find food at the bottom of a trash can, and then I walked into my hotel and saw people arguing over how the quality of food at the buffet wasn't good enough.
We have to fundamentally change the way people are elected to political office in this country, as well as the types of people that are going into political office. It's dysfunctional because people on each side are only talking to themselves - they're not talking to each other and that is a function of how they get elected.
Yes, we have different viewpoints represented among us," she continued. "Yes, we have a displacer in our number, and a half giant, and a seedman who publicly disgraced us." "She's talking about you," Drake muttered to Nollin, loud enough to draw a laugh. "No, Drake, I'm talking about you," Farfalee corrected.
I want to show you how Stephen Miller is just good, folks. He's simply good. He needs to be doing more of these. The first time he went public as a spokesman for Donald Trump was on This Week with George Stephanopoulos. Stephen Miller was unflappable. He didn't lose his temper. He smiled. It appeared that Miller knew he was talking with somebody who didn't know what he was talking about and remained composed and polite.
I wonder about death, I who may never know it. It looks much like ecstacy, the way they open their mouths as they drown, the way their fingers dig into your skin. Their eyes are wide and startled and they trash in your hands as though with an excess of passion.
I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by abscence?
Valkyrie dialed Skulduggery's number and he picked up. 'Hey,' she said, 'It's me.' Skulduggery paused. 'No it's not. If it were me, then I'd be talking to myself, and I don't do that any more. I certainly don't RING myself. That's one of the first signs of madness, and if it's not, it should be.' She sighed. 'Are you finished talking nonsense?' 'I haven't talked nonsense all morning. I miss it.
A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.
Talking about freedom, about ethical issues, about responsibilities as well as convenience, is asking people to think about things they might prefer to ignore, such as whether their conduct is ethical. This can trigger discomfort, and some people may simply close their minds to it. It does not follow that we ought to stop talking about these things.
I prefer being able to choose who I want to help or what I want to improve in the world by making a lot of money myself rather than just going out there and talking about things. If you have money to do things, it's much better than just talking about them.
I used to throw stuff out of the window and trash hotel rooms - and superglue all the drawers shut and superglue the toilet seat down and superglue the phone to the nightstand - and all kinds of stuff. I had a chain saw for a while. I didn't really use it but once or twice.
And in the fountain squatted a giant crab. I’m not talking ‘giant’ like $7.99 all-you-can-eat Alaskan king crab. I’m talking ‘giant’ like bigger than the fountain.
We have this imbalance where the people who are making algorithms aren't talking to the people who are using them. And the people who are using them aren't talking to the people who are having decisions made about their lives by them.
It doesn't matter if that felony happened three weeks ago or thirty-five years ago - for the rest of your life, you've got to check that box, knowing full well the odds are sky-high your application is going straight to the trash.
The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have; Not universal love But to be loved alone.
We can't stop talking about the importance of our values and our culture. We can't stop talking about them because the moral well-being of our people is directly linked to their economic well-being.
I actually sat down and started three Alexanders at the same time. Two of them went in the trash and got stomped on because I hated the idea so much. And the one I came up with, I got very excited by. And that's 'Alexander, Who's Trying His Best to Be the Best Boy Ever'.
I think if you come from where I came from and where I have always been, I've always been reaching out and whether it's talking with our neighbors or going shopping or standing, talking to people in these bookstores and hearing what's on their minds, or even the work I did for eight years as a senator to bring new jobs to New York and stand up for the people I represented.
It is important to remember when reading Adam Smith or even when just thinking about Smith that the era that he lived in, we're not talking about poverty in a day when it meant not enough bedrooms for the kids, an old car, a black and white television. We're talking about a whole world where poverty meant not enough to eat.
I think supporting casts in comics are missing. I think a lot of the time in comics, all we have are people in costumes talking to other people in costumes, superheroes talking to superheroes and supervillains, and that's it.
The (campaign) ads all have the same tone - the voice is hushed and amazed when talking about The Enemy, as if you should worry how this amoral, power-mad, extremist puppy-strangler clawed his way out of hell and landed in your district. And the voice is happy and relieved when talking about The Most Noble Candidate, as though he's Santa, Will Rogers and Lincoln all rolled into one.
When I get into 'Lucha Underground,' now it feels like I'm part of a collaboration. And I'm talking about storylines; I'm talking about how we can put matches together, where we're going to go, what's going to happen to 'Lucha Underground' as a promotion; what's going to happen with my character; and I was back in suddenly.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
The minute you finish a piece of writing it doesn't belong to you, you don't write it any more, it belongs to you, the reader, the listener, the audience. So the less you know about whether or not this is me talking about my life or this is me talking about your life, I think the better. Then it can belong to you and it can live outside of the moment in which it was conceived.
You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.
At the time, there was a great disagreement over 'The Wild and the Innocent,' and I was asked to record the entire album over again with studio musicians. And I said I wouldn't do it, and they basically said, 'Well hey, look, it's going to go in the trash can.' That's the record business, you know.
I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.
First of all, we occupied Afghanistan and Iraq and I'm not even talking about the past occupation of them, I'm just talking about currently. And we all know that occupations, in military terms, comes down basically to policing, so you have an army basically functioning as a police force in these foreign territories as part of foreign policy. I'm not knocking that down, I'm just observing.
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