Top 156 Trilogy Quotes & Sayings - Page 2

Probably the most formative experience was reading the 'Foundation' trilogy when I was about twelve years old. That wasn't the first science fiction I had ever read, but it's something that stands out in my memory as having had a big impact on me.

'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.

Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy.

I've been a huge fan of all things paranormal my whole life. For me, it was always a question of when, not if, I was going to write a paranormal series. I dipped my toe in the genre by incorporating a mystical curse into the 'MacCarrick Brothers Trilogy.'

The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'

I'm also very proud to be a part of a trilogy of films that, if they do nothing else, allow people to check their problems at the door, sit down and have a good time.

I wanted to do 'Texas Trilogy' on stage. But it didn't do well in New York. In fact, it did very badly there, thanks to the critics. It was said that Preston Jones, the author, died of ulcer complications, but the truth was that the critics killed him.

I'm a Christopher Nolan fiend. I love 'Inception,' 'Interstellar,' 'The Prestige,' 'Memento' and of course the Batman trilogy. I love all his movies.

One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.

I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.

I watched the Star Wars trilogy with some good friends of mine for the first time in a few years, I read Pride and Prejudice and Zombies-one of those first mashup books-and then I went to the Oregon Shakespeare Festival with my family.

The look of 'Rebels' is based much more on the classic 'Star Wars' trilogy, where the 'The Clone Wars' was a prequel era series.

I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family.

In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.

In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.

Most of the available Indian films in Australia are Bollywood. I did not watch them. In my early days, I watched Satyajit Ray's 'Apu Trilogy,' which was a beautiful take on social realism.

Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It (Gormenghast trilogy) is a very, very great work ... a classic of our age.

I started to watch 'Play for Today' and plays like 'Cathy Come Home,' and Kenneth Branagh's 'Billy' trilogy in the 1980s, which took us into the world of the Belfast family. As a kid in Luton, how was I ever going to know that world otherwise?

What Christopher Nolan and I have done with 'Superman' is try to bring the same naturalistic approach that we adopted for the 'Batman' trilogy. We always had a naturalistic approach; we want our stories to be rooted in reality, like they could happen in the same world we live in.

There are two books that impressed me when I was very young. One was 'The Adventures of Augie March' - the idea of having something so generous, and so adventurous and improvisatory. The other was 'The U.S.A. Trilogy,' by John Dos Passos.

The time frame is summer 1961, a year after the gold medal in the National Science Fair. I always saw my 'Coalwood' books as a trilogy. This book finishes the story of my life in Coalwood. I think it's the best of the three.

My first series, the 'Inheritance' trilogy, in the first book, you were dealing with a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do, and that was obviously drawn from some personal experiences.

'Borne,' in a weird way, even though it's a totally different universe, picks up where the 'Southern Reach Trilogy' leaves off, because it's post-apocalyptic.

Majestic and stately as Conrad Richter''s Awakening Land Trilogy, Evangeline is a big book from a big mind.

It is very gratifying to see the music from 'The Lord of the Rings' trilogy find a new life on the concert stage as it is performed by different orchestras and choruses throughout the world.

'American Gods' was designed to be, if not open-ended, at least a trilogy kind of shape, so there's definitely one more book, probably another couple of books there to get written.

If getting a contract was relatively straightforward, writing fiction was far harder than I could have imagined, and there were moments during the long and torturous edit process when it seemed that 'Zulu Hart,' the first of the trilogy, would never be fit for public consumption.

I've been on 'Mastermind' - I tied for first place and then lost on the number of passes. My subject was the 'His Dark Materials' trilogy by Philip Pullman. If I did it again, I'd choose Shakespearian tragedies.

I read Tolkien when I was 11. I read 'The Hobbit' and the trilogy on a road trip with my family. I identified with the nonhumans in those books, and it never occurred to me why that was.

I want to create a collection, almost like a trilogy of sorts. Whereas 'Milk and Honey' was very much like holding a mirror up to yourself, the second book is turning that mirror around and fixing it on the world. The book is a reflection of the times we are in.

More than anything, I wanted to be Aragorn in 'Lord of the Rings,' and I wanted to be Lirael in the 'Sabriel' trilogy. The only way I was ever going to get to do that was act, so I tried.

With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.

One of my favorite ways to write paranormal, as in the 'Wake' trilogy, is to write very normal characters with just a hint of something other-worldly. Like somewhere, maybe, someone really can get sucked into other people's dreams.

If you make a trilogy, the whole point is to get to that third chapter, and the third chapter is what justifies what's come before.

I don't despise 'Don Quixote,' but it is a book I don't... get. I'll have to come back it. Maybe there'll be a gateway story that opens it up for me; that happened for me with 'Paradise Lost' and the 'His Dark Materials' trilogy.

My father loved 'Godard and Truffaut.' He was more artsy. My mom loved the 'Bourne' trilogy; she likes big blockbusters. She loved that I did 'I Am Legend.' My passion for acting came with my passion for movies.

Best memories - obviously, winning a title for the first time. Probably my last fight against Gray Maynard where I was able to finish him for the trilogy. Those were definitely great moments. The worst moments are the losses, for sure.

Fear Street' subverts almost every stereotype that you can think of in the horror genre, which I love. We have a horror trilogy that's centered around a queer relationship. The main protagonist is a queer woman of color.

I loved 'Star Wars' as a kid, but I missed out on the experiences of seeing them for the first time. It was before my time, and 'Lord of the Rings,' that trilogy felt like something similar to what 'Star Wars' was for previous generations.

The phrase "may you live in interesting times" is the lowest in a trilogy of Chinese curses that continue "may you come to the attention of those in authority" and finish with "may the gods give you everything you ask for." I have no idea about its authenticity.

I also really like to read good books and I don't have enough time to do it. So it's really hard for me to imagine willingly submitting myself to a trilogy of books that I've been told are at the fourth grade reading level which isn't a very nice thing to say but.

In a new campaign ad, Jeb Bush referenced 'The Godfather' and said his nickname used to be 'Veto Corleone' because he vetoed so many bills in Florida. When you're the third person in your family to run for president, maybe you shouldn't bring up a movie trilogy where the third one was clearly the worst.

Spending time with Mexican-born writer and director Alejandro Gonzalez Inarritu, you'd never guess that he's the filmmaker behind a series of movies known as the 'Death Trilogy.' The way he dotes on his children and talks about his wife makes it clear that he has a crackling passion for life.

I read 'The Hobbit' but not a single one of the 'Lord of the Rings' trilogy. I had to lie about this pretty much all through high school. I still say it apologetically.

I was drawn to 'Fear Street' for so many reasons. From reading the script on day one, I could tell that this trilogy was going to be so groundbreaking in the way that it subverted stereotypes and characters.

My first score for 'The Lord of the Rings' trilogy, 'The Fellowship of the Ring,' was the beginning of my journey into the world of Tolkien, and I will always hold a special fondness for the music and the experience.

I had been obsessed with the Arthurian legends all my life, and I knew that that would work its way into any trilogy I wrote. I was fascinated by the Eddas, the Norse and Icelandic legends, Odin on the world tree.

'The Black Magician Trilogy' was about a conflict between countries and was very limited and almost claustrophobic in its range of settings, while 'The Age of the Five' was about a conflict between continents.

If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes.

Fear Street' just takes all of those stereotypes and those tropes and flips them on its head. I feel honored to be a part of a community and a trilogy that does that.

'California Bones' is the first volume in my trilogy about Daniel Blackland, a wizard trying to survive in a world that eats wizards. It's a book about friends and family, trust and betrayal, the love of power and the power of love.

The beautiful thing about 'The Strain Trilogy' is the ability to move from gore to high fable to creeping dread to domestic drama to unbearable suspense to the uncanny and on and on. The epic journey is designed to support these swings in mood, and that complements my tastes, which are wide-ranging.

Though I'm happy with the response to the film, I've been hearing the feedback that 'Yennai Arindhaal' has traces of my earlier films. It was meant to be like that. Since it's part of a trilogy, hence the reference to the other two films in the franchise.

For bedtime reading, I usually curl up with a good monograph on quantum physics or string theory, my specialty. But since I was a child, I have been fascinated by science fiction. My all-time favorite is 'The Foundation Trilogy,' by Isaac Asimov.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

American Gods was designed to be if not open-ended, at least a trilogy kind of shape, so there's definitely one more book, probably another couple of books there to get written.

Of all the projects I've ever done, 'Stargate' is the only one from the beginning intended to be a trilogy. We always wanted to do parts two and three, but the thinking was they didn't want to do anything other than the TV series.

Many fantasy novels - 'Lord of the Rings', for instance, or 'Lavondyss' by Robert Holdstock - are beautifully written. Geoff Ryman's 'The Child Garden' is exquisite and utterly beguiling. Mervyn Peake's 'Gormenghast' trilogy is an astonishing piece of multi-faceted storytelling. So quality of writing does not condemn the genre.

It's funny: I've joked that 'Sharp Objects,' 'To the Bone,' and 'Dietland' are my self-harm trilogy, and each one is a different side of that triangle, with 'Dietland' really about fighting back.

Netflix was like, 'We want all the books!' So, thank you, Eric Heisserer. But I was really nervous at first. It's one thing to hand over the keys to one trilogy, but it's quite another to hand over the keys to 10 years of work.