Top 1200 Trying Different Things Quotes & Sayings - Page 19

Explore popular Trying Different Things quotes.
Last updated on November 19, 2024.
I have a swagger coach that helps me and teaches me different swaggerific things to do... He has helped me with my style and just putting different pieces together and being able to layer and stuff like that.
I enjoy the collaboration. I always envied people in bands who got to have that interaction. I've done so many albums where I've been in the studio for 14 hours a day for six months just trying to come up with things on my own. It's a nice change helping other people with their music and not being all about what I'm trying to do myself.
On top of trying to find my way in this business and losing my mother and trying to figure out what family meant to me and everything - 2016, there was a lot of anger from me and a lot of anger all around. I think the hardest part was to really realize that all these things, it's worth it.
Children are people, and they should have to reach to learn about things, to understand things, just as adults have to reach if they want to grow in mental stature. Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows. Most things are good, and they are the strongest things; but there are evil things too, and you are not doing a child a favor by trying to shield him from reality. The important thing is to teach a child that good can always triumph over evil.
In martial arts one of the first things that you learn is to be balanced. Balance is the central principle in architecture and design. Balance is a way of trying to talk about being at the center of things.
Of Rhetoric various definitions have been given by different writers; who, however, seem not so much to have disagreed in their conceptions of the nature of the same thing, as to have had different things in view while they employed the same term.
We might have to broaden our scope of how we think about where women are vulnerable, because different things make different women vulnerable. — © Kimberle Williams Crenshaw
We might have to broaden our scope of how we think about where women are vulnerable, because different things make different women vulnerable.
What makes Steve [Jobs'] methodology different from everyone else's is that he always believed the most important decisions you make are not the things you do, but the things you decide not to do. He's a minimalist.
A lot of times, when I'm approaching pre-production and my job, and trying to research and work on the script and whatnot it's always different.
I am freely able to express myself honestly to the public without trying to polish it over, trying to hide something. I'm just trying to be free with my expression.
The thing is, when you do a lot of different things and you have a lot of different projects on the go, each one feels more challenging and more rewarding than the last. That's why you do it.
There's so many great things I learned at Mizzou. I took a sports psychology class. It was kind of eye-opening on certain different ways to look at things.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
Since I am a big foodie, trying out different places to eat is the most exciting part of my travels.
I'm just trying to put my feet into different characters and not play the stereotypical type thing, to let me grow as an actor.
As a youngster, that's how it was: you tried to express yourself out on the pitch as much as you can. Maybe I stopped trying things when I got into the first team, but now I'm more comfortable and doing things off the cuff again.
There are people who want to hear what they consider your hits. There are people who want you to experiment and explore random, rare things. And it's kind of a different; they're two different beasts.
Inside and outside of the ring, what you see is what you get. I'm CM Punk. I'm not trying to be something I'm not. I'm not trying to lie to the people or be fake. I'm not trying to be some crazy, outlandish character.
I'm trying to just accept things, accept the beauty of things and the joy and positivity of things as they are in the moment and accept when it's not that way as well. Because, of course, none of it lasts forever. It's all going to change very rapidly. But that doesn't have to be a bad thing. It doesn't have to be panic-inducing. It can be just the way life is.
If you realize that all things change, there is nothing you will try to hold on to. If you aren't afraid of dying, there is nothing you can't achieve. Trying to control the future is like trying to take the master carpenter's place. When you handle the master carpenter's tools, chances are that you'll cut your hand.
You can get reps up in the gym as much as you want, hours and hours, but when it comes to a game, there's so many different aspects going on, so many different things. — © DeAndre Jordan
You can get reps up in the gym as much as you want, hours and hours, but when it comes to a game, there's so many different aspects going on, so many different things.
You know, those iconic things we wanted to throw in for fun, but I think the point to see it was to see how totally different it was from what Len wanted to do with it. It's a different beast completely.
The last thing I want is for people to go through the motions in life. We're all meant to do different things, but there's a lot of opportunity for us to do some great things.
I love getting to have different food and getting to be around different people and different cultures and different ways people look at life. It's really kind of helped me open up my mind and see the world from different perspectives.
You're different. And I'm different too. Different is good. But different is hard. Believe me, I know.
I was really selfish, and I didn't want to listen to anyone. Then I started working with some really amazing people, traveling more, and figuring out who I was as a person - looking at different things, listening to different music.
One of the things I love, more than anything, is jumping around and playing lots of different parts. I love the variety of playing different characters.
I think those of us who use language are always trying for this, trying to keep everything from floating away by trying to write about it despite failure.
Whether it is fear of having fish pie or staying in someone's house or not being able to tell the time, all of those things I can remember very clearly. We so often forget how big all these things are for very small children because they are so often trying these things for the first time.
We incorporate various electronic devices - the echo plugs and things like that. Actually, all we're trying to do is make that sound musical. As opposed to just making sounds, we do musical things with them.
We have to keep trying things we're not sure we can pull off. If we just do the things we know we can do ... you don't grow as much. You gotta take those chances on making those big mistakes.
But I'd say recording and playing on stage are two completely different things. Being up there in front of all those people is like jumping off a cliff into icy water. The recording process is a totally different energy.
There are different things to wear in different places, and if you want to fit in and show respect, you can dress to do that, or you can dress to show that you are foreign and not from there. That can work, too.
Different people have different things that trigger them to realize their situation was not OK. In events like the #MeToo Movement, there are many cases where it took decades for someone to talk about their situation. That doesn't mean their stories aren't valid.
I had some difficult times when I first moved to Los Angeles when people would tell me I was saying things wrong. I felt different although my mum kept reminding me it was OK to be different.
I've been a big fan always of getting my camera in different places and trying to seek the unusual vantage point.
I think the E.U. means different things to different countries. In the U.K., traditionally, if you know anything about the U.K.'s history and its relationship with the E.U., it is about the common market; it's about being part of something that is good for jobs and growth.
That's part of the beauty of being an actress: you get to explore different facets of what it is to be a human being and what it is to explore different personalities, and actually, that's one of the things I love about it.
I'm doing a much smaller movie. It's set in Germany and it's a totally different subject matter. I'm trying to break it up.
Obviously, we suppress things, emotions, things during the day - thoughts that we obviously haven't thought through enough, and in that state of sleep when our subconscious, or mind just sort of randomly fires off different surreal story structures, and when we wake up we should pay attention to these things.
When you're trying to do character work that's different from what people expect from you, you're sort of in territory that is uncharted, and you don't know how it's playing all the time.
I'm just trying to make movies simply about life. Naturally, when I'm doing that, horror, violence, and all those kinds of things get mixed in. All those things happen in reality.
Many of the companies in the mobile location space are trying to figure out different ways to tie what they're doing to commerce. — © Sam Altman
Many of the companies in the mobile location space are trying to figure out different ways to tie what they're doing to commerce.
I think we need to develop the courage to write from the viewpoint of people who may seem quite different from ourselves, who might have a different sexual orientation or a different race or a different ethnicity.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
It was a figure painting class, where you had a model, and [Robert von Neumann ] would wander around and he'd come up behind someone and say, "Well, what are you trying to do?" And if you told him what you were trying to do, he would then proceed to discuss this with you and suggest things that you might look at and ways in which you could improve what you were attempting to do, etc - never worked on your painting, never touched your painting but talked extensively about what you were trying to do.
In an industry that has the capacity underutilization that we have, why wouldn't we? It's just common sense. Apparently they're successful (in Canada). Our standard approach is not to cookie cut things. Every market is different, every theater is different. The devil's in the details.
Each person assesses each other person's credibility on different dimensions, because people are strong and weak in different things.
There was a positive side to not trying at something: you could always pretend that your life would have been different if you had.
I got to a point in my life when I'd done loads of things I regretted. I made all the wrong decisions. I was trying to fill my life with all these projects, hoping that one of them would succeed. I was like a cheating girlfriend. I was cheating on all the bands with other bands, and I was trying to manage everything.
I thought it was a prank. There is no way six different major labels trying to reach out to me. But it was actually happening.
Most of my ideas come from drawing patterns across conversations I have with different types of people - technology investors, young fashion design students, a CEO. This variety is stimulating and offers many different perspectives on the things I am thinking about.
I guess in general, because it's such a popular trend in mainstream American pop, that there's been some kind of negative reaction to it. But at the same time, it's a really interesting effect and really interesting texture, and a lot of credit goes to Rostam for producing our music, and all the work that he puts into it, and just trying different things. Ezra did a vocal take, Rostam threw auto-tune on it, and we all liked the way it sounded.
The most incredible thing about playing the songs live for people - looking out to the crowd and seeing the different reactions and the different heart-strings and the things that people are relating to that mean something to them, that's crazy.
Facebook is in a very different place than Apple, Google, Amazon, Samsung, and Microsoft. We are trying to build a community.
In acting, you get to explore such an artistic side with different characters to research and learn and explore different things inside yourself and I do that anyway, so I might as well be doing something that I already do, as in a second nature to me, on film.
I think everything you are, everything that engages you, eventually comes to bear on the novel you write. I think the creative energy in novel writing, obviously, comes from tension. From trying to fuse. From trying to make coherent disparate things that might not at all seem to belong together within a narrative.
But now I realize that this record business really needs me. No one else is trying to take a chance or do something different. — © Erykah Badu
But now I realize that this record business really needs me. No one else is trying to take a chance or do something different.
I am a lot of different things to a lot of different people. Aren't we all? I teach meditation to many different types of people, you mentioned celebrities. I also teach meditation to many people who are not famous, but are, in my eyes, very important.
Lately, I love creating ideas on my acoustic guitar. I sit in my living room for hours trying different chords.
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