Top 1200 TV Commercials Quotes & Sayings - Page 3

Even if a media of a TV is not available in a home, there's this concept of community homes, where a reasonably well-off villager will have a TV - and a nice TV - and he'll keep it outside the house in the evenings.

It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.

I was aware of the possible biases you could get as a commercial director, like being too concerned about the technical aspects of the form rather than anything of substance. If you keep working in commercials, you can get trapped in a very superficial way of thinking. I always used commercials as an exercise for filmmaking, like going to the gym.

I mean, a lot of people don't realize it, but fashion is one of the most racial industries left out there now. Radio and music aren't. Television and movies aren't. Even commercials now are showing interracial couples. You see a lot of diversity in TV shows, but you don't see that in fashion. You think there would be some, because the consumer is of all colors and all shades. But you don't see that in fashion.

My dad's an actor. Ever since I was little, I'd watch him do it, and I was always very into it. I got into when I was about two years old. I started out with print work, doing modeling and stuff. Then I got into commercials and TV. Once I started, I loved doing it. It's just something that I've continuted over the years, and I love it.

Television screens saturated with commercials promote the utopian and childish idea that all problems have fast, simple, and technological solutions. You must banish from your mind the naive but commonplace notion that commercials are about products. They are about products in the same sense that the story of Jonah is about the anatomy of whales.

I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.

The only difference in reality TV and the other TV is that the scriptwriters for reality TV are not union. I have been on reality TV shows. Believe me, my friends: It's not just improv and whatever happens when the cameras are rolling.

I actually don't watch TV at all. If you asked me what my favorite TV show is, I couldn't tell you because I don't watch TV.

I wanted to move between film and theater - I never felt like I fit into TV. And I'm very anti-TV, like, 'I'm never going to do TV,' but also, TV didn't want me either, so it was kind of perfect. And then, of course, cable happened, and suddenly it was like, 'Oh, I could do that kind of stuff.'

By and large a good rule for finding out is this: the kind of work God usually calls you to is the kind of work a) that you need most to do and b) the world most needs to have done. If you really get a kick out of your work, you've presumably met requirement a), but if your work is writing TV deodorant commercials, the chances are you've missed requirement b).

TV commercials make parenting look like there are going to be good days and bad days - like, it'll be this gentle wave, like you'll have a blissed-out, really wonderful day or two, and then, you know, then you'll have an issue. And what parenting is, is kind of earthquake.

Most of the time, I don't think movies of TV shows are a great idea. It's worked a few times, but usually, I think that what's on TV works on TV.

I read everywhere. It's like a bodily function. I don't need quiet. I write and read with the TV on. I follow the TV show while I read. TV doesn't require a lot of brainpower.

I don't want to be a TV star for the sake of being on TV. I want to have a TV show that's based around my comedy.

I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.

I don't really watch any TV. I'll glance at the TV sometimes if my wife's watching 'Empire' or 'Scandal.' I'll sit with her for an episode. But I don't have a TV show that I watch.

I want everyone out there in TV land to touch the TV. Touch the back of the TV and get a shock for Jesus.

I had achieved a lot on TV and I wanted to do a film. And during that time I was told many that 'you are a TV star, when people can watch you for free on TV who will buy a ticket to watch you on screen?' I faced it a lot.

Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasn't that fat, and I would get on a diet, quickly.

The first time I was on TV, on "Flight of the Conchords," someone put up a YouTube clip and said, 'You're too ugly to be on TV.' And I was like, 'That is exactly why it's a good thing that I'm on TV.'

I am here to tell you, TV is not dead. Rather, it is constantly evolving as we are. My view is that we are in the next Golden Age of content. If AOL, Google, Netflix, Amazon, and Yahoo felt TV was dying, they would not be so eager to play in our sandbox. It is, after all, TV content that's driving their business.

I started singing very early. I was six or seven years old, and I was singing along to TV commercials and figuring out, 'Oh, hey, I can sing in tune. This is really cool.' But the songwriting thing came much much later, when I was 19 years old.

Making music on TV used to be as common as commercials. In the '60s and '70s, prime time was stuffed with variety shows headlined by such major and treasured talents as Carol Burnett, Red Skelton, the Smothers Brothers and Richard Pryor, who had a very brief comedy-variety hour on NBC that was censored literally to death.

I actually like doing commercials. I don't like doing them to the exclusion of everything else, but I like doing them. The 30-second format is very hard. I sometimes call it American Haiku. And I think some of the commercials I've done are not so bad.

For me, being on set is no different than being at a dinner table or riding the subway next to someone; inevitably their life story is always more compelling than most ads in magazines and most commercials and reality TV and all the stuff we're sold and told is valuable.

TV is a language all its own, a land of one dimensional stereotypes that destroys culture, not adds to it. TV is anti-art, a reflection of consumerism that serves the power structure. TV is about demographics.

The publishers and others should quit worrying about losing customers to TV. The guy who can sit through a trio of deodorant commercials to look at Flashgun Casey or swallow a flock of beer and loan-shark spiels in order to watch a couple of fourth-rate club fighters rub noses on the ropes is not losing any time from book reading.

My favorite commercial I did was my Verizon campaign, which I filmed a series of three commercials. My favorite movie I have done was 'House Under Siege' because it was my very first movie at 5 years old. My favorite TV show I have filmed was 'The Night Shift,' which is one of my favorite shows.

It's a mystery to me why comics have been so despised for so long. Obviously, it has to do with the history of the medium - arising out of cheaply-reprinted booklets of newspaper strips, just out to make a quick buck, followed by mostly-crappy original work. It took a while for really talented artists to move into the comic-book world from the newspapers. It really is strange that even TV commercials got respect before comics did. I have never been able to figure it out.

TV has made dancing less important. It used to be a real treat to go to the movies and see Fred Astaire dance. But now you see dancing every time you turn on the set. You see lines of girls on the variety shows - even girls dancing around a big box of cleaning powder for commercials.

You sit around watching all this stuff happen on TV. . . and the TV sits and watches us do nothing! The TV must think we're all pretty lame.

You're used to a TV show, and TV is just made for TV shows. It's not made for live events.So anyways, I was resistant to it, but I did it anyway.

I don't audition for "on-air" commercials - the ones where your face can be seen. I've auditioned for voiceover campaigns that I haven't gotten, but I don't really want to be seen in a commercial unless it's a product that I really love. Like, if Adidas asked me, I would do it in a heartbeat. But I did a Reebok commercial, one for Pep Boys, one for Dunkin' Donuts. I auditioned for commercials, but I really couldn't stomach it. It just didn't feel right.

Most advertisers spend millions upon millions of dollars to buy commercial time during the Super Bowl, and millions in creating eye-popping ads, hoping to create catchy, unforgettable commercials. Unfortunately, most Super Bowl commercials end up being unmemorable. Costly mistakes for brands and creative flameouts for advertising firms.

There was a day when doing TV was like, oh my God, the end of your career. Now it's just like, we all want to do TV; we all want to do great TV.

I am at a loss to figure out how to rid my e-mail of those bottom-feeders of the electronic world, the generators of spam.... If I were Emperor of the World, I would lock all the spammers in a room and force them to watch nothing but TV commercials for the rest of their miserable lives, and I would condemn the people who respond to spammers to do nothing but clean the toilets in this room.

I did a lot of commercials starting in about '75, yeah. Well, not 'a lot'; I never was a big old commercial gal, but I made a good living. I didn't immediately make 'a living' at commercials; the first year I made maybe a living was about '80. I had a great year in '85. I had a nice little supplement.

I'm not a huge TV person. I don't like having the noise when I'm doing other things unless I'm really lonely, and then I turn the TV on. But I do like to sit down and watch TV in the evenings.

There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.

All the black leather she needs is the E-Z boy recliner where her love is parked with one of his hands wrapped around a remote, the other, a bottle of beer. She's right. It's kinky. The way he doesn't look away from the TV, as her head bobs in his lap like a fisherman's float on a nature program, hectic with the pace his breath sets. His crotch swells under her mouth's prowess. He's such a sweetheart he waits until the commercials to come.

TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.

I remember thinking all TV was black and white, but that was because we had a really old, broken TV. And then I went to a friend's house and I was like, woah, your TV is like, crazy! Teenage Mutant Ninja Turtles. That was my first show.

I've been working my way to doing my first feature film for about ten years. So I went through the commercials route and some people come from a theatrical background and some people come from a writing background, but I directed commercials

Since I'm a story-oriented critic, sometimes it's difficult to discuss issues without defining them. At the same time, I try not to give away anything that hasn't been given away in first half, in TV commercials, or that isn't obvious from the set-up of the movie. My editors are aware of this tendency of mine and read carefully for spoilers.

It's, like, your classic journey from a drama school. I went straight to the three-year acting degree, and I waitressed throughout that to support myself and for the first six months after I graduated. Then I started to get commercials here and there, and then I got a couple of roles in Australia and then a more regular role on a TV series.

Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.

I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.

Hollywood can be an exclusive place. Who gets to be on TV, or who gets to make TV can be a small clique of an industry. There's so many talented, skilled people, all over the world, that might not have the connections or the opportunities to work in TV.

Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasnt that fat, and I would get on a diet, quickly.

My description of fun would be to sit on someone's couch and watch TV. Regular cable TV. When I'm in a hotel, on-demand is the same. I watch the TV in another language, trying to figure out what they're saying.

I used to watch TV in the days that I was on TV. But in that time, streaming has come along. So I can honestly say, I have no idea what's on real-time TV.

Traditional TV will have to innovate their TV delivery software in new ways beyond just offering their content in an app in order to change the viewing erosion of TV.

I'm a musician. I've done TV, but I've never really been a reality TV star, and it's not the route I'm looking to go down, and when I do TV, I want it to be connected to music.

TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.

I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.

I was the singing voice of a cartoon character. I did dog food commercials. I did a lot of commercials, actually, and helped pay my rent and my classes. Then I'd get one good line or two good scenes. I was building my career and building my own experience and learning technically what it was like to be on a set and all of those things.

If I need to buy a TV, I'll definitely buy a Japanese TV. A Chinese TV might explode.

There is something spurious about the very term 'a movie made for TV,' because what you make for TV is a TV program.

We know that the adult in a certain sense has an attitude toward life exactly opposite to the attitude of commercials. Commercials say, 'Your longing for 3.2 beer is very important. Your longing for skin that doesn't have any wrinkles in it, that's very, very, very important.' The adult says, 'No, I've got wrinkles, so what?'