The key to eating healthy is not eating any food that has a TV commercial.
Seems there's a big debate going on about whether a new TV commercial for Minute Maid orange juice portrays Popeye and Bluto as gay lovers or just good friends. The commercial shows Popeye and Bluto at the beach and riding a bicycle for two. I don't think that makes them gay. I think the fact they both find Olive Oyl attractive, that makes them gay.
My mom put me in a Pampers commercial on TV.
He wanted to wake up to her smile every day for the rest of his life, like some stupid coffee commercial on TV.
I was eating cereal on my couch when I saw the first commercial for 'The Wiz' on TV. I dropped the spoon and the tears came out of nowhere.
I remember I prayed to God. I was like, "Just let me be on TV." Let my friends see me on TV in a good thing. I like, if I'm funny a little bit on a commercial and then I don't need to act ever again. "Just let them see me." And then it worked. I got the commercial. I was on TV. My friends all saw me. I was a kind of a star at school for like three days. And then it faded away and I was hungry and I had to like make another deal with God. I remember it still.
I'll do calf raises when I brush my teeth, I always take the stairs, and do squats on commercial breaks if I'm watching TV. It's so easy and it has become my little habit.
My first commercial ever was a Dr. Pepper commercial. And then I did a Mountain Dew commercial. A lot of soft drinks.
I'm scared to death to fly commercial I have not flown commercial since 9/11.
I'm scared to death to fly commercial... I have not flown commercial since 9/11.
All of us somehow felt that the next battleground was going to be culture. We all felt somehow that our culture had been stolen from us-by commercial forces, by advertising agencies, by TV broadcasters. It felt like we were no longer singing our songs and telling stories, and generating our culture from the bottom up, but now we were somehow being spoon-fed this commercial culture top down.
Football is so popular, people know they can sell their story in a newspaper form or a rating on TV, so they use football because what they are more about is the business of, you know, selling newspapers or seeing commercial time on TV.
Just as a salesperson is never extreme or original or overdressed, so the TV retailers never do anything to distract their audiences from the real product, the commercial.
I left Canada in 1953 because I could find nothing very satisfying about delivering commercial pitches on camera. I felt the whole atmosphere of TV in Canada was listless.
I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.
I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.
Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.
The average TV commercial of sixty seconds has one hundred and twenty half-second clips in it, or one-third of a second. We bombard people with sensation. That substitutes for thinking.
I went to a few really bad commercial auditions because I needed the money, and when you booked a commercial, your life was made: you could eat.
One of the first jobs I did was a commercial, a local commercial on the Chinese channel here in Los Angeles, and the whole thing was in Cantonese, I think, and I didn't have any lines, but I was kind of the focus of the commercial.
By some curious mischance, a couple of my plays managed to hit an area where commercial success was feasible. But it's wrong to think I'm a commercial playwright who has somehow ceased his proper function. I have always been the same thing - which is not a commercial playwright. I'm not after the brass ring.
You have to keep people engaged until you get them through the next commercial. I'm not complaining about working in TV, at all, but just as an artistic reaction, I find myself being so drawn to moments of silence where things are allowed to breathe.
When I was around 9 years old, I was watching TV one day. I was looking at this commercial, with a kid in the bathtub playing with a rubber ducky or something, and I said, 'Where do those kids come from? How come they get to be on TV? I could do that stuff.'
It might be hard to remember this far back, but once upon a time, some of us hoped that public TV would develop into a smart, sophisticated, civilized alternative to commercial TV - not a cheap imitation of it.
The only thing that takes away from it is when they steal some music from one of my movies and put it in a TV commercial. I am not crazy about influencing TV commercials. But if I legitimately influence someone making a movie, I think that is really flattering.
Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
YouTube videos, they're more personal and more real than a commercial on TV.
I went and worked at a TV station in Stillwater. I was actually account manager for commercial accounts, selling ad space and everything.
It's TV shows like 'Buffy' and 'Angel' that usually have an incredible cliffhanger every commercial break that amaze me.
For me personally, it doesn't matter if I'm in a short film, a commercial, a digital series, a TV show, or a movie. Acting is acting. You have to embrace whatever medium you happen to be in and not worry about everything else around it.
I'm a commercial director; I do some very very commercial stuff in the commercial world. My music videos are always analyzed. I need to think about what the audience is going to think.
As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.
Someday America will have its very own commercial-free TV and radio station devoted to only one thing: to teach people, in their homes, all the essentials of personal achievement.
I'm very pro-Israel. In fact, I was the head of the Israeli Day Parade a number of years ago, I did a commercial for [Benjamin] Netanyahu when he was getting elected, he asked me to do a commercial for him, I did a commercial for him.
Pornography is any act that has no artistic merit and causes sexual thoughts...Sounds like almost every commercial on TV to me.
I have a TV show, a radio show. I've authored two books. I own a construction company, own a commercial fishing lodge, and am a pilot.
I respect the rules of TV, the rules of keeping things commercial and interesting and pop-y and fun.
Nature's what it's all about, but our people have been brainwashed into thinking that life is a cell phone against your head and the TV on a beer commercial with hot chicks.
My first commercial was an Old Navy commercial where I stood in line in front of a club, and Fran Drescher was in it.
I'm disenchanted with Communism and most other things. I'm cynical but not a cynic. I'm cynical about TV, Congress, and commercial peanut butter.
I really love sharing with young Canadians the changes we're seeing in the space program right now with what we call "commercial space." We have commercial cargo delivery to the space station, and now we have what we call "commercial crew," where we're going to be delivering people to low orbit on new vehicles that are being designed by Boeing and SpaceX.
On TV, the nitty-gritty of trials takes place between commercial breaks, whereas, of course, reality is infinitely more complex. True crime also makes us more empathetic.
We signed up my little girl to a modelling agency. This week she was doing a TV commercial for Aldi. She's done JD, Next, Speedos. She enjoys it.
I have done a Hamburger Helper commercial, a Hardees commercial, a McDonalds commercial. American Express commercial.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
You come downstairs, turn off the TV, and then and your son says, 'Daddy, I want to get that wrestling set, and all the pieces are sold separately.' The minute he quotes a commercial verbatim, that's when he's had enough TV.
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
The magic kit we developed with Idea Village is an extraordinary success in 40,000 stores across America. The TV commercial we shot for it has produced amazing results - unbelievable.
TV is and will remain the leading medium - whether it's public broadcasting, commercially funded Free-TV, or whether it is our new growth engine, Pay-TV; whether it is distributed via broadcasting or on demand: The future of TV is - TV!
You can talk about reality TV if you want to, but guess what - it was a big commercial for Kym Whitley.
If you watch a stretch of TV for a few hours, there is a good chance you'll hear me on some commercial or in some documentary or on a cartoon as some voice of a character.
I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.
I grew up on sets, because both my mom and dad were commercial and TV actors, so I've always felt very comfortable in that world.
Commercial television has lowered the general standard of TV in an endeavour to get millions and masses of people to watch the advertising. But that is not the problem of the advertiser.
My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.
Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product.
We love doing commercial and TV show work.
The initial response to 'Yennai Arindhaal' was that it didn't have all the quintessential commercial elements, though I consider it as my most commercial venture.
Sometimes you can do a TV show on a subject you just can't do in film. Either it's too long or studios will perceive it as not being commercial.
We just watch anything speed by. To stop and really ponder what a product label says, or the tagline on a TV commercial, might be inherently silly. Those are things that are almost designed to be thrown away.
This site uses cookies to ensure you get the best experience.
More info...