Top 1200 TV Commercials Quotes & Sayings - Page 2

This occasional sports columnist, who has been to his share of Super Bowls, had been glad to be home on Super Bowl Sunday, but the scary commercials made me want to be in the melee of the arena, where you are not aware of commercials.

I grew up with free television. Now, it wasn't free, there was these commercials, and so the economic model was driven through commercials and through advertising.

I wanted to go to New York and be a stage actress, doing things like Chekhov. None of that happened, and then I went to L.A. and an agent said, 'I think you belong in commercials and TV.' So I did that and got some opportunities that I absolutely love.

I grew up watching people and companies commercialize Black History Month. I watched old McDonald's commercials, and they'd blacken up the commercials for 28 days then go back to normal in March. It got annoying to me.

Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.

For me, Santa was white, and he was in Coca Cola commercials. You never saw a black Santa on TV and in movies, and when you did, it was usually a bum with a Santa hat, or a bunch of jewelry.

I made experimental commercials in the experimental division of a production house, Film X, that made commercials for ad agencies.

'Legion' is meant to be a show that is a state of mind. But the problem with TV is that there are commercials. There's a hypnotic quality to the way we put it together. I need to get you out of your life in the first seven minutes of that show.

Commercials certainly pay more than films. I was pleasantly surprised at the profitability of commercials when I did my first ad for a popular soap brand years ago. I was paid a huge amount of money for a mere 30 seconds of screen presence. After that, ads have been a regular feature in my career.

I never actually studied an American accent. I never learned it. I never had anybody teach me how to do it. It just kind of happened. I think I probably spent a lot of my childhood in front of my mirror pretending to do Cornflake commercials like the kids I've seen on TV from America.

At its best, MTV puts a face to the names, if you know what I mean. I think if you can take the expression of a song much farther, that's great. And it's one of the only outlets there is for artistic filmmaking. But it's a double-edged sword. At it's worst, MTV is just a lot of TV commercials for songs.

The rule was, the kids in this agency had to do 15 commercials or something before they sent them out on a theatrical audition, for a television show. And I had only done two commercials.

I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you'd typically go out for as a young kid. I wasn't the type of kid who would be in stuff that kids watch. I wasn't cutesy.

I have to entertain myself. An easy way to explain it is I worked in NY since I was five-years-old doing modeling and commercials, and that's a completely different world than in California where I think there's different dreams and aspirations of maybe being a so-called 'star' and so forth. Here you do your work, whether it's theater or commercials.

The White House begun airing their TV commercials to re-elect the president, and the John Kerry campaign is condemning his use of 9/11 in the ads. He said, it is unconscionable to use the tragic memory of a war in order to get elected, unless of course, it's the Vietnam War.

Pop culture, commercials. You only come across a commercial if you're watching a TV all the time. I've never been all that upset. I like hearing the songs. I guess I've never been all that caught up in it.

When I ask people what they think of when they hear the term 'cerebral palsy,' I usually get one of two responses. They either think of a smiling, crumpled child in a wheelchair on a poster or commercials on late night TV with lawyers enticing parents of CP kids to sue the pants off their obstetrician.

I never knew much about business. But I've been made happy. The TV and commercials have been very fortunate for me and my career. And Atlantic Records has always been wonderful to me. I don't think I could have chosen a better record company.

I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.

Some Trumpsters asked me if it was really a problem that Trump doesn't have money to run commercials now. And I said he doesn't have the money, just doesn't have the money. "That's not good. He needs to be running commercials."

My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.

Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'

I had plenty of offers to do sponsorships and TV commercials, but it's just not in me. I would love to get that out of me, but I just don't feel comfortable with it.

The I&B Ministry, at their own convenience, can't pick and choose content in serials. We have weird commercials with a lot of objectionable content running on TV post 11 P.M., but nothing has been done to stop them?

I love commercials. I love to hate commercials, too. I talk back to them.

In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.

I had been doing plays in New York and on a whim we packed up and moved West, I started doing commercials and plays and guest star spots on TV and one thing led to another and I got Knots Landing.

I have a company in New York City producing music for commercials, for radio, TV, features, etc. That's how I've been making my living. And now the company is very successful - to the extent that I can afford to come out and play.

TIVO executives stand up and say, 'Well, we're not getting rid of commercials, but we are letting them fast forward, because people like commercials, and if they see one that they like they stop and watch it.' I mean, please.

This woman [Lena Dunham] makes up being raped or something at Oberlin College and then she did commercials for Hillary [Clinton] so she's a darling, she ran that TV show at HBO. HBO's a left-wing enclave. It's worshiped. And so she benefits from that.

I've been watching Maybelline commercials since I was little and singing along with the jingle and doing little Maybelline commercials in my bathroom when I was, like, 10.

I don't want to sound conceited, but people were intrigued with me and thought I was crazy and the word got around about this wacky disc jockey who could do 10 commercials in 10 minutes - what I did was make fun of the commercials.

I was addicted to 'The Monkees' TV programme - not so much because of the music but because of the commercials in between. The programme was sponsored by Yardley, and in the commercial breaks, there would be these English girls on roller skates, wearing hot pants, and I just thought, 'God! How neat!'

A picador is the guy in a bullfight who helps make sure the matador doesn't get killed by distracting the bull. That's what TV writing is. You're just distracting the bull long enough to stick around for the next set of commercials.

Before the Polaroid commercials, my image was that of a solid actress, a theater actress who could do anything. But the Polaroid commercials were high comedy... Through them I was finally noticed as a comedian.

Modelling was never a career option for me; it was always a hobby. I was modelling while I was pursuing my B.Tech, so the obvious choice after finishing my studies was to do a job. But while I was modelling and doing TV commercials, I really loved being in front of the camera. I enjoyed the shooting process.

Many, many things are dangerous in our world, commercials and TV are dangerous, and so is the world of sitcoms. But nobody does anything about them because they're turning in alot of money.

When I wrote 'Pink Houses,' nobody was talking about that, right? The next thing I know, you can't see the TV without hearing commercials with 'Listen to the heartbeat of America,' or 'Born the American way.' That whole America thing now - I hate it.

I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

If you don't feel a true passion through work, you can't do it. It's not possible for me. I've never done TV. I've never done commercials. I've never done anything for money. I can't do it. I wish I could. It would be easier.

A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.

When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous.

Although the TV commercials will try and have you believe otherwise, there is nothing good about breakfast cereal. No matter how 'low fat' or 'high in fibre' the box tells you it is, ditching the high sugar cereals is the first step you need to take towards a better breakfast.

I got a part in a package of commercials for this big drugstore from the age of 6 to 10. For four years I shot those commercials, and old ladies would stop me on the street and grab my cheeks. That's how it started.

The question for me was, could TV actually teach? I knew it could, because I knew 3-year-olds who sang beer commercials!

I made a living for 10 years making very typical TV commercials. But I always wanted to reach beyond that and do stuff that people might relate to in the way they relate to my nonbranded content.

I liked working in advertising, but don't believe my taste in art, such as it is, was entirely formed by TV commercials. And I don't feel especially conflicted enjoying a Mantegna one day, a Carl Andre the next day and a brash student work the next.

A lot of people are like, "You're doing commercials?" And I honestly feel like those Sierra Mist commercials are better than a lot of sitcoms I get offered. It's hard work, and I'm paid a lot of money, and I do it because I love the soda.

TV is and will remain the leading medium - whether it's public broadcasting, commercially funded Free-TV, or whether it is our new growth engine, Pay-TV; whether it is distributed via broadcasting or on demand: The future of TV is - TV!

When I was 12 years old, I was obsessed with codes, conspiracies, and secret messages. I would record TV commercials with SoundRecorder.exe on Windows 95 and reverse them to see if I was being subliminally influenced to watch Pokémon by Japanese spies.

I think people really appreciate clever commercials, as do I. I think they're very entertaining. You just have to wade through all the garbage. That's one of the reasons people watch the Super Bowl. A lot of them watch it to see the commercials and not the actual game.

I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.

I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.

So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.

Christmas can have a real melancholy aspect, 'cause it packages itself as this idea of perfect family cohesion and love, and you're always going to come up short when you measure your personal life against the idealized personal lives that are constantly thrust in our faces, primarily by TV commercials.

Commercials are not the only junk food in the speech market - indeed, when compared to shallow news reporting, vacuous television shows, or political doublespeak, commercials are not even the most harmful to mental health.

I can't look at TV without seeing something that's been influenced by rap. Even commercials for cereal. When I was small, I was a fan of cartoon characters - now the cartoon characters are rapping!

You have only 30 seconds in a TV commercial. If you grab attention in the first frame with a visual surprise, you stand a better chance of holding the viewer. People screen out a lot of commercials because they open with something dull. When you advertise fire-extinguishers, open with the fire.

I hate how on TV they have to fill so many minutes. It means they have to put in anything, and by doing so they sort of trivialize news; news becomes this commodity that they need to fill dead time between commercials with.

If you're advertising on Facebook, the work you're doing should be made better by being on Facebook. You can't just be repurposing old TV commercials and hoping to get traction; that's very primitive. The question, always, is, 'How is this idea made better by this medium?'