Top 472 Trek Quotes & Sayings - Page 7

Star Trek was a big thing for me. I kind of grew up with that. And Twilight Zone is one of my all-time favorite shows. In fact me and Sam Witwer from Being Human sit down and have marathons to get our little Twilight Zone fix.

My mother fed my love of demons, science fiction, and paranormal. She was a devout horror movie fan who kept me up until the wee hours to watch Outer Limits, Night Gallery, Twilight Zone, and Star Trek. We lived to watch those reruns.

The original 'Star Trek' is very much a product of the '60s - the new frontier, optimism, the idea of bringing democracy to the galaxy. It's still a timeless show, but it's very much a show made in the 1960s.

I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well.

I drove down to Leh with my brother and from there, we had a two-day trek till the base camp of Stok Kangri. After a day's layover to acclimatize ourselves and a partial attempt to climb the peak, we attempted the final climb a day later.

I'm proud to welcome the attendees of March for Life 2019, especially those Hoosiers who made the trek to Washington to show their conviction for defending the rights of the unborn. Your passion is inspiring and your advocacy makes a real difference in lives and laws every day.

According to a recent study, ten percent of 'Star Trek' fans meet the psychological criteria for addiction. Deprived of their favourite show, some Trekkies disply withdrawal symptoms similar to drug addicts. Of course, the real difference is that drug addicts aren't nearly as annoying.

One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show without ever breaking its reality.

When I grew up, I saw the moon landing, and I was fascinated watching them as a child, and that's what really turned me onto space and science fiction, and I started watching things like 'Lost In Space,' and that led me to 'Star Trek,' which was a major influence on my life.

My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.

'Star Trek' was a big thing for me. I kind of grew up with that. And 'Twilight Zone' is one of my all-time favorite shows. In fact me and Sam Witwer from 'Being Human' sit down and have marathons to get our little 'Twilight Zone' fix.

'Star Trek' episodes always insisted that humanity is on its bumpy way to what will be a glorious future in the 23rd century, in which we will have left most of our old selfishness - and old hatreds and prejudices - far behind us.

Certainly, Occupy Wall Street protesters have different ideas about the movement's mission. Many of the marchers I met even disagreed on the purpose of their trek - some thought it was about getting to Washington to protest the 'supercommittee'; others thought it was about visiting other Occupations.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

I've appeared in those kind of films and have great fun doing it, and I'm always up for a challenge. I think with things like Mission: Impossible and Star Trek, those things are such an ensemble, it's not like I'm Ethan Hunt. I'm Benji. I'm the guy that does the computer business. I know my place.

Of course, if you're going to enter the 'Star Trek' Universe, you want to work with Spock, you want to work with Kirk, you want to work with McCoy, and Scotty, and Sulu, and Uhura. The next one for me would have been Picard.

I'd argue that in the last few decades in America, when people are asked what they hope the future will look like, they still turn to 'Star Trek.' They hope we put aside our differences and come together as humanity, that we rise above war, poverty, racism, and other problems that have beset us.

Analogy and allegory always seem to be a much more expressive way of reflecting reality. I think Star Trek team have this ability to represent through analogy and extending things to the scientific extreme. They comment on things that are very present in a really powerful way.

There were terrific shows on TV like 'Star Trek' and 'Voyage To The Bottom Of The Sea' and 'Wild Wild West.' All us kids would watch them. We would act them out in the basement. I think I found that I could speak a bit more clearly when I was playing with other people.

'Star Trek' put sci-fi on the map and changed television, and 'Battlestar' has changed it in another direction by making it a little more mainstream and acceptable to people who wouldn't normally watch sci-fi.

I think many actresses want to be famous and want to be the prettiest, and that wasn't my trek. I was thinking, 'I gotta get out of here... how do I get out of here?' I like acting, but I like directing more.

I wasn't a 'Star Trek' fan, yet I knew who all the characters were. that goes to show what an impact the show had not just in entertainment but in life. I knew who Chekhov was and I knew who Kirk and Spock were, although I probably had never seen the show.

'Star Trek' seems to be an appeal to our better nature, the side of ourselves that works toward peace and cooperation and understanding and knowledge and yearns to seek out knowledge rather than the side that wants to divide and control one another.

We've definitely talked about making a musical episode. We definitely need to make that happen. Let's get Lin-Manuel Miranda on the phone. He's a Star Trek' fan, so I feel we can make this happen.

If you're looking at my other major science fiction roles - the Doctor on 'Star Trek' and certainly Woolsey on 'Stargate' - I often play characters that might be good theorists and good thinkers, but you wouldn't call either of them very macho characters.

I live in such a free-lance world and I've done 'Trek' so infrequently, when you really think about it, that continuity really isn't an issue to me. I live in a much more undetermined, gypsylike world.

I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.

One of the reasons that I accepted, once asked to do Star Trek, was to give a single child a chance to see the long thought, to see themselves some 400 years hence. It occurred to me that we must ensure that we keep in front of children the ever-changing horizon.

During my childhood, Washington was a segregated city, and I lived in the midst of a poor black neighborhood. Life on the streets was often perilous. Indoor reading was my refuge, and twice a week, I made the hazardous bicycle trek to the central library at Seventh and K streets to stock up on supplies.

I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.

What's wonderful about 'Star Trek' having been rebooted so successfully by the J. J. Abrams movie franchise is that - the corollary effect is that it creates a new generation of fans, and they're interested in all of it. They don't just sit around and wait for the next movie to come out; they'll go back and re-examine episodes.

My mother fed my love of demons, science fiction, and paranormal. She was a devout horror movie fan who kept me up until the wee hours to watch 'Outer Limits,' 'Night Gallery,' 'Twilight Zone,' and 'Star Trek.' We lived to watch those reruns.

It has always been a goal of mine to climb Kilimanjaro, so that's definitely happening, and I may write a memoir about it. When I was 25, I tried to trek to Everest Base Camp, but I got sick and ended up being carried out of Dingboche on the back of my Sherpa. So Kilimanjaro would represent a redemption of sorts.

Usually, with 'Star Trek,' you always trust the captain. The captains are always going to pull us through; the captain's always going to win.

I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.

Star Trek, I thought, was a very inconsistent show, which at times sparkled with true ingenuity and pure science fiction approaches, and other times was more carnival-like, and very much more the creature of television than the creature of a legitimate literary form.

Gene Roddenberry continually reminded us that the Star Trek Enterprise was a metaphor for starship Earth. And the strength in this starship came from its diversity, coming together and working in concert as a team. That is the strength of our countries, Canada and the United States. We are nations of diversity.

Looking back now on our workload, I just shake my head at our pace. 'Star Trek: The Next Generation' was my first series, so I didn't know anything about that when I started. I just assumed it was normal to make 26 episodes a year on a seven-day shooting schedule.

It cannot be said often enough that science fiction as a genre is incredibly educational - and I'm speaking the written science fiction, not 'Star Trek.' Science fiction writers tend to fill their books if they're clever with little bits of interesting stuff and real stuff.

Up until the time I was cast in 'Star Trek,' the roles were pretty shallow - thin, stereotyped, one-dimensional roles. I knew this character was a breakthrough role, certainly for me as an individual actor but also for the image of an Asian character: no accent, a member of the elite leadership team.

The International Criminal Court, like most international institutions, is a wonderful idea. A noble idea. All it needs to work is planetary government, worldwide democracy and the triumph of reason over tribal loyalties, political doctrines and individual ambition. In other words, it requires that we all live in the world described by the "Star Trek" television shows.

I like to think of myself as the Rutger Hauer of this show Star Trek: The Next Generation. But then I like to think of myself as Rutger Hauer in real life: strikingly handsome, irresistible to women, an intergalactic enigma.

Above the stage was a glass-floored second stage, which allowed customers to look up and watch another girl dancing overhead. This multidimensional display of poontang reminded me of the 3-D chessboard on Star Trek, which in turn reminded me that I was a huge nerd.

For Star Trek proves, as faulty as individual episodes could be, is that the much-maligned common man and common woman has an enormous hunger for brotherhood. They are ready for the twenty-third century now, and they are light-years ahead of their petty governments and their visionless leaders.

People from outer space they come up to me, they don't look like Doctor Spock, they don't look like Klingons, all that Star Trek jive. They look like Elvis.

I didn't really watch the show [Star Trek]. I still haven't seen about 150 of them. So I didn't really think of them too much in terms of episodes. I thought of them as kind of one long seven-year episode.

When I look back and think how fortunate I've been to work with some wonderful people and had some marvelous experiences, then I can look at 'Star Trek' and think it's almost like the cream on the coffee. I don't approach it as anything but a magnificent plus.

It shouldn't be so difficult to determine what a planet is. When you're watching a science fiction show like 'Star Trek' and they show up at some object in space and turn on the viewfinder, the audience and the people in the show know immediately whether it's a planet or a star or a comet or an asteroid.

Having played many roles of scientific intellect I do have an empathy for that world. It's been hard on me because flying the Enterprise for seven years in Star Trek and sitting in Cerebro in X-men has led people to believe that I know what I'm talking about. But I'm still trying to work out how to operate the air conditioning unit on my car.

You go through at least the first two years of Star Trek and you find some amazing stuff. Everything that was going on Gene put into the series. He just put strange costumes on the actors and painted them funny colours and left the same situation in.

That's what 'Star Trek' was: We don't know how to make an ideal society, but we're going to portray that, and then we're going to work backward. I think that's why science fiction - despite the dystopian parts - comes out of this super ideal that, eventually, we will get to some better place where we actually live up to our ideals.

In the original 'Star Trek' TV series, space stations served as deep-space research laboratories, as well as rendezvous points where starships could dock before exploring the unknown. When we were envisioning our own space station, the applications were similar.

As a card-carrying space nerd and NASA's chief scientist, I love space movies, from 'Star Trek' to 'Star Wars' to my all-time favorite - 'The Dish', an Australian comedy that celebrates that first moment when Neil Armstrong stepped down onto the surface of our moon.

When I was nine years old, Star Trek came on, I looked at it and I went screaming through the house, 'Come here, mum, everybody, come quick, come quick, there's a black lady on television and she ain't no maid!' I knew right then and there I could be anything I wanted to be.

I really enjoy playing villains, whether they're realistic like Switchblade Sam or whether they're a bit more over-the-top like Kruge in 'Star Trek III' or Judge Doom in 'Who Framed Roger Rabbit.' It's sort of a license just to be as bad as the script allows you to be - you can just go for it and have fun.

I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek.

When I was young, the concept of being a dreamer was a very negative one. If you were a dreamer, you were useless. You didn't contribute anything to society. But Star Trek made dreaming legitimate, and I think that was a huge, huge contribution.

On the one hand, technology is more mysterious. On the other hand, we're more aware of its limitations. Every time I watch Star Trek, I'm highly aware of magical everything is: the holodeck, the warp drive. It's possible that with wormholes we might eventually be able to do something like that. But the laws of physics are pretty unforgiving.

I met [Shatner] on the set of Star Trek V, and he was horrible to me. He was cruel, and dismissive, and treated me the way I understand he treats pretty much everyone who tells him how much they loved him as Captain Kirk.

It really was not that difficult a process, because I was playing [Data from Star Trek] something that doesn't exist. So it was really based on... Imagination was the key element in that, and whatever I could think of, I could do, because there was no precedent for it. It wasn't like someone was going to say, "Well, an android would never do that." They didn't know!