Top 1200 True Story Quotes & Sayings

Explore popular True Story quotes.
Last updated on September 17, 2024.
No story has power, nor will it last, unless we feel in ourselves that it is true and true of us.
I used to say to my bubbe, 'Bubbe, is this story true?' And she'd say, 'Of course it's true! But it may not have happened.' What my bubbe was saying is profound: All stories are true. The truth is the journey you take through it - did it make you laugh, cry, seek and want justice? Then it's true.
People love a true story and especially a true story where two people from opposite worlds come together. — © Harvey Weinstein
People love a true story and especially a true story where two people from opposite worlds come together.
A story-a true story-can heal as much as medicine can.
I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.
If it is true ... that no one has a life worth thinking about whose life story cannot be told, does it not then follow that life could be, even ought to be, lived as a story, that what one has to do in life is to make the story come true?
I think any time you've got a story based on a true story, no matter how accurate it is, obviously it's still fictitious.
But the truth is that no person ever understands another, from beginning to end of life, there is no truth that can be known, only the story we imagine to be true, the story they really believe to be true about themselves; and all of them lies.
The way I write, I need to tell the true story. I can't just make a story up. So I have to let the things happen to me and allow myself to work through my thoughts.
I think that any story that intends on being culturally authentic and true to life experiences will be a great story. Even if that culture isn't a hip-hop-centric one.
Nietzsche said that everyone tells themselves the story of their life. That's true about countries, too. We're constantly telling ourselves the American story.
I look for the dark story, where something secret was done. I read and read and pick up the trail of a true story. I use nothing but true stories. They are so much better than phony ones.
My responsibility is to try to tell true stories. To me a true story is always hopeful, but never simply, uncomplicatedly happy.
I just think that the people who say: 'That's not true' when someone tells a story at dinner are the people who didn't get any laughs when they told their story. — © David Sedaris
I just think that the people who say: 'That's not true' when someone tells a story at dinner are the people who didn't get any laughs when they told their story.
Susan Burton's life story - filled with trauma, struggle, and true heroism - is precisely the kind of story that has the potential to change the way we view our world.
Lore is my favorite kind of story. Because it's not only historical, it's a lie everyone knows is a lie but tells anyway. I love that. Of course every story I tell is true. Completely true. Completely and utterly at least five-eighths of the way to being true, which is truer than any piece of lore and truer than most truths you'll hear.
I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.
This story is true. Of course, there are many lies therein and most of it did not happen, but it's all true. In that sense it is deeply religious, perhaps even biblical.
For me to play any true person in a film based on a true story, I always want to make sure that it doesn't mock and it certainly doesn't trivialize the events that took place.
But I didn't know about the other story." "What other story?” "About how you and Adrian Ivashkov are—" "No, whatever you heard it’s not true." "But it was really romantic" "Then it’s definitely not true.
It is a true story, the monster said. Many things that are true feel like a cheat.
There's no substitute for the power of a personal story. The true stories of God redeeming a broken life shoot like arrows straight to our hearts and remind us that God wants to do the same life changing work in our lives. I love how one story can impact another story, causing a ripple effect of change if we let it.
I'd love to do a love story. I've never done a true love story, which would be awesome. But then again, I don't think I've had a true love story, even in my own life. Maybe that's something I want to explore in my own life first.
I feel with this film that as long as we tell Philomena's story and as long as we're true to her, which Jeff and Steve have already done by writing the story... we must not sell her short;. She's a most remarkable woman and all my concern was that we must be absolutely true to her story.
We're special because dreams that are impossible anywhere else, come true here. That's not just my story. That's your story. That's our story.
'The Story Of A Marriage' was initially a short story I wrote, and before that, it was a family story. It was a story that a relative of mine told me about herself in the '50s, and it was a story that no one else in my family believes, and it might not be true.
The idea that the story is true is more important than being able to prove that it's true.
I read individual stories a lot in magazines and other places, too, but I really think there's something to be said for reading story collections as collections. That's not true of all story collections, to be honest, but for good ones I think it often is true.
To begin with, I want to tell a good story, a story that people will listen to and that they'll think this is true, even if it is a story that might be defined as - as myth or legend or even fanciful.
Hateful material travels the globe. A few years ago, CNN, America's Der Sturmer, ran a story about Black parents being so low down that they abandoned their children and the children had to eat rats. I was at a University in Wisconsin at the time and the mother of a student from South Africa called to see whether the story was true. She had seen it all the way over there. The story was untrue. The children lied. CNN never corrected the story.
It's true that writing can give new forms to concepts that existed previously with far less clarity, but in terms of the other half of a story's story - the way a story is received and interpreted and used - the audience plays a part in that too.
Mine is a story about a teenage single mother who struggled to keep her young family afloat. It's a story about a young woman who was given a precious opportunity to work her way up in the world. It's a story about resiliency, and sacrifice, and perseverance. And you're damn right it's a true story.
You can tell a true war story by the questions you ask. Somebody tells a story, let's say, and afterward you ask, 'Is it true?' and if the answer matters, you've got your answer . . . Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth.
Anytime you have the opportunity to do any kind of story that is based on a true story, I think those are the most inspirational.
If there’s no one else to tell another side - the only story that can be told is the story that becomes true. (p. 173)
What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!
I did not know if the story was factually true or not, but it was emotionally true [...].
I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.
Oh,Sara. It is like a story." "It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story. — © Frances Hodgson Burnett
Oh,Sara. It is like a story." "It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story.
I have made up thousands of stories; I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.
Occasionally, I have written about stories related to crime, but I have never attempted a traditional detective story. So I want to write a true detective story.
The true story is vicious and multiple and untrue after all. Why do you need it? Don’t ever ask for the true story.
Actually, a myth is a story that is not just not true, but it's a story that is especially true. And I think the myth of Jesus is especially true.
When we try to describe the truth with words, we distort it and it's no longer truth--it's our story. The story may be true for us, but that doesn't mean it's true for anyone else.
Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across.
In this tradition a story is 'holy,' and it is used as medicine," she told Radiance magazine. "The story is not told to lift you up, to make you feel better, or to entertain you, although all those things can be true. The story is meant to take the spirit into a descent to find something that is lost or missing and to bring it back to consciousness again.
What I love about the Bible is that it's a group of stories but it's all telling one main story. It's about Jesus Christ. The story is not about me. That takes a lot of the pressure off me, but it also puts the responsibility on me to point people to who the true story is about.
You don't have to have a true story to make a true story movie. — © Ethan Coen
You don't have to have a true story to make a true story movie.
One of my standard - and fairly true - responses to the question as to how story ideas come to me is that story ideas only come to me for short stories. With longer fiction, it is a character (or characters) coming to visit, and I am then obliged to collaborate with him/her/it/them in creating the story.
Because 'The Boy With The Topknot' is a true story there are so many specific details that are true, current, accurate and haven't been made up.
What is a novel? I say: an invented story. At the same time a story which, though invented has the power to ring true. True to what? True to life as the reader knows life to be or, it may be, feels life to be. And I mean the adult, the grown-up reader. Such a reader has outgrown fairy tales, and we do not want the fantastic and the impossible. So I say to you that a novel must stand up to the adult tests of reality.
The architecture of a story can be a little bit different if it's a true story.
We can't live in a state of perpetual doubt, so we make up the best story possible and we live as if the story were true.
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
I don't think you make fans happy by just replicating frames. What they want to see is that you stayed true to the story, true to the characters and true to the design.
Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.
A true epilogue is removed from the story in time or space. That's the reason it is called an 'Epilogue'; the label serves to alert the reader that the story itself is over, but we are going to now see a distant result or consequence of that story.
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.
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