Top 1200 Try Me Quotes & Sayings - Page 7

To me, the fun part of both jobs is to always try to push the discussion and debate forward in some way. The most fun part of being a theater critic for the Times was always to try and champion something that maybe other people didn't like, or that was produced under obscure circumstances or had to fight for its life. And I would say in the column what I try to do is in some ways related in that I'm trying to fight for a point of view. I'm not trying to be a kingmaker in either job, and don't want to be, and shouldn't be.

I try to keep a positive intention, and use whatever resources I have to benefit others. I try to create businesses that I think are not hurtful. I try to do things that I think are helpful to the environment, to the animals, and to the planet.

I'm training at Alliance because they encourage me, and they motivate me, and they try to build on my uniqueness as a fighter, as an athlete.

I'm not an evangelist Christian at all. I can't try to convert anybody. It's not in me to do that. But my faith has given me such an appreciation of people and meaningful relationships, and a world view which I didn't have before. And although I will fail every day, it gives me something to aspire to.

I try to keep a positive intention and use whatever resources I have to benefit others. I try to create businesses that I think are not hurtful. I try to do things that I think are helpful to the environment, to the animals, and to the planet.

You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.

God, I want to give You every minute of this year. I shall try to keep You in mind every moment of my waking hours....I shall try to let You be the speaker and direct every word. I shall try to let You direct my acts. I shall try to learn Your language.

When I think of my past, I try to dwell on the good times, the happy moments, and not to be haunted by the bad. . . To me the gift of life is contained in the command, whatever happens: "Don't let it get you. Just keep on going." Thus, I try to think of the good that I have already experienced and what will still be coming.

Good things don't happen by coincidence. Every dream carries with it certain risks, especially the risk of failure. But I am not stopped by risks. Supposed a great person takes the risk and fails. Then the person must try again. You cannot fail forever. If you try ten times, you have a better chance of making it on the eleventh try than if you didn't try at all.

If at first you don't succeed, try, try, try again.

It's always like I am carrying a heavy cross with me on the sets. So it was important for me to try something new.

Journalists like to invent a person, and it's not necessarily the person that they're writing about. The image the tabloids try to create of me and Bob is very different from how we really are. They try to make us out to be mad jokers. But I wouldn't want to put journalists down. That's their job.

I try to stick with what moves me or teaches me about myself, same thing I hope the novels do for others.

I don't have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.

Every company needs to have a skunkworks, to try things that have a high probability of failing. You try to minimize failure, but at the same time, if you're not willing to try things that are inherently risky, you're not going to make progress.

I try to be like a forest, revitalizing and constantly growing... Kids would tease me, calling me 'Little Bush.' But... I thought being called Forest helped me find my identity.

I think it's rude of the UFC to try and lowball me and expect me to negotiate a deal while I'm training for a fight.

I was still in the college and they told me I should try it. At the time, I still thought I was going to be an Olympic softball player. But later, when I retired from softball in 2007, I decided to give bobsled a try. I emailed the coach and got invited to Lake Placid for a tryout and I never left.

I think I like a challenge. I try to find projects that will push me in a new way and help me grow.

Try to strip me of my credibility and make me look fake, G you only gonna be in for a rude awakening.

No matter what the issue is, don't try to justify why you don't feel good. And don't try to justify why you should feel differently. Don't try to blame whatever it is you think the reason is that's keeping you from feeling good. All of that is wasted effort. Just try to feel better right now.

I really wanted a tennis dress. My parents told me that if I played, they would buy me one. I was like, 'Hey, I'll try it.'

I'd say the general outline of a sound investment approach is, first of all, you have to decide are you going to try to be an investor yourself? The answer for most people is probably they shouldn't try. You should put your money in index funds and not try to be a stock picker.

No. Never. I have to try my best or I'll become worse and worse. Even if I can't make up with them. Even if they all ignore me. I still have to try my best.

I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality.

Eventually I discovered for myself the utterly simple prescription for creativity; be intensely yourself. Don't try to be outstanding; don't try to be a success;don't try to do pictures for others to look at- just please yourself.

I am not afraid to stop the puck with my head. I try to do it sometimes even in practice; not everyday but once in a while, I say to my teammates, shoot me in my head and I'll try to stop the puck. I am not afraid at all of the puck, so sometimes, if the shot comes at my head, it's an easier save to make with your head. Maybe the people think a different way, but for me, I do it with my head.

I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.

I try to do two things: locate my fastball and change speeds. That's it. I try to keep as simple as possible. I just throw my fastball (to) both sides of the plate and change speed every now and then. There is no special food or anything like that, I just try to make quality pitches and try to be prepared each time I go out there.

The camera has always been a magic wand for me, giving me access to places where I could try new experiments.

where ther is drsire there is gonig to be a flame where there is a flame someones bound to burned just because it bruns doesn't mean your going to die you gotta get up and try, try, try

A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.

I know people look at me and try to make conclusions about me immediately, based on the obvious, let's say.

I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.

I feel like I express myself, as an actor. Whatever the character is put in front of me, I try to bring truth to it, whichever way it lands. I try to bring as much truth to it and make it as believable as I can. I think that's the job of an actor.

When I was a teenager, I met a comedian who I admired, and he was very rude to me. That's why when people come up to me I try not to be rude. I don't want to name who he is, but it really put me off watching his stuff since.

When it becomes hard for me not to eat bad food, I try to think about what I have to do and what is ahead of me and what I want to achieve.

Obviously the fans are very important to me, in fact they mean everything to me and they are the people I try to please when I play.

My fans love me; they've made me this sex symbol. I don't feel I am, but they feel that way. They find me attractive, like I'm a sexy dude. I try my best to make them believe the illusion.

I have been lucky enough to work with such coaches who didn't try to change me but always told me to back myself.

The country needs and, unless I mistake its temper, the country demands bold, persistent, experimentation. It is common sense to take a method and try it, if it fails, admit it frankly and try another. But above all, try something.

I try to get underneath the skin of all kinds of music, and I never know what's going to inspire me and what makes me crazy.

When we first started, and I jumped in this band, I was like, 'I'm not a singer.' I didn't go to school to sing. I just played to have fun. But these guys teach me, and they show me stuff and give me courage to try new stuff.

Try but don't try too hard. Just try hard enough, and things will go better.

I try to always be open to what the actors want to try. I don't storyboard and try to be intuitive and open on the day of filming.

I just try to just roll with the punches. I mean, once the team pretty much starts closing out, just try to get in attack mode, and at the same time, try to find my teammates. It's kind of hard, hitting the shots I was hitting, to try and pass the ball, but you've got to figure out a way.

If anyone had any advice for me, like, I would try to take it into consideration because I feel like, if it's good or bad advice, I can still take some bits out of it and try to use that to better yourself.

I remember when I first came to Liverpool, Pepe Reina helped with everything, and he made it easy for me. When I was Atletico Madrid captain, I tried to help everyone. These are the basics in football: you need to create an atmosphere and try to create a group of friends. It's not easy, and it doesn't always happen, but you have to try.

I stand between two worlds. I am at home in neither, and I suffer in consequence. You artists call me a bourgeois, and the bourgeois try to arrest me...I don't know which makes me feel worse.

I try not to listen to the other comedians performing before me because they will probably be funnier than me.

I try not to feel too embattled. I don't think that's a healthy approach for someone who writes for a newspaper like the New York Times to take. That means, in part, that I try and avoid wallowing in things that might make me feel too embattled.

Even if the role is very far away from me, to try and make it as nakedly me as possible is an intriguing notion.

Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.

A lot of what I do is try to watch tape and understand how guys come out of breaks - what their footwork looks like, or how they look at the top of a pass route. Guys have tendencies. I try to understand what they do, which allows me to be successful.

If a subject has a delicate surface to it, you do not want to go charging in there. You need to establish some kind of presence and understanding. I will say, Try to forget I'm here. I won't ask you to pose, I won't ask you to do anything. It's important that I just be allowed to be around, to be present. Photographing people requires a willingness to be rejected. So, I think the best approach is to be honest and direct. Very often, I tell them, You don't know me. There's no reason why you should trust me... the only thing I can promise is that I'll try to do the most honest work I can.

I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."

The same thought... crosses my mind whenever someone tells me there's something I can't do: Try Stopping Me.

I do like Canadian poetry. Christian Bök, Anne Carson, Carmine Starnino, and Don McKay are a few of the Canadian poets whose work has been important to me. But I'm not sure that I do see poetry as a world apart. Some of my metaphors are based in the fantastic, but I try to be true to life as I understand it. That understanding is affected by my Canadianness, my Americanness, my whiteness, my gender, my age, my education, my experience...everything about me affects my view of reality. But I try to wrestle against those partialities, not embrace them.

Conducting is intensely social. You work with a hundred people every day. You collaborate, you try to focus their thoughts, you try to give them a concept, you try to inspire them, and it's actually exhausting.

I try to work hard. I try to set a good example. I don't look at it as though I've got to be a leader. I just try to behave the way I think I should behave. If that results in a leadership role, great.