Top 1200 Tv Commercial Quotes & Sayings - Page 16

Explore popular Tv Commercial quotes.
Last updated on November 7, 2024.
I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
I'm looking to find good stories, not big commercial pieces of work.
I will always face the conundrum that the subjects I'm attracted to aren't essentially commercial. — © Debra Granik
I will always face the conundrum that the subjects I'm attracted to aren't essentially commercial.
Commercial speech is like obscenity... we can't seem to define it, but we know it when we see it.
It turned out it was really easy to create commercial stock footage.
I see little commercial potential for the Internet for at least ten years.
Flying commercial airlines has become an all-too-often unpleasant experience.
I'm an underground mix-tape artist who's had a level of commercial success.
I do not mean to be the slightest bit critical of TV newspeople, who do a superb job, considering that they operate under severe time constraints and have the intellectual depth of hamsters. But TV news can only present the "bare bones" of a story; it takes a newspaper, with its capability to present vast amounts of information, to render the story truly boring.
I don't have a favorite medium; I was brought up on TV. so I am clearly of the TV generation, but it depends on what you are trying to sell; sometimes a fully integrated solution, sometimes a pure Internet solution, sometimes a pure billboard solution.
Where I grew up, we had the three TV networks, maybe two radio stations, no cable TV. We still had a long-distance party line in our neighborhood, so you could listen to all your neighbors' phone calls. We had a very small public library, and the nearest bookstore was an hour away.
I read a ton of fiction - historical, contemporary, literary, commercial, I love it all.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
When you're dealing with TV and with movies, people dont take it as serious as they do with music. If a rapper does a song about shooting people on the block, and goes into a restaurant or grocery store, people grab their purses because they're afraid the person is violent. With TV and movies, people know it's okay, it's just a script.
The way that people are watching TV is changing. The landscape of television is changing. Movies are becoming much more insular. They're like a walled garden, where you know what you're going to see and you expect it. But in the world of TV, because it's episodic, you can explore any area because you have time to do that. You can take risks on the kinds of storytelling that you're doing.
Dad is in commercial real estate. Mom is a writer and a retired teacher.
I teach that people should watch less TV. I don't care what else they're doing! The average American's watching anywhere from three to six hours a day. If you watch six hours of TV a day, that's 15 years of your life!
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
I met Princess Anne once at a charity do and she said Blue Peter made her realise TV was all lies - she'd gone to Africa on safari with Valerie Singleton and they didn't see a thing, but when she watched it on TV they'd edited in some lion cubs. I was like, 'Oh dear.' I still don't know if she was joking or not.
I'm a big believer in bringing in other creative minds; I do it in my commercial work. — © Michael Gracey
I'm a big believer in bringing in other creative minds; I do it in my commercial work.
Industrial hemp is a safe substance with many practical commercial applications.
The TV set, or Satanic family altar, has grown more elaborate since the early 50s, from the tiny, fuzzy screen to huge ‘entertainment centers’ covering entire walls with several TV monitors. What started as an innocent respite from everyday life has become in itself a replacement for real life for millions, a major religion of the masses.
I have never written a line of commercial code in my life. Nor should I.
Never board a commercial aircraft if the pilot is wearing a tank top.
Hollywood is in love with any kind of nostalgia that can prove itself to be commercial.
If you make a good film, then there's no harm if it achieves commercial success.
Some people misconstrue our band just to be a commercial venture.
People think the effort is less in popular commercial cinema, but that's not true.
I really don't like too much of the commercial acting in a lot of commercials.
In TV, kid roles are like this: You're either in a couple minutes of an episode playing somebody's kid, or you get in these procedurals where you're crying or you're playing a witness or you're playing a crazy person. Every once in a while you get a big guest star role, but there's a formula to those TV shows.
I'd rather write great songs because the word "commercial" is so subjective
There appears to be no space outside the panoptican of commercial barbarism and casino capitalism.
The problem with me and TV shows is once I start watching them, I have to watch them all because I'm so impatient. I need the entire series to be on TV, and then I'll sit all day and watch the entire thing. So I did that with 'Homeland,' and I did that with 'Veep.'
I came from Hyderabad and didn't know the difference between commercial and parallel cinema.
There are a lot of guys who have never had to go to a commercial break during their match.
We've still got a cathode ray TV with a big back. An ancient, massive thing. All our teenagers' friends come round and say the TV's really cool. The picture is so much better than HD TVs - everything looks like film. It's not digital, and we still haven't got Netflix. It's too confusing.
To those who are engaged in commercial dealings, justice is indispensable for the conduct of business.
My kids always say to me, 'Can we watch TV?' I say, 'Absolutely!' because then I can get something done. But then they say, and I wait for it, 'But can you watch with us?' My moment of freedom vanishes. So not only do I not think TV's that great and I hate sitting in front of it, but I have to with them.
My whole life revolved around TV as a kid. I would come home and make sure I finished my homework every night by 8 o'clock, generally so that I could sit down and watch TV from 8 to 10. As a kid, it was 'Family Ties' and 'Roseanne' and 'Growing Pains' and 'Perfect Strangers' and 'Golden Girls.' I mean, I watched everything.
People have often asked me, do I want to be the next Oprah - there is no such thing. Oprah is Oprah, and she's still being Oprah if anybody hasn't noticed... what I bring to TV is myself... I really think there's space in daytime TV for a whole bunch of fun, some amazing music, and some heart.
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
Why call me inferior to another person just because of the platform we come from. I think the audience need to reflect on that aspect. If I work on TV, and on web as well, and even in films then why just call me a TV actor?
I got my SAG card when I was 10 by starring in a Beenie Weenie's commercial. — © Jennifer Morrison
I got my SAG card when I was 10 by starring in a Beenie Weenie's commercial.
I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.
Most people don't want to work in commercial sex. They have little choice.
If you're in jazz and more than ten people like you, you're labeled commercial.
Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.
In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down.
I was blessed to be part of a commercial, pushing for this energy bill, but we've been unsuccessful.
Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
I never overcame my conviction that writing for commercial television was a kind of prostitution.
I love masala films, and as an audience, I like my dose of commercial cinema.
The truth is, for me, when I was a young black girl who knew I was different, was watching TV, I would always be staring at the TV set looking for myself, and I didn't see me. And when you don't see yourself, you start to think that you don't matter, or you start to think that something is wrong with you.
Before my big break in 'MADtv,' I was doing a lot of commercial work. — © Mo Collins
Before my big break in 'MADtv,' I was doing a lot of commercial work.
It is only by not paying one's bills that one can hope to live in the memory of the commercial classes.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
Just having people saying no to racism on a commercial changes nothing.
I was an apprentice television engineer when I decided to pack it up and go full-time, much to my father's disgust. But I'm still interested and I like messing about with TV. I can't deny it ... TV engineering was the job I'd wanted at the time, and I got what I wanted. But in the long-term it would have been second best to being a musician.
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