Top 1200 Try Me Quotes & Sayings - Page 2

What I have done is always try to be nice to work with. I make the best impression, try to do a good job... and if people hire me again, it's for the right reasons.

That's a really sad moment. When people in a democracy are afraid of having the conversation, because it might actually lead to a conclusion they don't like, as opposed to saying, let's have the conversation, and let's learn, and, you know, let's, let me try to persuade you, and if I'm not persuading you, then you try to persuade me. That's what we hope for.

I try to learn something from every character I take on. I try to better myself personally from it and Red allowed me to go ahead and accept what I did. Even though I had passion driving me, I still felt a little guilty that I gave up all the businesses in the pursuit of happiness.

With every record, with each band, I just try to make a song good. I'm not so much focusing on my technique. There are a million better drummers than me. I try to adapt to the songwriter; I try to adapt to the situation and retain my sort of melodic power. My goal is for the band to be good.

Someone will say, 'Well, that's good enough.' As soon as I hear 'Good enough,' it really bothers me. I spend as much time as I think I can on anything I do. I try to do that with the people that work with me. I try to get the best out of them.

When I read a script, I try not to judge the characters. I try to have an open mind and really see what it makes me feel.

I try to exercise as much as possible and eat healthy. But most importantly, I try to make sure that I'm near people who inspire me to be a better person.

Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.

I try to look on the sunny side of life. If something dramatic happens to me, I always try to recount it as a comedy tale, rather than a victim's story.

I look at it this way: If the defender gets the chance they'll lay it on you. So for the most part I just try to go out there and bring it to them like they would try to do to me.

I just see potential in things that aren't there and how it's going to make you feel. Like, if it makes me feel a certain way, I try and create the vibe of how that felt to me. And try and create it for someone else.

If I see someone I think is in a better position than me, it is better for me to give the ball. Now I shoot more at goal. When I was young, they sometimes said to me, 'You need to shoot more. You try to give it too much.' It is something that I learned. To try to take the best option.

Whatever I'm doing, I try to write well. I try to give the reader a nice, clean well-written surface, where the writing is transparent. It probably takes me longer to write things, but it's very important to me that the writing itself be good.

When teachers try to teach, nurses try to nurse, small businesses try to serve their clients and the police try to arrest criminals, there is always a regulator or three breathing down their necks. Conservatives want to make people's lives easier.

I figure I just keep working and let the chips fall where they may, and if that means I end up having an eclectic career, so be it. For me to try to manipulate things or for me to try to tell people or the system how it should be...I'm just a kind of a more go-with-the-flow guy when it comes to my acting career.

I think that I've just kind of found my niche, if that makes sense. I still write the same, but I feel like I've found what separates me and I always try to stay in that when I write. It took me a long time to discover that, so I try to be protective.

Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.

What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.

They did it to try and belittle me, to try and to take away my pride. But I went through the whole system with them. And at the end, I - I wanted the public to know that I was okay, even though I was hurting.

Let's just try to have a marvelous time this weekend. I mean not try to analyze everything to death for once, if possible. Especially me. I love you.

To me, the best music always comes when - it sounds cliche, but you just try to block out the noise and try to not have any pressure with it and take your time.

I know what I want. I try and convey that at the beginning and set that out, but within those parameters, I'm very happy for them to experiment and try things and give it a go. To me, it's important.

I spend a few minutes in meditation and prayer each morning. I find that this really helps me to start the day with a good frame of reference. As part of my prayers, I thank whoever is helping me - I'm sure that somebody or something is - I express gratitude for all my blessings and try to forgive the people that I'm feeling negative toward. I try hard not to judge anyone, and I try to bless everyone who is part of my life, particularly anyone with whom I am having any problems.

My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.

I try to focus on the melodies and try to make everything else minimal. The melody and the lyrics are most important to me.

I try and be just completely me on stage. I try and put that across, and people seem to get that personality that I have, so I do try not to become two different people and two different faces.

Every day I try to do breathing exercises, meditation, and yoga. These things sound awfully cliche, but they help me slow down and try to point to a truth.

I would say I try to make my comedy really personal. I try to tell stories that happened to me, experiences from my life.

For me personally, I try to use my size to my advantage where I can either slip by guys or try to create more space for myself.

I already know the Internet is going to try to take little stuff and run with it. I don't really try to get too caught up, because it will throw me off my focus.

I think that I've just kind of found my niche, if that makes sense. I still write the same, but I feel like I've found what separates me, and I always try to stay in that when I write. It took me a long time to discover that, so I try to be protective.

Acting was something I always wanted to try. I just didn't know how, or I didn't know when the door was gonna be open for me to try it. But it finally opened up for me when I did 'Turn It Up', and ever since then I've been in love with doing films.

You have to let the car do the job and try to trust it, try to understand what you are doing, try to be smooth, and try to be incredibly smart to set the car up, because that is the most important part.

I observe people around me, interact with them and try to understand what's on their minds. I also try and include their little quirky mannerisms in my films.

It's important for me to try to find new ways to express myself, but at the same time, have integrity, and still be me, and not lose myself in the midst of this crazy Rap that I'm in. It's important, it's critical, to just try things out. I think, mainly, it's just me being fearless, and not being afraid to conquer anything that comes in my path, I guess.

I try not to destabilise myself. People talk a lot, but they also say some positive things, and I try to welcome those messages because they encourage me, and it is what I am looking for.

If somebody feels a certain way about me and I feel like they're misunderstanding me, I don't need to explain myself. I just try to shy away from it and just pretend like it never happened, and try to rekindle the friendship and let him know that its not like that.

I have this problem where I get incredibly, miserably nervous every single show. This is part of why touring is so exhausting for me. I have not gotten to a place where it's like, "All right, here's another." It just doesn't feel workaday, at all, yet. It's kind of killing me, being so nervous so many hours of the day. After the show - we try to end on an anthemic note, and I try and let that be decisive, and I will often come back out for an encore a cappella, and that's where I try and take leave from the feelings of the stage. Trying, after I do that, to return to my life.

On a film set, for me, there's so much more time to process what's going on than there is on a television set. There's more wiggle room to try things and fail and try again and get to the heart of what's going on in the scene, which is really fun for me. It's what I like to do.

Don't try to be like me. Try to be like yourself. Try to be very good at being yourself.

People always try to palm me weed when I'm always talking about how I don't smoke weed. But they always try to ... and when they stop offering me weed, then I'm going to feel kind of out of touch, like: "What did I do wrong that you won't offer me drugs that I don't do?" Because I'll trade those drugs out for drugs that I do do.

I can't imagine everyone on the planet would want to hear something from me. If I thought they'd listen, I'd probably ask them to try to be nicer to each other, to try to be less scared of their differences.

The key research I usually apply that allows me to understand the roles that I take on, starts with the script in front of me, and what it offers. I try to absorb as much of it as I can, in the time that I have to study it, and I like to change things up, if I have a choice in the matter... and I usually don't. I dream on it, write about and find out who the individual is, and try to bring him to life with as much human and truth as I can.

When somebody asks me a question, I try to be as straightforward about it as possible. I try not to overthink what I'm going to say in an interview.

I try to never repeat a character. I always try to find something new and fresh and interesting that inspires me.

Hopefully I can be one of the best midfielders in the world. That's what drives me on: to try and achieve that and to try and go on and win many things.

I try to eat in a way that makes me feel good. If that means a little bite of chocolate I do that, but I try not to use food as a reward for myself.

I come from a background that, when I win, people try to put me down, and when I lose, people try to put me down. I accept that, and I actually find it kind of funny.

When I work with other people, I try to make up for their shortcomings with my strengths, and I let others make up for my flaws with their strengths. I try to co-operate with people around me when working in a group. I like to enhance team spirit on set. I try to get everyone involved in the action.

Somebody once asked me what my theory of life was, and I said, 'Don't try.' That fits the writing, too. I don't try; I just type.

We [me and Eugene Levy] both try to play the reality of a moment and don't try to impose humor on something where it doesn't belong. Contrary to what other people seem to think sometimes.

There's no need for me to go out there and try to set the world on fire, try to win races and put myself in a tough spot, not be able to capitalize on it. If the opportunity presents itself, yeah, we'll jump on it. There's no need for me to force a hole, end up tearing up a racecar.

It takes time to come into yourself and realize your worth and realize your place and try to fit in, and for some people, it doesn't happen until way later in life, but, luckily for me, I realize I am around people, and I can't try to be like anyone else because I am me, and that's what's cool about me.

I try to pick the best from what is offered to me, and then with roles, also, I try to add something new. There is a constant conflict to not become repetitive.

Whenever something good happens to me, I try-it may sound kind of bad-to think a little negative. I just always try to keep myself grounded.

When I write, I try to think back to what I was afraid of or what was scary to me, and try to put those feelings into books.

Before anything else, I'm a Muslim. As a Muslim, I try to comply with the requirements of my religion. I have a responsibility to God, who created me, and I try to fulfill that responsibility. But I try now very much to keep this away from my political life, to keep it private.

I believe the UFC knows what they're watching and looking for, so I always try and put on a great show for everybody watching and try to go out there and finish my opponent and do something exciting. I believe a lot of people come out to watch me and see me perform.

I try to be prudent with everything and fortunately I have enough to support me in a nice middle-class lifestyle, while I try to do other things.

If at first you don't succeed, try, try, try, try, try again.